"American Horror Story" and Using Every Trick in the Book: Early Impressions (Epis. 1-3, Blu-Ray)

*full disclosure: a Blu-Ray screener of this film was provided by 20th Century Fox.

Creators: Ryan Murphy and Brad Falchuk.

Directors: Bradley Buecker, Alfonso Gomez-Rejon, and David Semel.

Writers: Brad Falchuk, Ryan Murphy, Tim Minear, Jennifer Salt, Jessica Sharzer, and James Wong.

Cast: Evan Peters, Jessica Lange, Connie Britton, Dylan McDermott, Taissa Farmiga, Denis O'Hare, Frances Conroy, and Kate Mara.

The "American Horror Story" television series received good ratings during its premiere season. This series was the most popular new show on cable during 2011. As well, actress Jessica Lange won a Best Supporting Actress award at the Golden Globes for her performance as Constance. Also notably starring are Dylan Mcdermott and Connie Britton. This is a very popular show for some people. Creators Ryan Murphy and Brad Falchuk incorporate far too many plot elements in its early shows and a few bizarre directing techniques, as well. Some characters are dead, others are living and almost everyone is killing someone else. This frenetic and very chaotic plot style did not create a fan with this reviewer.

The show's story is very complex and diffuse. This reviewer will simply focus on the Harmon family. McDermott plays Ben (McDermott), the father. He cheats on his wife, Vivien (Britton), after she experiences tragedy, a stillbirth. Ben moves his family from Boston to Los Angeles for a "new start." Unfortunately, Ben chooses "The Murder House" for his family's new roost. Over twenty murders have occurred here before Ben, Vivien and daughter Violet (Taissa Farmiga) move in. Five more murders will happen before the end of Epis. 2 titled "Home Invasion."

Lots of characters to follow.

There is far too much happening in the show's pilot. In this first episode, this reviewer counted at least 10 new characters introduced in fifty minutes. That is far too many characters to keep track of. The major themes in this showing included infidelity, with Ben trying to renew passion in his marriage. Vivien turns to a masked bondage character for solace. Even with the show's central characters there is chaos. The story then presents a mish-mash of ideas in this first showing. Two twins are killed, a bully is scarred in the basement, Violet shows that she has a penchant for cutting herself, a new maid can transform from the nubile to the old, said maid tries to seduce Ben and on and on and on the wheel spins out of control. This pilot just seems like an overstuffed suitcase with every horror idea stuffed into its lining. There is too much going on in this episode and the show does not improve much from here on in, in this viewer's opinion.

"American Horror Story" is also a very gay friendly show. Creator Ryan Murphy is admittedly a homosexual filmmaker. Some of his input into the show includes male characters disrobing often. In the first episode, McDermott is nude at least three times. This is great for female and homosexual fans, but not so great for a straight male. A male masturbation scene involving a Peeping Tom does not make a viewing of this series any easier.

This series also has a prominent feminine edge to it, as well. There is this focus on pregnancy and motherhood across several shows. Vivien miscarries, becomes pregnant again, experiences contractions (in just the first four episodes!), while Constance is overly protective of her daughter, Adelaide (Jamie Brewer). Constance also begins to reveal her many other children who have died over the course of these early episodes. Unbelievably, another character is pregnant with Ben's child, but it is all too much to cover. These topics of pregnancy are sure to resonate with some members of the audience. This show has definitely found a viewership, but some of the themes, topics and plot elements were not interesting at all to this watcher.

From a technical perspective, this series fails miserably in the premiere episode, but it improves slightly over time. Returning to the pilot, the director has chosen to use jump cuts, quick edits and a shaky camera to unsettle the viewer. This style of shooting must be similar to what a seizure feels like. You just want it to be over. Some scenes are held for a few minutes, but the next scene will only last for 10 to 15 seconds. This style seems unprofessional and amateurish. The visual style does steady a bit by Epis. 3, "Murder House." The pacing evens out as well by this point. However, this viewer felt like the show had been produced by eager filmmakers right out of film school. There is lots of experimentation, but very little of this exercise is successful.

The Blu-Ray release special features are also lackluster. There is a commentary from creator Ryan Murphy for the pilot, only. Murphy gives a lot of great detail of what was happening behind-the-scenes on the show in general. He also relates some of his horror influences, which included Rosemary's Baby, the Lindbergh baby (kidnapping) and many others. Murphy is verbose in his commentary, but one extra on the release is very sparse, indeed.

This reviewer procrastinated on writing this critique because there is obviously a market for this show and a wide audience. This watcher is, however, not a fan after watching several episodes. Those looking for horror with a feminine and chaotic touch will find lots to appreciate here. Others, who like focused storytelling with a few well drafted characters and situations, will not find much to like in this series. "American Horror Story" is still in the experimental phase in this first season, so hopefully it improves. So far, from what this reviewer has seen, there is no reason to continue watching further episodes.

Overall: 5.5 out of 10 (the filmmakers are trying hard - too hard, too many story elements, plots and characters, trying to jam too many ideas into the show, unfocused and terrible directing styles).

*the Blu-Ray for Seas. 1 of "American Horror Story" released September 25th.

**shot in Rosenheim Mansion.

"American Horror Story" at FX:

"American Horror Story" at FX

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Resident Evil: Damnation's True Roots: A Movie Review

Director: Makoto Kamiya.

Writer: Shotaru Suga.

Cast: Courtenay Taylor, Matthew Mercer and Robin Sachs.

When the live-action Resident Evil movies feel like one giant bio-hazard, maybe turning to the owners of the franchise, Capcom, for their help is required. Shinji Mikamise created this universe and his series bible should be followed. Along with one of the original video-game programmers, Hiroyuki Kobayashi, the team has gone on to create more magic in one front while the set of films by Paul Anderson are ailing.

