Saturday, December 31, 2011

Zombie Dawn Brings the Undead to South American and Beyond: First Trailer

The undead have invaded South America in the independent film Zombie Dawn. Made by film students for under $2000, Zombie Dawn envisions an entire populace changed into something much smellier. Scientists and military personnel investigate and what they find is another outbreak. Have a look at a trailer for this film which looks more spectacular than its smallish budget. Release details are below.


Release Date: 2012.

Director: Christian Toledo and Lucio A. Rojas.

Writers: Christian Toledo, Lucio A. Rojas and Alex Hurtado.

Cast: Christian Ramos, Pamela Rojas, Pablo Tournelle, Guillermo Alfaro and Felipe Lobos.

The trailer for Zombie Dawn is here:



*this film is currently touring film festivals in South America.

Join the film's fan page on Facebook:

Zombie Dawn's Fan Page

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Stag Night of the Dead and Breaking All the Rules: A Movie Review

*a screener of this film was provided by Left Films.

Director/writer: Neil Jones.

Cast: Sebastian Street, Sophie Lovell Anderson and Joe Rainbow.

There are three rules of Zomball in Stag Night of the Dead: 1) stay together, 2) look out for the recharge station and 3) never humiliate a zombie. The characters in Stag Night of the Dead break all of these rules and unsurprisingly, many of the characters do not make it to the end credits. Stag Night of the Dead will release on DVD and iTunes January 9th and this film is a satisfying romp through a zombie apocalypse. The grainy film stock and a few poor character choices are the only elements that hamper a comedic movie watching time.

The film begins with six men on stag. Dean (Sebastian Street) is the groom and he has only one more night of freedom before marrying his very bitchy sweetheart. A stripper tags along and soon these men are limoed to a military base for a game of Zomball! The rules have been outlined above. These six friends break every rule while they try to stay alive with electrically charged guns. The charge of the guns only lasts so long and the zombies only stay down for a little while, so the lads must run from bunker to bunker or hangar to hangar to stay alive. Meanwhile, a rogue military officer is pulling their strings and letting loose much of the zombie mayhem.

This is one of the first films to offer a zombie midget. With that comedic tidbit aside, Stag Night of the Dead is comprised of two primary characters and a whole slew of minors. Understandably, Dean is the main character because the central plotline involves his eventual marriage. The stripper (Sophie Lovell Anderson) is also a primary character and it is amazing how many call girls in film have a heart of gold. Other important characters include Marky (Bruce Lawrence), a playboy and womanizer. His carnal ways breaks up any possibility of a happy ending. DJ Ronny (Joe Rainbow) plays the fool and he also creates many of the laughs. Number 48 (Mike Busson) is the man behind the curtain a la The Wizard of Oz. He is in charge of holding the zombies at bay; yet, they escape anyways. Each of these characters and others are given the required attention necessary to draw the viewer in. Just do not hold on too tightly because many of these characters are destined to become zombie food.

The only major critique this reviewer has of the film involves the film quality. Neil Jones purposely chose to make the film look like the '70s. Therefore, the film stock looks grainy. Watching this film is like watching a film on VHS and Jones made a mistake here in his choice of film stock. Positive film elements include a solid soundtrack, the aforementioned attention to characters, a funny script and the use of a large outdoor set (military base). The positives outnumber the negatives and this reviewer enjoyed the mostly thrilling ride though Zomball, the stag and into a devious military side plot.

This film is definitely an independent production, but none of the film elements are overly hampered by production issues. The characters are at the heart of this film and they are the ones who keep the film believable and entertaining. The acting is solid and there is even a twist or two housed within the film's story. Check this film out in January and prepare for a light hearted romp through a dangerous countryside where strippers can Karate kick and groomsman can stab you in the back. And what fun would a zombie film be without a few nefarious characters?

Overall: 6.75 out of 10 (the film quality is average, characters are interesting, the story is action driven, lots of gore, some CGI and a thrilling ending).

*special features on the release include: a "behind the scenes" featurette, a "how to make a zombie" reel, trailers, deleted scenes, outtakes, and stills gallery.

**this title is being released in a Region 0 (Region Free) format.

Another review of this film is available at Horror Society (MGD Squan):

Stag Night of the Dead Reviewed at Horror Society

Join the film's fan page for future release details:

Stag Night of the Dead on Facebook

Stag Night of the Dead at Left Films w/more plot details:

Stag Night of the Dead at Left Films


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Friday, December 30, 2011

Pimp and London's Hidden Sexy Side: North American Release Details

The United Kingdom shot Pimp will be travelling across the seas to release on North American DVD March 20th through Screen Media Films. This is a thriller shot pseudo-documentary style whose purpose is to unearth the seedy underbelly of London. Danny Dyer, Robert Cavanah and Billy Boyd star in this tale of trouble and easy money. Check out the release details below.

Release Date: March 20th, 2012 (DVD).

Director: Robert Cavanah.

Cast:: Robert Cavanah, Billy Boyd, Barbara Nedeljakova and Danny Dyer.

The trailer for the film is here:



The Pimp homepage;

Pimp's Official Website

Source:

Pimp at Screen Media Films

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Devil's Crossing and Turning on the Devil: A Movie Review



*a screener of this film was provided by Left Films.

Director/writer: James Ryan Gary.