Quite often, the cut-scenes in this series of video games are more fulfilling in exploring the world that the Umbrella Corporation has devastated. By playing through all the video-games, fans of this series will get to see how truly methodical the mega-corporation truly is and how the people affected by the horror manages to survive. Instead of one central figure, the games look at the lives of freedom fighters who have yet to band together.

In the latest CGI product, Resident Evil: Damnation continues the tale started in Degeneration (2008). Special Agent Leon S. Kennedy (voiced by Matthew Mercer) leaves his love interest behind and he enters a small country in the Slavic Region of Europe in search of evidence. He is there to verify the rumours that Bio-Organic Weapons are being used in this country's civil war.

Before he can get anywhere, his superiors order him to leave. But this maverick is already in too deep. He goes to uncover a few unsettling truths. The political maneuverings are nothing more than sinister. President Svetlana Belikova (Wendee Lee) intends to infect everyone with a modified version of the famous T Cell virus.

The story is engaging enough to keep some fans of the franchise happy. This movie has more of a feel of being involved in the plotline of a videogame, especially with the single person point of view shots, compared to the live-action flicks. But to understand the story, a few nuances are missing. The Umbrella Corporation is hardly mentioned. True to their corporate agenda, they are a shadow player and hopefully more about them will be revealed in future films. Also, the Resident Evil games will show what their grasp around the world is like. At least this film is a perfect lead-in to the release of Resident Evil 6, due Oct 2nd.

But when considering the technology to create these films can sometimes be years in the making, the next movie may not be out for three or more years. Maybe the length of time will be enough to give some voice talents a chance to mature in their experience. Sadly, the English-speaking voice-over talent used in these imported films will never match the same quality as the Japanese performers in similar products. The English language direction was just lacking.

While the CGI is gorgeous to behold, the technology is still not perfect. The human face is the most difficult muscle to recreate with computers, and no motion-capture device can monitor all the nuances required in the close-ups. When the camera uses wider or longer angles, some detail can be skipped, and those moments are more photo-realistic than the computer generated in-game sequences from L.A. Noir.

Even the terror sequences are a bit displaced. The previous movie, Degeneration, is far better at creating the horror of the situation, where being trapped was very real. Even a few characters, like Claire, seemed to frown at the use of violence. Virtual characters need to be spiritually alive than to behave like plastic avatars. An ideal CGI film should showcase the performing arts than the fancy worlds being made. Instead of mo-cap performers taking on these roles, the directors should have the actors wear the ping pong ball suits.

Maybe the producers of these CGI films should hire Andy Serkis (Lord of the Rings) as a consultant. He knows how to bring out a character when wearing the suit. His performances are far too precious.

Overall: 6.5 out of 10

The Resident Evil Damnation Homepage at Sony Pictures:

Resident Evil Damnation at Sony

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Evaluating "Supernatural's" Season 7 Extras: A Series Review (Blu-Ray)

*full disclosure: a Blu-ray screener of this series was provided by Warner Bros.

Directors: Philip Sgriccia, Robert Singer, Mike Rohl, John F. Showalter, Guy Norman Bee, Jensen Ackles, Tim Andrew, Ben Edlund, Jeannot Szwarc, and Thomas J. Wright.

Writers: Eric Kripke, Sera Gamble, Ben Edlund, Andrew Dabb, Daniel Loflin, Jeremy Carver, Adam Glass, Brad Buckner, Eugenie Ross-Leming, Robbie Thompson, Robert Singer , and Jenny Klein.

Cast: Jared Padalecki, Jensen Ackles, Jim Beaver, Misha Collins, Mark Sheppard, and Mark Pellegrino.

CW’s "Supernatural" Season Seven is now available for purchase, and it's jam packed with a great set of extras. As the story of Castiel's rise to "ultimate ascension" comes to head in the first episode, the Leviathans are beginning their rise to power. In the four-disc Blu-ray set, each disc sports a well-designed menu to allow viewers to access the extras at any time.

To see a full clip of Jensen Ackles sing along to "All Out of Love" by Air Supply is priceless, and the segment was very clearly produced for the video release. To call this an outtake is not appropriate, but some terminology had to be used.

Another musical exploration is with the featurette, "Washboards & Tommy Guns: Scoring Time after Time." Composers Chis Lennertz and Jay Gruska give some details of their job. To recreate the Jazz era in the '40s required more work than usual, and they only had five days to get the job done! In a weekly series, that is about the norm since these sound artists usually do not work together. They usually get tasked to individually work on an episode rather than working together.

But after seven years of producing this series, all the head directors do a classic interview-style featurette where they discuss the ins and outs of directing an episode of "Supernatural." Anyone considering a job in either the film or television industry may do well to watch this segment to understand how well oiled the team have to be. Any moment of thoughtlessness will mean a lost day, any hesitation as a director will have everyone in the production, cast-included, looking puzzled. But as Penny Marshell pointed out in an interview to Andrea Burzynski for Reuters recently, it's okay to ask for help and take chances.

Jensen Ackles made his directorial debut with season six's episode, "Weekend at Bobby's" and in this season, he continues his fine work with "The Girl Next Door." He recognizes the challenges as a director and he sounds genuinely candid in what he is capable of doing behind the scenes than in front of. More work will no doubt come, and when "Supernatural" is off the air waves, Ackles will no doubt have options to continue in his television career, or he can begin working at crafting movies.

In addition to the standard set of specific episode commentaries, an interactive featurette, "Supernatural Creature Fest Drive-In" and a Gag Reel, this box set offers more than just what a typical fan may want from a compilation. This release gives viewers a reasonably comprehensive look behind the scenes of a very busy television industry.

Overall: 7.5 out of 10.

*this title released on DVD and Blu-Ray Sept. 18th.