Cast: Michael Sharpe, Patrick G. Keenan, Jenny Gulley and Kevin L. Johnson.

Devil's Crossing is the first film from the very young director James Ryan Gary. Seriously, this guy looks twenty in his interviews. The film is a blend of the western and horror genres as zombies promise to take over the world. Devil's Crossing is similar to other films like the recent Cowboys and Zombies, Olivier Beguin's short film "Dead Bones" and Spencer Estabrooks' "Dead Walkers." All of these are great films including Gary's latest entry. This title will release in the United Kingdom January 30th and it is already available in North America; this reviewer would recommend the film to indie horror fans across the board.

The film begins with the character Shadrach played by Michael Sharpe. He is digging his umpteenth grave after 250 years working for the devil. Now, he is fed up. He turns on the devil. But his redemption is only partial as he shows some dishonourable traits. Killing unarmed men is no great feat. Shadrach then enters the small western town of Celestial and their is someone on his heels. Louise played by Patrick G. Keenan (Dark Remains) is a little closer to the devil than Shadrach and he has a message: "keep killing." Shadrach steels himself even in the face of an undead horde that promises a few bloody thrills.


And the film lies on the shoulders of actor Sharpe as the protagonist. Sharpe is great with the deadpan or sneer, but he could have tried a sly smile here or there. After all, Clint Eastwood would provide a half grin in Pale Rider or Unforgiven. A sneering smile shows control in a dangerous situation. As well, Louise as the antagonist shows even greater command in his role as he tries to entice Shadrach back to his old ways with the promise of pain. Actor Keenan looks best in devilish makeup barking at the camera. The minor characters are a little more flat with only the sheriff showing a second layer. His wife and child are now both undead and he must dispose of them via rifle round.

The undead are numerous and this leads the film into some trouble. Applying makeup to so many bodies would take an enormous make-up crew. So, unfortunately, the make-up effects are not always horrifying. Close-ups of certain zombies are well done. Those on the exterior or periphery are given less attention. As well, blood squibs are not used; instead, impacts are shown with the use of CGI. The impact is still affective, but squibs would have truly heightened the excitement in the many gunplay scenes of the film.

This leads the review into the positives. Alex Maudlin's musical selections are appropriate and they heighten the intensity of the film. If you have any doubts of the soundtrack, just listen to the trailer linked below. The night shots are also given the attention they deserve and the hues come in various colours to create an amusement park like setting. And the action through the latter half of the film keeps the visual sphere interesting and possibly even unsettling.

Devil's Crossing is a great addition to a combo' of genres that is not often given much attention, the western horror genre. Gary's first film shows potential and this reviewer wonders what he could deliver with a proper budget much like the Horror Chronicles "you can't help feeling that had this movie been given a larger budget it could truly be something special." Overall, this is a satisfying independent endeavour that mostly trail blazes through an apocalyptic and undead western universe to some great affect. After all, it is not called a "post-apocalyptic rock and roll ninja zombie western" for nuthin'.

Overall: 7 out of 10 (lots of interior shots, minors are uninspiring, central characters hold the film together, interesting combination of genres, lots of gunplay and action, good pacing and transitions, solid soundtrack).

Devil's Crossing reviewed at Horror Chronicles:

Devil's Crossing Reviewed at Horror Chronicles

Devil Crossing's fan page:

Devil's Crossing on Facebook

The most recent trailer for the film can be found here:

Devil's Crossing Trailer on 28DLA (United Kingdom)

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Thursday, December 29, 2011

Contest: Win One of Two Copies of Nick Lyon's Zombie Apocalypse on DVD!

Video Services Corp. has recently released Nick Lyon's Zombie Apocalypse on DVD and Blu-Ray this past December 27th. This distribution house has provided two DVD copies to give away to two Canadian citizens over the age of fourteen. This contest closes Wednesday, January 5th and this film has been given high marks here at 28DLA.

Produced by The Asylum, Zombie Apocalypse involves a small group of survivors fighting across a zombie infested world in search of a safe port in Catalina. This reviewer noted the production qualities of this film in a review: "The Asylum seems to have pulled off one of their best pictures to date" (28DLA). And the film stars Taryn Manning, Ving Rhames, Gary Weeks, Johnny Pacar, Eddie Steeples, Gerald Webb and Lesley-Ann Brandt.

If you meet the qualifications above, then simply send an email to:

28dayslateranalysis@gmail.com

with your first and last name, shipping address and "Zombie Apocalypse DVD Contest" in the subject line. Two winners will be picked on January 5th! Release details for the film are below.

Release Date: December 27th (DVD and Blu-Ray, Canada).

Director: Nick Lyon.

Writers: Brooks Peck and Craig Engler.

Cast: Ving Rhames, Taryn Manning and Lesley-Ann Brandt.

The trailer for Zombie Apocalypse is here:



*special features include: a "making of featurette."

A review of this title is available on 28DLA:

Zombie Apocalypse Reviewed on 28DLA (Michael Allen)

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The Worst Five Horror Films of 2011!


2011 brought a lot of great horror films. From Stake Land to A Lonely Place to Die, there were a lot of films to watch and enjoy. 2011 also served up a lot of misery as well. Here at 28DLA, this reviewer has learned to dodge a few bullets in the movie world. Admittedly, this reviewer skipped Fred Andrews' Creature in theatres and the latest forced production of the Hellraiser series, titled Hellraiser: Revelations was also missed thanks to some early reviews. However a few films slipped under the radar or were shipped to the 28DLA HQ with little warning or previous info'. These are some of those films.

Some of the elements that made a terrible film this year were the inability to create tension or to create interesting characters. Without tension or thrills what is a horror film? As well, not providing any backstory for a character is a disservice to the character and the viewer. Poor acting and mediocre musical selections also helped place some of these films in the notorious list below. And one film will be remembered for sheer filmmaking incompetency. So, without further ado, "The Worst Films of 2011" are listed below beginning with the films that scored the lowest in 28DLA reviews.

Bunnyman

Dir.: Carl Lindbergh.

Cast: Cheryl Texiera, Matthew Albrecht and Alaina Gianci.

This is a film whose trailer made this reviewer squeal with delight as a bunny costumed killer chased after characters with a chainsaw. This reviewer was sold! Then, the screener came and Carl Lindbergh pulled a bait-and-switch. Instead of excitement there were characters having a nap in a car. Instead of gory kills there were characters rolling their eyes and looking bored. Instead of an interesting story of cannibals there was no story at all and Lindbergh was probably directing from post-it notes. This was the lowest scoring movie this year at 28DLA and this reviewer was dumbfounded to learn that Bunnyman sold well through distributors Osiris Entertainment. Perhaps this reviewer was not the only one duped by the thrilling trailer.

Read the review for Bunnyman titled "Bunnyman and Incompetency" to find out how not to shoot a film:

The Bunnyman Review Here at 28DLA

The Roommate

Dir.: Christian E. Christiansen.

Cast: Minka Kelly, Leighton Meester and Cam Gigandet.

Ah, there is nothing better than listening to characters talk of Gucci bags and fashion for a half hour. That sarcasm aside, the filmmakers for this production were simply out to make money. There was no passion in this film nor creativity. Also, where was the tension? Watching this film felt like work as one female character unthreateningly stalked another female character. Then, eighty five minutes of monotony was broken up by a ridiculous finale to end this film with the thought: what the hell did I just watch! and a feeling of anger.

The Roommate reviewed on 28DLA:

"The Roommate and Time Wasted:" A Review

Savage

Dir.: Jordan Blum.

Cast: Martin Kove, Tony Becker and Lisa Wilcox

An '80s reunion involving actors Martin Kove and Tony Becker also involves ninety minutes of mediocrity as the film cannot find any tension. Admittedly, this is a low budget production, but could there not have been a night attack or two? This sasquatchploitation film keeps the creature off screen not to create mystery but in order to prevent viewers from seeing the creature's ridiculous plastic suit. Predictable and uninspiring, Savage scored a 5.4 out of 10 here on 28DLA.

A review of this film titled "Savage and a Sasquatch Schlocker" is here:

Savage Review on 28DLA


The Rig

Dir.: Peter Antencio.

Cast: William Forsythe, Stacey Hinnen and Serah D'Laine

Nothing beats watching an Aliens rip-off twenty plus years after the fact (more sarcasm). Creatures leak fluorescent blood to little affect while actor William Forsythe performs his usual crazy routine. Then, the only actor who can act is knocked off and there is still another seventy-five minutes to go. To keep you company is an annoying musical soundtrack that would have made most characters jump off the rig in the first act. Yet, the movie continues as men in rubber suits try their best to scare up a storm. This critic was not pulled in to the ridiculousness of it all.

A review of this film titled "The Rig and Sinking Like a Stone" is here:

The Rig Reviewed on 28DLA

Detention

Dir.: James D. R. Hickox.

Cast: David Carradine, Zelda Williams and Rachel Sterling.

It is just one humiliation after another for the late David Carradine. First his death and now one of his final performances is that of a know-nothing principal. The only "name" actor is not supported by a cast of relative unknowns as dir. James D. R. Hickox tries every known trope in the horror book. Detention is like a paint by numbers design where one cliche follows the last in predictable fashion. The no cellphone service routine is just the first in a long series of predictable elements added with little care or attention. Meanwhile, the film was slowly putting this reviewer to sleep. This film scored a measly 5.75 here on 28DLA to place it in the bottom 5% of films reviewed on this website.

A review of this movie called "Detention and Punishment" is below:

Detention Reviewed on 28DLA

So comes to a close another end of the year list. And before filmmakers and actors complain about finding their film on this list, you owe this reviewer an hour and a half of his time. Be thankful that this film fan does not know where you live; otherwise, an invoice for 1.5 of work would be coming to your address.

Also, final memorable "Worst Films" of 2011 in no particular order include: the boring Vanishing on 7th Street, the non-tense Zombie Diaries 2, the lackadaisical The Anniversary at Shallow Creek, the unwatchable The Bleeding, and the absolutely terrible My Soul to Take from Wes Craven. Filmmakers involved in these movies should really take a hard look at their filmmaking careers and try to find a way to apologize to horror film fans worldwide for these outings.

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The Top Five Horror/Thriller Films of 2011!

In no particular order, these are the stand out films that are worth adding to any video library. The set of criteria is simple: a standout performance by one or more of the first billed actors that can be re-watched time and time again. Their complexity is what defines the film. Also important is the type of chills or thrills the movie offers, and the story being told.