The show's homepage:

Supernatural at the CW

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It's in the Blood and Finding Common Ground: A Movie Review

*full disclosure: a DVD screener of this film was provided by Greenhouse Studios.

Director: Scooter Downey.

Writers: Scooter Downey, and Sean Elliot.

Cast: Lance Henriksen, Sean Elliot, Rose Sirna and Jimmy Gonzales.

It's in the Blood is a small indie production centrally starring Lance Henriksen and Sean Elliot. Elliot also performed writing duties on this thriller. But, can this film be classified into one genre? There are elements of horror with creatures and ghosts appearing within foggy environments. There are dramatic elements as well as a father and a son try to bond after a tragic event. This is also a psychological journey. Characters October (Elliot) and Russell (Henriksen) are externalizing some of their angst in this hiking trip gone wrong. It's in the Blood is a blend of genres, but essentially this title is a psychological drama.

The story does begin simply with a trip out into the woods. Events get complex quickly when the father breaks his leg after falling from a height. Both father and son are then trapped in a small copse of trees by a strange force. Flashbacks begin to tell another tragic tale. That second tale will be kept in mystery to retain some of the film's suspense.

There are many night shoots in the film

A question does pop up during a watching of this film. What genre is this film? Writers Scooter Downey and Sean Elliot blend elements of horror, thrillers, drama and psychological aspects into a fairly short eighty-seven minute film. A bloody leg and subsequent sawing will add gore for horror fans. As well, an eyeless creature looms in white fog. There are a few gripping scenes in the film for horror fans to enjoy. Thriller fans might enjoy the tension between the son and the creature. There are several traps and countermeasures set up, many of which fail. This film fan would call this title a psychological drama. This is a film whose central premise revolves around the relationship between October and his father. They are trying to heal a past wound by going on a hiking trip. It seems that memories of this previous devastating event are being externalized in the woods around them. The appearance of demons and ghosts is symbolic of an underlining issue. However viewers approach the film, filmmakers Downey, Elliot and others have successfully blended several genres in this fantastic outing.

Acting is one element that holds the film together. The relationship between October and Russell is contentious. Both characters see the world and previous events in different ways. Thus, Henriksen and Downey have to allude to this tension in their performances. Henriksen is such a force that Downey seems hard-pressed to react adequately. However, these two actors create a believable familial relationship. And, one actor has to show a gamut of emotions including: hatred, grief, shock, fear courage and many others. He does well despite the complexity of his character. From central characters to minors, casting choices are made competently.

Other aspects of the film such as music, settings and directing techniques amplify the action rather than hampering it. The soundtrack is more prominent in the final half of the film, unfortunately. Musical notes are often sombre to match the sometimes melancholy mood of the movie. Settings are limited in number. The farmhouse, backwoods and shed are each appropriate for the scenes being shown within these environments. In addition, Downey's directing techniques draw the viewer into the events and the camera will keep you right in the middle of the action. Watchers will simply feel like a third party to what they are seeing onscreen. This style of shooting relies on close-ups and medium shots to keep the characters centrally in frame. All of these film elements are expertly produced.

It's in the Blood will release through a video-on-demand release October 26th and there is a lot to recommend here. The small story is evocative. The cast is excellent. Music is appropriate and the shooting style keeps events interesting. Combining all of these elements with a psychological drama creates for a very effective film. It would be good to see more films covering father and son relationships, which is a pairing that is more complex than some would believe.

Overall: 8 out of 10 (really enjoyed this one, good story, excellent denouement, great characters, a powerful film).

The fan page for It's in the Blood is here:

It's in the Blood on Facebook


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Prepare to Scream with A.D. Calvo's House of Dust Trailer

Tagline: "Ashes to ashes, all fall down."

Director A.D. Calvo The Melancholy Fantastic) continues to stay busy in the horror genre. His latest is titled House of Dust. This is a feature set in a old asylum. Here a group of college students find more than a haunted building; they find the soul of a serial killer. One of the four is then possessed.

The first trailer for this feature has been released courtesy of Quiet Earth and Raven Banner Entertainment. In the clip, the friends find the ashes of former residents and patients of the insane asylum. This dust has supernatural properties, which they will soon discover. Have a look at the thrilling clip inside.

An official release date for House of Dust will be announced soon.

Release Date: 2013.

Director: A.D. Calvo.

Writers: Alyssa Alexandria, A.D. Calvo, Nevada Grey, and Scott Kittredge.

Cast: Inbar Lavi, Steven Grayhm, Eddie Hassell, Holland Roden, John Lee Ames, Stephen Spinella, Justin James Lang, Alesandra Assante, Nicole Travolta, and Joy Lauren.

The trailer for the film looms below:




Source:

House of Dust at Quiet Earth

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Victoria's Dedfest 2012 to Chill Screens October 6th: Film Schedule

*full disclosure: 28DLA is an advertiser for this film festival.

Victoria, British Columbia is again set to premiere films for Dedfest '12! This is the second year for the film festival and organizer Ira Hunter of Absolute Underground has teamed up with Burning Moon Films and Zombie Walk Victoria to bring horror fans the best in horror and film.

This year's festival will show Ryan Nicholson's Famine (2011). Nicholson, of Vancouver, B.C., will also be in attendance at the film festival for a Q. and A. As well, the horror classics Night of the Living Dead (1968) and Creepshow (1982) will open the event. Romero's early black and white title set the tone for many zombie films to come. The horror anthology V/H/S (2012) from The Collective will follow. And, this title brings directors David Bruckner, Joe Swanberg, Ti West Adam Wingard and others together for a night of terror!

As well, Absolute Underground will be giving away prizes to horror fans in attendance. Adult beverages will be on hand along with memorabilia from all of the films shown. The full schedule for Dedfest Victoria '12 is hosted below.