Tucker and Dale vs. Evil

Dir.: Eli Craig.

Cast: Tyler Labine, Alan Tudyk and Katrina Bowden.

Although this film is technically a 2010 product, it did not reach distribution until the following year. This one, like how some of the victims died in film, skips under the gun by being exceptionally funny with an adorable, luggable, teddy bear performance by Tyler Labine. This product is a better answer to a theatrical version of the Beverly Hillbillies. The clash of cultures is perfectly played up for laughs.


I Saw the Devil

Dir.: Jee-Woon Kim.

Cast: Byung-hun Lee, Min-sik Choi and Gook-hwan Jeon.

This South Korean film did not reach Stateside until 2011. It’s a dark look at where lines are crossed when a loved one is offed for no reason at all. When the wife of Squad Chief Jang (Jeon Kuk-hwan) gets viciously killed, her body parts are scattered and that’s only the beginning. Jang is intent on tracking down the killer, and in finding him he strikes up a very unusual relationship.

But when he is ready to eke his revenge, the violence he dishes out could make Jigsaw blush. Unlike Saw, this one product gets truly medieval.


Paranormal Activity 3

Dir.: Henry Joost and Ariel Schulman.

Cast: Chloe Csengery, Jessica Tyler Brown and Christopher Nicholas Smith.

Out of all the found footage type products that arrived in the span of a year, only one stands out as re-watchable. Everything else are throwaways. This film at least tries to offer something new to the formula and has one of those endings that can put a chill to the bone. When children are involved, that is not too hard to do. Everyone wants to save them. Well maybe except for the mysterious Toby.


Hanna

Dir.: Joe Wright.

Cast: Saoirse Ronan, Cate Blanchett and Eric Bana.

This revenge thriller has all the makings of the classic fairy-tale but spun with a touch of espionage. Cate Blanchett was just intoxicatingly evil in this movie. As a CIA operative, she is more than hell bent on capturing a seemingly innocent girl, Hanna, trained to be a skilled assassin. Her performance deserves some kind of recognition when awards season arrives.


Attack the Block

Dir.: Joe Cornish.

Cast: John Boyega, Jodie Whittaker and Alex Esmail.

This film from the UK certainly has plenty of action and reaction that will certainly aim to satisfy plot hounds. But the aliens that are chasing after a gang of youths is not what sold this film to the masses. Instead, it is the sympathetic performance by John Boyega that clinched the sale. He plays Moses, the charismatic leader of a group of youths who thinks they rule the neighborhood block. The trouble they land in proved to be more than they could handle until Moses makes the ultimate sacrifice.

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Wednesday, December 28, 2011

The Undead Situation and Betting on a Sociopath to Survive: A Book Review

*full disclosure: an e-book of this novel was provided by Permuted Press.

Author: Eloise J. Knapp.

The Undead Situation was originally slated for publishing in late 2010; however, an audiobook was contracted and this first novel from Eloise J. Knapp was held back until August, 2011. Knapp's novel of the looming zombie apocalypse focuses on damaged characters who cope with the stress of looming death in varying ways. Cyrus V. Sinclair is the protagonist of the novel, but he is also a sociopath. Therefore, events do not develop in a heroic fashion. Instead characters have to fend against the undead hordes while watching their own back whether in a group or not. You never know when Sinclair is going to go off the rails.

And this is a story that centrally follows Sinclair. The novel begins with Cyrus and his albino ferret named Pickle. This gun nut passes the time with MREs and reminiscings of killing his first victim at fourteen. The pacing improves when the character Gabe is introduced, an armed teenager on the run from a local gang. Sinclair tortures her in the beginning, but his position softens over time. Soon, this duo are on the road in search of Frank, Sinclair's mentor. A fourth party named Blaze enters the picture and soon this quartet are facing looters, a maniacal granny and escaped convicts. Inertwined in the latter action packed pages is a believable romance that is realized too late.

Author Knapp knows how to keep a story moving forward despite the hamperings of a first person narrative. The novel moves from scenario to scenario in an appropriately urgent fashion and there are only a couple of necessary slow down points for readers to catch their breaths. As well, the story is interesting. Set in Washington State, the characters' reactions to events are believable and the setting of a zombie apocalypse has many avenues to explore. The interactions between characters can be surprising with Sinclair behaving like a maniac early and an empathetic individual later. There are character arcs and Knapp even introduces some moral ambiguity by asking: who would survive in a zombie apocalypse? You may or may not agree with her answer.


The Undead Situation is surprisingly well written for a first novel. Full of exciting situations, this novel is for those who are fans of mature zombie fiction. Truly remarkable, this novel is definitely recommended and while the protagonist, as a sociopath, is a strange choice, his transformation through experience gives the ending a little more heart. Check out this novel in paperback, e-book or audiobook formats for several nights of frantic and enjoyable reading.

Overall: 8 out of 10 (well written, interesting but flawed characters, suitable pacing, a couple of loose ends but enjoyable overall).

More on this title is available at Permuted Press:

The Undead Situation at Permuted Press

This review was influenced by Zombies Drule:

The Undead Situation Reviewed by Zombies Drule

The above photo (zombie in car) was taken from Eloise J. Knapp's website which can be found here:

Eloise J. Knapp's Official Website

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The Eternal Brings Death-by-warrior in this Preview: Concept Poster

The Eternal is an occult film that deals with a suicidal vampire. This film is currently in the pre-production stages, with a poster above and The Eternal is a follow-up to 2008's Ending the Eternal. In this latest film, Samuel Gradius has lived for 500 years. His inability to die is driving him mad and he believes that the only solution to his immortal existence is a warrior's death. Is there anyone who can beat him? Those who enjoy the vampire horror genre can bite into these early details with shooting to begin on The Eternal in 2012.

Tagline: "Kill or Suffer."

Status: Pre-production.

Director/writer/producer: Justin McConnell.

Co-writer/producer: Kevin Hutchinson.

Executive producer: Lorne Gross.

Cast: Adam Kenneth Wilson.

Find more details on this film at The Eternal homepage:

The Eternal's Homepage

Source:

Unstable Ground (Development)

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Tuesday, December 27, 2011

The House of Flesh Mannequins Gets a Video Release Date from Elite Entertainment

The Italian exploitation thriller, The House of Flesh Mannequins, will receive a worldwide DVD release February 21, 2012. This psychological drama by controversial director/writer Domiziano Cristopharo will be sure to be deeply disturbing because of the subject matter being explored.

This film features Sebastian Rhys (Domiziano Arcangeli, “Showtime’s Zalman King’s Chromium Blue”), a loner, whose life is about to change. As an artist and photographer, he habitually explores the seedy side of life and human depravity. When a fellow apartment tenant, Sarah Roeg (Irena A. Hoffman, Moonlight Sonata) takes an interest in his work, where this film goes is a look into a very torturous, surrealistic, and erotic world that also includes snuff films. Up and comer actors Dave Vescio (Lost Soul) and Jerred Berg also star.

This film premiered the Santa Fe Film Festival and was also screened at A Night of Horror International Film Festival. It has also won a third place award as IndieHorror.it’s Best Indie Horror Film of the Year.

Release Date: February 21st, 2012 (DVD).

Director: Domiziano Cristopharo.

Cast: Domiziano Arcangeli, Irene A. Hoffman, Giovanni Lombardo Radice, Jerred Berg and Dave Vescio.


The trailer for the film is seen here:



More on this film is available at the film's website:

The House of Flesh Mannequins Homepage

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Looking at What Went Wrong with The Ward: A Movie Review

*here be spoilers.

Director: John Carpenter.

Writers: Michael Rasmussen and Shawn Rasmussen.

Cast: Amber Heard, Mamie Gummer and Danielle Panabaker.

The main problem with John Carpenter’s The Ward is that it tried too hard to be understood. Had it been subtler in its approach, than quite focused in providing some cheap scares, then just maybe, the darkness Kristen (Amber Heard) has been feeling can become real.

The issue here is that Carpenter, with writers Michael and Shawn Rasmussen were out to recreate some of the magic from Shutter Island, released earlier in the 2010 year, whilst their product was delayed. It did not screen until September at the Toronto Film Festival. Its theatrical release did not happen until a year later, so audiences are not saying that they had seen this movie before.

But The Cabinet of Dr. Caligari this product is not. Some imitators will succeed and others will fail. When considering the type of subject matter explored—the inspection of the patient’s psyche—to trick the viewer to not knowing what they are watching is difficult. Had it not been set in an institution at all, but instead, in a prison, the connection could not have been instantaneously made.

To see aspects of Kristen’s personality as different people does work. Each of these personas is unique enough to stand out. But in this film’s attempt to put Humpty Dumpty back together again, not all of the pieces are being put into its proper place. Dr. Stringer’s (Jared Harris) idea is to destroy them and some of these personalities want to fight back.

Had he tried to fuse all them into one united force, than that would have made for a far more interesting interpretive film in the same vein as Dr. Jekyll and Mr. Hyde. The product could have been all about the different parts of Kristen trying to become a functional 30-something adult.

The route The Ward took was more of a shock product than thriller. Carpenter’s style is certainly in fine form, and he did translate the writing team’s ideas onto screen well. Even his interpretation of the zombie ghost figure, known as Alice, is telling.

When Kristen sees the ghost for the first time, against a reflective surface, the symbolism is identifiable. But later appearances put the ghost’s purpose at a different level. When Iris (Lyndsy Fonseca), Sarah (Danielle Panabaker), Emily (Mamie Gummer), or Zoey (Laura Leigh) disappears, Kristen does become stronger. She’s fighting to survive, but Alice is not going to let her.

The struggle the two have is epic. The writing team certainly has created a good screenplay about survival of the fittest, but not many people will see this film that way. If the production team had only worked on the idea from scratch than to rehash a time-honoured concept, then just maybe, there could have been a dark tale. The Ward might have come off better as a frightening look at institutionalized life than about a broken figure.

Overall: 5 out of 10.

The Ward's official website:

The Ward Homepage

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The Amityville Haunting and Flogging a Dead Idea: A Movie Review

Director: Geoff Meed.

Cast: Devin Clark, Jon Kondelik , Jason Williams, Nadine Crocker, Gracie Largent, and Amy Van Horne.