The lineup:

3:30pm Screening: Night of the Living Dead (1968)
The original zombie classic directed by George A. Romero.
Trailer: The Trailer for NOTLD at Youtube

5:15 Screening: Creepshow (1982)
This will be Creepshow’s 30th Anniversary Screening!
Trailer: The Trailer for Creepshow on Youtube

7:30 Screening: V/H/S (2012)
This is an insane found footage anthology, which has been called "the scariest, rawest horror film of the year!"
*this is the film’s Provincial Premiere!
Trailer: The Trailer for V/H/S on Youtube

9:30 Screening: Famine (2012)
This film is an over-the-top new slasher/comedy feature from Canadian splatter king, Ryan Nicholson of Gutterballs, and Hanger fame/infamy.
This will be the film’s British Columbian Premiere! The filmmaker will be in attendance!
Trailer: The Trailer for Famine at Youtube

When: Saturday, October 6th - Doors @ 3pm - First Show at 3:30 - Show ends at 11pm.

Where: The Vic Theatre, 808 Douglas St, Victoria, B.C.

**Advance tickets are available at Absolute Underground (1215 Government St) - $15 for full festival pass or $10 per individual show. $10 Full Fest Passes available at the door to anyone in Zombie make-up or horror costume.

More Victoria Event info here:

The Dedfest Festival Details for Victoria

More info on the Edmonton Festival line-up here:

The Dedfest Festival Lineup for Edmonton

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Enjoying a Guilty Pleasure with Killjoy Goes to Hell: A Movie Review

*full disclosure: an online screener of this film was provided by Full Moon Features.

Director/writer: John Lechago.

Cast: Trent Haaga, Victoria De Mare, Al Burke, Tai Chan Ngo, John Karyus, Aqueela Zoll, Jason R. Moore, Cecil Burroughs, Randy Mermell, Stephen F. Cardwell, Lisa Goodman, Ian Roberts, and Jessica Whitaker.

Killjoy the killer clown returns for a third sequel in Killjoy Goes to Hell. Actor Trent Haaga returns as Killjoy and John Lechago pulls double duty as writer and director. Killjoy Goes to Hell blends campiness with sex appeal and a little bit of violence to create a visually stunning film. Very funny, this latest edition to the series is a truly enjoyable time.

This title directly follows the events of the previous film, Killjoy 3. In the previous film, four college students were harassed by an insane demon. Unfortunately for Killjoy, one of his non-studious victims, Sandie (Jessica Whitaker), survived. Now, Killjoy is accused of being: "incompetent, irresponsible, impotent, inadequate and not evil enough," by the Devil. He must defend himself. His attorney, Quint or Skid Mark (John Karyus), is not up to the challenge. And, soon Killjoy must recruit his old cronies: Freakshow (Tai Chan Ngo), Batty Boop (Victoria De Mare) and Punchy (Al Burke) to bail him out of Oblivion.

Batty Boop and Jezabeth in court

The lovely actress Victora De Mare returns in nothing but body paint and this feature proves that sex appeal still sells. De Mare is stunning as ever, but this time she has a little bit of competition with Miss California 2012 Runner Up Aquella Zoll appearing as the Devil's Advocate. Jezabeth has a sharp tongue and a cutting figure, which might distract some viewers. Also, kinky types might even find the dirty witch satisfying on the eyes when she disrobes. Lechago knows how to introduce enough femininity and seduction to keep events interesting.

Also visually appealing are the many well dressed sets. The filmmakers on this production know how to fill the space on the screen. Hell is appropriately shown in deep reds. Other sets, including a psychiatric hospital, are more dimly lit to create a more haunting vibe. The visual sphere is almost always attractive in this production.

Overall, Killjoy Goes to Hell incorporates a lot of quality film elements in its relatively short runtime. The tone of the film is light with actor Haaga emphasizing many of his scenes with witty one-liners. His expressions made this viewer laugh a few times. This is a fun film. All of the performances are well done, while a couple mute characters put a slight damper on their few scenes. As well, there is an action packed finale that takes place in hell. Demon and demoness face Killjoy and his crew with the final minutes some of the most exciting in the film. There is a lot to appreciate in this small production.

This title releases on DVD October 2nd and fans of the series to date will not be disappointed with this latest entry. In fact, the pacing is stepped up a little in this third sequel. In the end, the Killjoy series of films are a true guilty pleasure and fans of horror are prodded with a pitchfork to see this film. You will likely find something darkly enjoyable with Killjoy and his escape from the bowel's of hell.

Overall: 7.5 out of 10 (excellent for such a small budget, good characterizations, interesting story, lots of good laughs, visually pleasing).

*unbelievably shot in 7 days.

The trailer for the film can be found at the Full Moon Features' website:

Killjoy Goes to Hell at Full Moon Direct

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The Haunted Casino: A Retro' Review

Director: Charles Band.

Writer: August White.

Cast: Wes Armstrong, Michael Berryman, Kristyn Green, and Sid Haig.

Plenty of standard locations are popular choices for horror movies -- graveyards, summer camps, schools -- but The Haunted Casino is one of the few horror B-movies out there set in a casino. Casino games play a big role in this flick but these are played for life and death and not just by someone trying to pick up a few extra bucks on a weekend trip to Vegas. If you like truly terrible horror movies shot on a tiny budget, this might be a movie to check out but don’t expect to pick up many B-movie survival tips here as most of the cast busts out and they lose their lives in the process.

Horror movie legends Sid Haig and Michael Berryman play bit parts in this Charles Band film which lives up to his reputation for cheap, schlocky thrills and scares. The basic plot and premise is pretty straightforward: after inheriting a casino from his great uncle - who was tied to the mob - a young man and some friends decide to check it out and spend the night. Unfortunately for them, past employees of the casino who have been killed by the uncle haunt the place and they are eager to get their revenge on the new owner.

As you’d expect, things go south pretty quickly with the vengeful ghosts wreaking havoc and what might have seemed like a fun night at the casino and a chance to play casino games for our young hero, his girlfriend, and friends quickly turns sour. Scanning reviews at IMDb reveal pretty much universal agreement that the acting, plot, and special effects could all use a lot of help. There is not a lot of meat left on the bone for anyone expecting much of a memorable movie experience from The Haunted Casino.

As far as a taste for what you’re in for, here’s one of the more eloquent reviews: “The effects are laughably poor. At one scene the 'foxy chick' encounters an equally sexy female ghost who, prior to dispatching the hormonal annoyance, metamorphoses into a rotten fairground corpse, replete with -get this- eyeballs that roll like one-armed bandits, displaying two death skulls. The soundtrack is hideously inappropriate and it seems to have been hived from the abortion floor of 'Diagnosis Murder'. As we'd expect, our plucky heroes and heroines consistently ignore the basic rules of not getting snuffed in a horror movie. Though for this watcher's eyeballs, thankfully none of them did, as it would clearly have prolonged the agonising torment.”

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Bigfoot County DVD is Coming to Feast this Winter!

Director/writer: Stephon Stewart.

Cast: Stephon Stewart, Davee Youngblood, Shy Pilgreen, Sam Ayers, and Don Scribner.

Some cryptozoological legends do not want to be put on stage, and quite honestly, that should be respected. In Bigfoot County, three filmmakers may not know what that means. They will be going into a dangerous field to get famous. But in Siskiyou County, North California, this area is famous for numerous sightings of this dark furry beast and no one from around the world will be watching.

Maybe the creatures from Orleans, California have moved to Siskiyou, or they are a different family altogether. Anthropologists should note that these two areas are very close together.

When this film references the famous Patterson/Gimlin footage, just where these beasts are from can be hard to say. And they are very camera shy. But according to the trailer, they do not want to be bothered. Quite naturally, they will attack curiousity seekers armed with a camera.

Director Stephon Stewart reveals that after seeing his completed product, some will begin to believe what many have doubted since the 1967 Patterson/Gimlin Bigfoot Footage was released. By using the found footage format, the question will be in what is worth believing. But viewers can judge for themselves when this movie gets released to disc this winter, Dec 11, through Lionsgate Entertainment.

In the meantime, only this trailer will serve to tease hunters of what exists out in the woods:




The film's fan page:

Bigfoot County on Facebook

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Barricade Yourself Away from This Film: A Movie Review

*spoilers are below!

Director: Andrew Currie.

Writers: Michaelbrent Collings.

Cast: Jody Thompson, Conner Dwelly, Ryan Grantham, and Eric McCormack.

Tagline: "Lock your doors."

Something, somewhere went wrong with the film Barricade. A lighting guy was fired or writer Michaelbrent Collings' script was not given a thorough read by someone. Because, this title seems to flip-flop about what its central conflict actually is. Also, this movie is overly dark. Whole sets and characters are hidden in shadows and hopefully, this technique was not intentional. Overall, Barricade is a lackluster showing with Eric McCormack's performance one of the few redeemable qualities in the film.

The story involves a silly plot device, a fever. The film will try to make it seem like there is an external threat. But, the shady images and strange cuts are being caused by a high temperature. The big plot twist in Barricade is revealed!

Turn the lights on already!

And the film's weak premise is one of its biggest drawbacks. Collings attempts to scare viewers by offering shadows behind trees. Or, a face will appear in a window. Yet, a substantial antagonist never appears. There is no direct contact between a darkened figure and this family of three: a father and his two children. So, at some point viewers will likely clue in that the story's main struggle is an internal one. It is just difficult to tell whether that internal struggle is caused by the loss of the protagonist's wife (stress), or something else. Barricade goes back and forth repeatedly to make the threat seem external when it becomes clear that it is not. This back and forwards style of storytelling keeps things unsteady, but the film's platform is developed on a weak plot element.

Horror fans will not need to think too hard about the story, because much of the film is kept in darkness. You cannot see much of what is going on. An early roadkill involving a wolf is shot almost entirely in darkness. Later, the camera focuses on a dark patch in a basement wall. This reviewer still has no idea why the cameraman was so concerned with this spot. Later, a night drive involves no headlights. So, the film is again in almost complete darkness. Someone needed to turn on a light switch somewhere throughout much of the film.

The premise of the film is not trying to make a solid point and the lighting is mostly off, but there are a few good qualities in the film. Barricade offers an atmospheric soundtrack, which maintains some of the tension. The performance from McCormack is also well done as the father. McCormack, as Mr. Shade, really captures how difficult fatherhood must be. He seems torn between protecting his children and offering sound advice during a crisis. These positive qualities kept the film interesting throughout.

Not to be nitpicky, but there is one more film element that must be mentioned. The film begins with a pretty standard dramatic sequence inside a house. There is no terrifying hook early. Then, the film transitions from a tight interior shot with light music to a wide aerial shot with dark atmospheric music. As well, the setting changes from an urban dwelling to a forest landscape. The change is quick and dramatic. This poor transition early kind of sets the tone for the rest of the film. It is often awkward.

Barricade has released on DVD as of September 25th and film fans might want to pass on this offering. There are many elements in the film that are less than sound. From transitions to lighting and then to story elements, this title seems like a hastily filmed production. Performances from the cast are well done, but this title needed a scarier villain who creates more than a cough and a few chills.

Overall: 5.9 out of 10 (short film, good acting, the story's premise is unsure, music is generally really good, way too dark in most scenes).

*filmed in Mannin Provincial Park (British Columbia).