The entire Amityville House fiasco has been nothing but one huge trial and tribulation. And just when movie producers think they cannot leave a dead horse alone, a new movie has been made about the “most recent” events that have happened on 108 Ocean Avenue.

But to no one’s knowledge and very little national press, the house has changed its look—the building’s iconic face has been redesigned. Also, it has has had several occupants since its days of being haunted. None of them have reported about the house being spooked, and hardly any interest has developed since that last toilet mysteriously flushed (one of the many supposedly paranormal events that allegedly happened). But with this movie, maybe all this product is doing is to keep the most famous case that Ed and Lorraine Warren studied still in the public limelight.

A movie about this famous pair is being developed and James Wan (Saw) is said to direct. Their involvement with the Amityville case will no doubt be part of the film. But in the meantime, The Amityville Haunting is going full steam ahead with its release to close off the 2011 year, and maybe make those winter nights even colder.

This movie does have its moments. Despite the fact that it copies from the Paranormal Activity formula, the most effective scene happens in the opening act. One of the teens breaking in to the residence spots something humanoid up the stairs and viewers also get a perfect glimpse of it as well. Nothing more is said and to no surprise, their night does not end well. Some months later, all the blood presumably has been cleaned up, and that particular homicide covered up. Nothing is said to the Benson family that is moving in.

There are some good dynamics in the cast to make this nuclear family believable. The performances by them, however, are uneven. Virginia (Amy Van Horne) does a great job at trying to keep the family together, but Douglas (Jason Williams) is something of a war vet. He thinks he has the fort in control. Tyler (Devin Clark) is the young lad filming the events as it transpires, but not even he can capture the malicious spirit on tape. The older sister Lori (Nadine Crocker) gets ignored and she hardly plays an important role in the movie. But when the youngest child, Melanie (Gracie Largent), is talking to John Matthews, an invisible friend, that’s when the haunted house comes alive.

But true to formula, the alpha male thinks he can handle the situation. In what he attempts to do with holy water and crosses, the spirits get angry. And how he will survive remains questionable. He is like a broken record player.

Equally fragmented are the constant cuts to black to simulate a malfunctioning camera; that gets painfully annoying. Maybe Cody Peck, the video editor responsible for putting together Tylor’s footage into a presentable format, should have considered not keeping the black parts in. The technique is not always effective. The voice-overs over the black are fine, but when it’s supposed to mimic a spirit trying to tamper with the videotape, shouldn’t that come through as broken as well? All of the content should have been erased. The camera Tylor used either uses MiniDV tapes or memory flash cards. Too bad the days of 8 and 16mm are over, since that was what some of today’s most famous directors started with, before moving on to higher end formats.

What could have been more interesting as a film about the Amityville case is a discovery of the footage made by the original occupants that started it all, the DeFeo family. Forget about the Lutzes or anyone else following. To explore what set off Ronnie, even if its fictionalized, can be more terrifying than all the Amityville movies combined.

Overall: 6 out of 10.

The Amityville Haunting at The Asylum:

The Amityville Haunting Film Details w/Trailer

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Monday, December 26, 2011

The Devil's Crossing Brings the Undead to the United Kingdom January 30th: DVD Artwork

The Devil's Crossing is a zombie styled western in the vein of Cowboys and Zombies aka The Dead and the Damned. A hero must face a horde of the undead to free a town from the grip of death and disease. Already released in the United States, this film. from James Ryan Gary, will also be available in the United Kingdom January 30th and the official UK DVD artwork can be seen left. As well, a sleeker trailer for the UK release is hosted below.

This is the most sought after and anticipated indie film here at 28DLA and a review of this film will come shortly courtesy of Left Films. There is something extraordinary and doubly dangerous when combining zombies with a western set story. Check out this title if you are a zombie fiction fan or wait for the review which will be posted shortly.

Release Date: January 30th (DVD, UK). This title is currently available in the U.S. but not Canada.

Director/writer: James Ryan Gary.

Producers: Paul Streiner, Manly Clark, and Paul Reichelt.

Cast: Michael Sharpe, Patrick G. Keenan, Kevin L. Johnson, Jenny Gulley, Chris Walters, Tim Holt , David Holland, Michael Mike II, Samuel Elliott Whisnant, David Lowe, Allison Flanagan, and Valerie Bobo.

The film's United Kingdom trailer is here:



The film's N. American fan page is here:

Devil's Crossing on Facebook

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MTV's "Death Valley" Gets a Made-to-order Release of Season 1


Creator: Curtis Gwinn.

Cast: Texas Battle, Tania Raymonde, Bryce Johnson, Charlie Sanders, Bryan Callen and Caity Lotz.

Amazon.com is quickly burning MTV's "Death Valley" to disc. Produced on demand, this two disc set lists for $19.95 (SRP) and then there is shipping. As an uncensored set, some may wonder just what has not been un-bleeped out.

The only problem with the manufacture on demand program is that it is burned to disc on DVD-R recordable media, a nonpermanent medium. Die-hard tech junkies may not favour this method. The medium will wear out and this format reportedly has a lifespan of less than 5 years through repeated use.

The television series' story from Amazon: "[a] year ago, vampires, werewolves and zombies mysteriously descended upon the streets of California's San Fernando Valley. Death Valley is the dark comedy that follows the cops that capture the monsters, and the camera crew that captures the cops.