**rated PG-13.

The film's fan page with more details can be found here:

Barricade on Facebook

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Call of Duty: Black Ops 2 Renews the Zombie Hordes: "Zombies Reveal Trailer"

Call of Duty: Black Ops 2 will again host zombies. As well, fans who order the "Collector's Edition" will find Nuketown 2025 available. This map is found only in Zombie Mode. The bulk of the undead additions (maps) will take place in a 1960s era town complete with diners and bus stations. Expect a view voice narrations from well know personalities also.

Now, the first trailer for the zombie pack has been released. In the reel, zombie hordes hound well armed civilians as characters travel from urban to rural settings. There also appears to be homemade defences including ballistic shields available to fans. Followers of zombie gaming will want to see the clip below.

Release Date: November 13th, 2012 (Xbox, PS3, PC).

Developers: Treyarch.

Publisher: Activision.

The "Zombies Reveal Trailer" is here:



The Call of Duty: Black Ops 2 homepage:

The Official Website for Call of Duty: Black Ops 2

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A "Revolution" of Words and Naïveté: A Television Review ("Chained Heat")

Director: Jon Favreau.

Writer: Eric Kripke.

Cast: Daniella Alonso, Tim Guinee, Maria Howell, David Lyons, Elizabeth Mitchell, Graham Rogers, Zak Orth, Billy Burke, Tracy Spiridakos, Tracy Spiridakos, C. Thomas Howell and Anna Lise Phillips.

Episode 2, titled "Chained Heat" released for "Revolution" September 24th. Not to be confused with Linda Blair's 1983 sexploitation film of the same name, the showing here is much more tame than the film. This episode focuses on keeping the show smallish by highlighting only a few characters in frame, relying on matte paintings for backgrounds, and including many scenes of time filling dialogue. This show also sees the breakdown of society in a very Disneyland sort of way.

The story thus far is following the remnants of the Matheson family. Ben Matheson (Tim Guinee) lost his life in the pilot and Danny (Graham Rogers), the son, has been captured by a local militia. Charlie (Tracy Spiridakos), the sister, has recruited her Uncle Miles (Billy Burke) to free the brother, but there are a few roadblocks in the way. A milita captain, played by Giancarlo Esposito is holding Danny and his psychopathic tendencies might make his release difficult. As well, the post-apocalyptic world is littered with bounty hunters, double-crossers and slave traders. Charlie and Miles need help from Nora (Daniella Alonso), an explosives expert. This trio disarms a militia group, but they seem no closer to rescuing Danny.

C. Thomas Howell and Billy Burke

A few new characters were introduced or developed in this showing. Randal is a mysterious figure and he has business with Grace (Maria Howell), a doctor and part time apocalyptic Blogger. Just, who is Randal? Did he turn the world's power off? As well, Rachel, the Matheson (Elizabeth Mitchell) matriarch, was shown to be very much alive at the end of "Chained Heat." This is a contradiction to the pilot; the first episode claimed she was dead. Nora also revealed that she has had a long relationship with Miles. They have worked together before. And, Charlie shows that she is willing to do whatever it takes to rescue her brother, even murder. All of these reveals and developments added a note to each of the central characters.

Outside of the character development, there is really very little else worth mentioning in this episode. A few action scenes between Miles and an assortment of ne'er-do-wells was consistently bloodless. All of the brutal bits occur off-screen. As well, Charlie acts very naive in the presence of the enemy. She seems willing to befriend a militiaman named Nate despite his promise to turn her over to his bloodthirsty commander. Charlie might need to experience a few more hardknocks before she starts trusting the people that matter and forgetting the rest. Also, this episode seemed to take a break in the the second act. Where a film usually climaxes, this episode is discussing character's loss and idealism. Charlie wants a world free of slavery and Maggie (Anna Lise Phillips) wants her iPhone to work again. This very important middle portion seemed very tame and the episode overall was lacking true grit and excitement.

This tamer approach to the series might be a strategic move to keep production on the series small. Most of the scenes include only two to three characters discussing their pasts. There are a few scenes involving groups of people early and late in "Chained Heat;" however, much of the episode focused on just a few people. This shooting style keeps production costs down and scenes simple. There are also a few instances of matte paintings kept in the background. This is also a cost cutting measure. Shooting exterior shots are more difficult compared to interior shots, so the inclusion of these backgrounds is understandable. Their appearance does break the veil of illusion, unfortunately. Finally, much of the shooting has been kept in natural settings. Very little set building or dressing is required. The producers and filmmakers are proving to be very frugal with what is likely a small budget.

"Chained Heat" had some entertaining qualities, but the apocalypse seems a little too quaint, for this watcher. Other elements were less than ideal. This show needs to go into darker territory to truly capture the dangers inherent in a lawless society. Just look towards the news from the Middle East to see what violence is unleashed when governments fall. It is not all pretty and yellow tank-tops. The acting from this showing and some of the dialogue was witty and well rehearsed. The second act was a slow burn, while the show's overall story progression was small. In the end, this episode seemed like a bit of a lull with some character reveals just enough to keep events entertaining.

Episode 3 of "Revolution" will air October 1st and the title for this showing is titled "No Quarter." Hopefully, no quarter is given when the Mathesons get closer to facing the militia commander, Monroe (David Lyons). After all, the apocalypse is meant to be a dangerous place, not a rendition of Disney's classic storylines. A darker tone is required for this show to find a grander and more terrifying second season.

Overall: 6.8 out of 10 (intriguing character developments, very little story progression, one character is too naive, too much idealism and more realism is required).

The film's fan page is below:

Revolution on Facebook

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Madness and Murder in Anthony Woodley's Outpost 11: A Preview

Tagline: "Bound by duty; broken by fear."

Outpost 11 is a British film that is currently in post-production. The film blends sci-fi with elements of psychology. Three soldiers at a "remote listening post" (Screen) begin to lose their grip on reality as days begin to blend into each other. Isolation does not help the matter and soon, characters are turning on each other. As well, the setting for the film takes place in an alternate world, where steam power fuels the world.