Follow the horrific yet comedic exploits of the newly formed Undead Task Force (UTF), a division of the LAPD created to combat the emergence of monsters in the San Fernando Valley. Death Valley showcases the outrageous and courageous men and women working the toughest beat in the US: Death Valley."

Balancing dark humor with horror, the show is built upon cold-blooded conflict and character driven comedy, following the cops bent on keeping the streets safe from the presence of the paranormal. Documenting each case of zombie, vampire and werewolf encounter is the daring camera crew that is embedded within the task force, quickly revealing that the monster problem goes much deeper than anyone could have possibly imagined.

Full of subtext about living in today's insane world, "Death Valley" is at its core a fun, non-stop thrill ride featuring chases, hardcore kills, and extraordinary creatures. The zombies are disgusting, menacing and brutal, the vampires are dangerous, smart and powerful and the werewolves are beastly and insane. From "blood-for-sex" prostitution busts to undead traffic jams, every call from dispatch will take you to a place you've never been: right to the bleeding heart of "Death Valley."

More on this series can be found at MTV including full episodes:

Death Valley at MTV

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Monocyte #2 and the Dark Arts: A Comic Book Review and Preview

*an early screener copy of this film was provided by the publishers.

**spoiler alert.

Writers/creators Menton3 and Kasra Ghanbari have certainly surpassed themselves in issue #2 of "Monocyte." In the sneak preview of the upcoming issue, due on shelves Dec 28th, the meat of the vicious narrative is being stitched with precision. The devil-may-care Monocyte may well be more than just a servant of Death. He is the key to a greater cosmic force that the Olignostics fear. But to unlock it will not come easy for them.

Meanwhile, in the Antedeluvian city, the Filius Philosophorum, the Green Man sits contemplative. Even this other race has something to fear about this relentless destroyer of worlds. That is the title that Monocyte has respectably earned. When he considers all the carnage that he has wrought so far, including the destruction of the Olignostics city’s main power source, fueled by what may be an Angel, he starts questioning all that had transpired, including the end results...

This scenario may well be an allusion to the Kobayashi Maru. There are no clear winners in this eternal war the Antedeluvians and Olignostics are in. Since they cannot die, just what will they become? The human fodder they are using will eventually expire. Readers will have to wait until February for the next issue.

This bi-monthly series is now at a halfway point, and where this tale will go next can only have readers guessing. When Monocyte is revealed to be the "Key," just what exactly is he the key to? And which character is going to be the Gatekeeper?

Issue #2 reads almost like “The Book of Gates,” an Ancient Egyptian funerary text where the deceased is led through a series of doorways, with each hour (the gate) guarded by a divine force. Only the guardians can grant safe passage to the next one. In so passing, the individual will eventually enter the Hall of Judgment, meet Re, the sun god, and be granted a chance at rebirth. That’s the basis of that funerary text. As for where the comic book will go (i.e. which “hour” Monocyte has reached or if the finale will be about a rebirth) that is uncertain. The writing certainly has a mythic quality to it, and that is what makes this mini-series such an engaging read.

The artwork also gets better. The beauty of issue #2 is the wider range of colours and artistic expression. From a startling use of cupid pink in Riley Rossmo’s cover—which amazingly works to create a sense of schizophrenia—to a scarlet red in Alan Hubbard and Chris Newman’s side-story—to represent splattered blood—the limitations do not end there. Bill Sienkiewicz’s contribution with three simple ghastly, skull-like, faces can be the stuff of nightmares; it’s not a pretty picture to wake up to.

The work from writer/artist Ben Templesmith ("Fell," "30 Days of Night," "Wormwood") and newcomers, Hubbard and Newman only gives more side-stories to help bring life to this alien world that Menton3 and Kasra Ghanbari created. Issue #3 will feature a story by Sienkiewicz and George Pratt.

Praise is also coming from other creators too. Steve Niles ("30 Days of Night") says, “Monocyte is a beautiful excursion into the belly of the beast. I highly recommend taking the trip. Hell has never read so well or looked so stunning."

The comic's fan page is here:

Monocyte on Facebook

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Sunday, December 25, 2011

Indie Thriller Alert: Behind Your Eyes and Seeing Killers for Who They Are: Release Details

Behind Your Eyes is an indie feature from Vesuvio Entertainment that puts a young couple on the road. They are journeying to Steve's (Tom Sandoval) parents' house. Along the way, they encounter some characters from Steve's past who want to make their stay as tortuous as possible. Identities will be revealed and the thrills will begin when Behind Your Eyes releases on DVD March 20th through Osiris Entertainment. Those interested in mysterious thrillers can check out the trailer below along with the release details.

Release Date: March 20th, 2011 (DVD).

Director: Clint Lien.

Writer: Daniel Fanaberia.

Cast: Frida Farrell, Tom Sandoval, Daniel Fanaberia, Arthur Roberts, Remy O'Neill, Lisa R. Segal, and Kristen Doute.

The official trailer for Behind Your Eyes is here:





*special features for this release include: a behind the scenes featurette, Behind Your Eyes at Cannes short, “Notion” music video by Amy Loftus, and trailers.

Source:

Behind Your Eyes at Osiris Ent.

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Rage and an Evil Shadow: A Movie Review

*a DVD screener of this film was provided by Chris Witherspoon.