Cabin fever is taken to the nth degree in the film's first poster and trailer. Both previews are hosted here.

Director/writer: Anthony Woodley.

Cast:: Bernard Hill, Luke Healy, Joshua Mayes-Cooper, and Billy Clarke.





The second trailer for Outpost 11 is here:




*partly an homage to films such as The Thing, How I Ended this Summer and Videodrome.

Sources:

Outpost 11 at Stealth Media Group


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Director Conor McMahon Will Leave You in Stitches: Teaser Trailer

Check your coulrophobia at the door because there is a new clown themed horror film coming your way from Ireland. The title is Stitches and this indie production recently had a showing at the UK Film4 Frightfest. During that World Premiere, a behind-the-scenes teaser trailer was released for the film.

In the clip, director Conor McMahon discusses the motivations for the villain. It seems Stitches was killed at a child's birthday gone wrong. He now wants some bloody revenge. A blend of comedy and horror, there is some talk, in the reel, of how some of the comedy is set up. Some gags are shown as well. This is a film that blends witchcraft and revenge, so expect some supernatural thrills when this title releases later this year.

Release Date: October 26, 2012 (UK).

Director/writer: Conor McMahon.

Cast: Tommy Knight, Ross Noble, Gemma-Leah Devereux, John McDonnell, and Eoghan McQuinn.

A behind-the-scenes teaser is here:



*a North American release date has not been announced.

**partially funded by the Irish Film Board.

The film's fan page is here:

Stitches on Facebook

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Getting Lost in All That Gunfire with Battleground: A Movie Review

Director: Neil Mackay.

Writers: Sean McAulay and Neil Mackay.

Cast: Bryan Larkin, Bob Cymbalski, Hugh Lambe, Damon E. White, Lee Sandford, Robert Nolan, Mark Monroe, and Frank Ieraci.

Tagline: "There will be no peace."

Battleground was previously called Skeleton Lake and this title can be considered a Canadian film. Shot in Ontario by Canadian director Neil Mackay, a forest soon becomes a murderous quagmire for six armed robbers. A psychopathic veteran from The Vietnam War is using these woods for live target practice. And soon, Battleground is showing its strengths, action sequences and its weaknesses, a sparse storyline.

That storyline will not make your head spin. As stated, six thieves have robbed a local business in Michigan State. They have killed a cop. An accomplice tells them to wait it out at a nearby cabin until he can arrange an escape for them. Unfortunately for the criminals, a killer with no rhyme or reason, is picking off anyone in a 10 mile radius of his Vietcong-like tunnel. Few characters find a happy ending here.

Actor Hugh Lambe as the Hunter

While the story is a little flat, action fans will find something here that is entertaining. The murders and deaths are truly over-the-top. One of the first victims is shot by arrows, beheaded and then skinned. These events are shown in a grisly fashion with a tight shot. Later, Canadian actor Robert Nolan as Logan finds a tree boobytrap to the stomach. Others meet a shotgun blast, explosion, machete or gunfire from a .357. This is a bloody film few will quickly forget.

Although not easily forgettable, this is still a film that is only partially developed. Certain film elements like the story and the film's length keep Battleground from becoming fully entertaining. For instance, who is the Hunter (Hugh Lambe)? He served in war, but what did he see that changed him into a complete sadist? A few flashbacks are not enough to create an interesting malefactor. As well, all of the characters except for one are villainous on some level. You can root for worse or worst. The one innocent character acts as a scared bunny rabbit lost in the forest. Soon, this film fan was simply hoping for more gunfire and explosions. Just as one's hopes are met, the film ends. Unsurpisingly, evil triumphs and the film's message is lost somewhere back in act II amongst all the gunfire.

Battleground will be a guilty pleasure for action fans. Horror fans will likely find instances of Russian roulette and gore sequences exciting, or disturbing. Those looking for a complex story might want to pass on this film venture. Overall, this is a film that focuses on violent action sequences to keep the pacing moving along. And, this is not such a bad thing as long as you know what you are heading into (murderous backwoods).

Overall: 6.75 out of 10 (brutal deaths, inconclusive conclusion, central antagonist seems unfazed by wounds, lots of bloody action, simply plotted).

*released August 21st on DVD.

Another review of this film at Flicker Magazine:

Flicker Magazine Reviews Battleground (Rebecca Garrett)


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Rewind and Play Again: A Movie Review

*full disclosure: a DVD screener of this film was provided by Grand Entertainment Group.

Director: P.J. Dillon.

Writers: Ronan Carr, P.J. Dillon, and Roger Karshan.

Cast: Allen Leech, Amy Huberman, Sophie Brosnan, and Owen McDonnell.

Tagline: "The past cannot be erased."

It is not very often that this reviewer gets to see a film from the ol' country. The Irish film Rewind makes that wait all the more sweet. Rewind is P.J. Dillon's first feature as director and this production was funded by the Irish Film Board. Small in structure, this title provides an excellent performance from Amy Huberman as the protagonist, Karen. Her performance and the film's gritty reality create for an exceptional film watching experience.

The film's story is set up loosely like a love triangle. Karen led a life of scheming and debauchery seven years prior to the events in the film. During this earlier time, she began working with the character Karl (Allen Leech). They were lovers and addicts who were both looking for an easy score. Karl served time for a stabbing, while Karen moved on and married. Now, Karl has come back and he wants to settle a score with Karen.

Amy Huberman as Karen

The highlight of this film is Huberman's showing as Karen. She seems like a character tormented and ashamed of her drug fueled past. She is believably afraid when Karl enters her life again. Torn between her past and the present, Huberman is always showing believable emotion. This is likely why she won "Best Actress" at the Irish Film and Television Awards.

Because this is P.J. Dillon's first film in the director's seat, there are a few foibles made. The credit sequence seems a little too fancy and it looks like the director wanted to simply test out his camera by focusing on inane elements. Later, interludes between scenes focus on the foreground while a blurry character or characters moves about in the background. These interludes are almost completely pointless and they serve to distract. However, night shoots and exterior shots are exceptionally shot. Only some of the camera work is shot in less than a powerful way.

Other film elements such as music, and story create some ambivalence. The stroking of piano keys is overdone and too loud. This soundtrack would have been better if placed farther into the background. It just conflicts with the events onscreen. The story is so well written and performed that it truly drew this film fan in. Every person has a past and Karen's is a little darker than most, but her mistakes are easily believed. These two elements create some conflict in one's enjoyment while viewing this title.

However, this film fan has no problem recommending this film to fans of smaller European films. Drama enthusiasts will also find something here. Even thriller fans will want to take notice of this title. Released on DVD August 28th through Grand Entertainment Group, Rewind is a very well told title with Huberman's performance well worth seeing. Just do not expect any happy endings when you put the disc into your player. This is a tale of tragedy, after all.

Overall: 7.5 out of 10 (great story, excellent performances, good settings, a good climax and denouement).

*the film is a little short at 80 minutes.

**budgeted at £275,000.

Rewind at Grand Entertainment Group:

Rewind's Homepage

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A Creature Feature at the Dark Heart of Jeepers Creepers: A Movie Review (Blu-Ray)

*full disclosure: a Blu-Ray copy of this film was provided by 20th Century Fox.

Director/writer: Victor Salva.

Cast: Gina Philips, Justin Long, Jonathan Breck, Patricia Belcher, Eileen Brennan, and Brandon Smith.

It is disturbing to read that director Victor Salva was convicted of child rape in the late '80s. Yet, he still found work with Disney and he would later move on to Powder (1995) and the film reviewed here, Jeepers Creepers (2001). This title has recently released on Blu-Ray for the first time September 11th and despite the director's sordid history, there is something unique in this creature feature. An abrupt ending is the only element to take something away from full enjoyment, while acting, story and characterizations are all given suitable attention.

The story follows siblings Darry (Justin Long) and Patricia (Gina Phillips) as they return from Bannon College. They are heading home when a darkened vehicle tries to run them off the road. The game of chicken ends and the two protagonists drive by their attacker at in inopportune time. The other driver is dumping bodies down a pipe. The conflict continues with the "Creeper" chasing Darry and Patricia across the county.

The story is interesting enough to hold the attention; meanwhile, the Creeper creates the thrills. And, what, or who is the Creeper? This is a creature feature in essence, so maybe the question does not matter. But, this villain kills and kills without any obvious motivation. It is not until Darry enters the pipe that some of the Creeper's handiwork is seen. This monster seems motivated by evil as a host of waxey looking bodies hang from the "House of Pain." As well, a behind-the-scenes featurette states that the Creeper is an artist, of sorts. His source material seems a little strange. Yet, this is compelling creature, whose murderous behaviours are hard not to watch.

And, Jeepers Creepers is a horror film worth revisiting. The creepy music, dimly lit settings and horrifying scenes create the right atmosphere. The acting from both Long and Phillips is charismatic. They seem to have known each other for much longer than a thirty day shoot. The production values seem high, but the ending leaves something to be desired.

It almost always is a triumph for the filmmakers when the film leaves viewers wanting more. This is the case for Jeepers Creepers. A sudden drop-off ending can be confusing. Little is fully explained. And, director Salva relates in his commentary of having to cut 20 pages from his third act because of budgetary constraints. The cuts seem ruthless. Fans of the film are still enticed to see the sequel Jeepers Creepers II despite this short ending. It is just too bad that the film here is not fleshed out a little more.

Jeepers Creepers looks good in high definition throughout. The DTS-HD Master Audio 5.1 is also thrilling to listen to. Fans of the film will also be happy to learn that the Blu-Ray release is chock full with extras. There are ten deleted scenes to be found in the special features. As well, there are six mini-featurettes titled: "Finding Trish and Darry," "Designing The Creeper," "Cars and Trucks," "The Creeper Comes To Florida," "Night Shoots," and "Composed by Bennett Salvay." All of these extras, and a director's commentary, will give fans of the film many extra hours of viewing.

Jeepers Creepers on Blu-Ray is a fully packaged horror film. This title is also a burgeoning classic in horror. An excellent creature feature, the production here is of high quality. From sound to visuals, there is an attention to details in this film. This is a horror title not to be missed and horror fans can find their own copy haunting stores now.

Overall: 7 out of 10 (abrupt ending, interesting characters, good music, great acting, solid showing).

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Early Reviews of Luis Prieto's Pusher Tell Tales of Believable Action

Pusher is director Luis Pietro's remake of Nicolas Winding Refn's film of the same name. This title is scheduled for release on video-on-demand September 28th and in theatres October 26th. Early reviews at Toronto's International Film Festival have noted the compelling nature of the film: "the movie certainly draws one in." That sounds like a good start.

This review also compared the film with some of Guy Ritchie's earlier works. However, the film is receiving some praise as Richard Coyle portrays a believable drug runner. Also, actor Mem Ferda is also described in a positive light as a drug henchman with a penchant for violence "Mem Ferda’s [has a] sublime turn as enforcer Hakan?" Fans excited for this gangland thriller can peruse an early review of Pusher below.

Mem Ferda as Hakan

Release Date: September 28th (Video-on-demand) October 26th (Theatical, UK).

Director: Luis Prieto.

Writer: Matthew Read.

Cast: Mem Ferda, Agyness Deyn, Richard Coyle and Bronson Webb.



The film's official trailer is here:

Pusher at Apple Trailers

Source:

Review of Pusher at the National Post

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