**spoiler alert.

Director/writer: Chris Witherspoon.

Cast: Audrey Walker, Rick Crawford and Chris Witherspoon.

Imagine Darth Vader as only the die-hard fans wanted him to be: a brutal killer and a force of nature. But none of that would matter if he did not have that seething rage that kept him going all through these years. Now imagine all that power hidden behind a simple black motorcycle helmet. That’s Chris Witherspoon’s movie, Rage, an effective chase thriller about two individuals, each with personal issues, at odds with one another.

This movie is all about the circumstances that lead to their confrontation. That also includes the problems in Dennis' (Rick Crawford) life. It’s an idyllic one spent with his loving wife, Crystal (Audrey Walker) in the suburbs of Portland. But when he has to go into the city to run some errands, and meet a few people, audiences learn that he is flawed. He has a mistress. He feels like he can gain part of his life back through control if he tells Dana (Anna Lodej) that the relationship is off.

But before he met the mistress, his chance encounter with a motorcyclist shows a different side of his personality. He makes a gesture of “what’s your problem?” and that’s enough to get this mysterious individual to go follow him, and learn of his transgression. He thinks that he can use this information to his advantage, but when this stranger does not speak at all, nobody, not even the audience, will know what his motives are. He is perhaps one of the better villains to appear on screen for a long time. When nobody can read him, he can be like a walking time bomb. This role, nicely characterized by Witherspoon, certainly ranks up there with the classic icons of horror. Michael Myers has a tag-team buddy.

For a good chunk of the film, the two square off in one huge cat-and-mouse game. Dennis does not know what he has done to deserve this motorcyclist's attention, and when his car gets scratched and his vehicle's oil line nicked, all he can think of is how to keep this problem to himself, instead of reaching out for help. He considers the possibility of Dana's former boyfriend as the culprit. He also tries to come up with a reason why all this bad karma is coming back on him.

But just in case audiences do not get the idea, Witherspoon helps viewers along by offering an explanation. In a scene where Dennis is getting his car fixed, he happens to overhear a conversation about Steven Spielberg’s TV classic, Duel. Two individuals talk about the greater meaning of this famous director's product; in this film, Dennis Weaver is supposed to be symbolic of man’s lonely existence and the truck is supposed to be a force of Nature.

Dennis listens in, but gets distracted by the mechanic. He may have gotten the point but did he? He's too worried about saving his own honour to realize what's going on around him. Crawford is great in this role because all of Dennis’ anxieties have to be expressed. This film is very engrossing since it delves deep into everything he does and thinks about.

But when the film shifts gears to not include Dennis, and deal only with the biker’s mad rage, the movie becomes another product. Although anything about him is never revealed, the lengths he will go towards making Dennis' life miserable is hugely disturbing. At the same time, there are some logistical problems: in a city as large as Portland, just how did he manage to stay close to Dennis throughout the day?

Anyone who knows how the city of Portland’s streets are laid out will know that it is divided into five sectors. Bridges connect each part and newcomers may feel lost at their attempts at getting around. For one individual to keep tabs on another must mean that he knows the roadways well.

Tagging any vehicle with a tracer or to key it so it can be recognized is easy. But for this mysterious biker to be constantly dogging Dennis and to appear at his home much later in the night requires a huge leap of faith that cannot be ignored. Just how did the biker know where he lived, especially when the car is in the garage?

To watch how this movie draws to a close is almost perfect. All those fears of Dennis’ have come to life when his wife finally reacts. Kudos have to go to Walker for giving an exceptional silent performance. Her pains are easily read but she's not ready to act against her husband just yet.

Instead, what the biker becomes is a living embodiment of brutality and anger. It's reflected in his actions towards the couple. All those ideas presented in Duel comes to fruition, and the actions the mysterious person behind the helmet does becomes unsettling in the sense that why must it happen?

But at the same time, a greater argument must be asked. Why must innocents be involved? When a friendly neighbour gets offed for no reason whatsoever, the darker side of humanity is certainly being gazed at. But next time anyone is driving and they feel the urge to cut into another lane with a driver in the blind spot, that’s a bad idea. Road rage, in any form, is the last thing anyone wants. Just having one hell of a bad day cannot be made any worse. All audiences get to see is just how much of a wimp Dennis truly is—especially when he can’t find the willpower to face up to his aggressor, or his wife for that matter.

*there is no release date for this film at this time.

Visit the film's homepage here:

Rage's Official Website

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Saturday, December 24, 2011

Helldriver as Art?: A Movie Review



*here be spoilers.

Director: Yoshihiro Nishimura.

Writers: Yoshihiro Nishimura and Daichi Nagisa.

Cast: Yumiko Hara, Eihi Shiina and Kazuki Namioka.

Very rarely will Japanese horror cinema, if Yoshihiro Nishimura's Helldriver can be called that, be considered art. In this film's case, maybe it should be called the finest example of nihilism—mostly with zombies as its victims—while plodding through a very thin plot about a girl yearning for revenge.

Just prior to the actual story, the film has a moment where all that happens is a mysterious stranger jumping over a wall and harvesting zombie antlers for some unknown reason. After this curious montage, the actual story takes place in one extended flashback: an innocent Kika (Yumiko Hara) arrives home only to discover her maniacal mother Rikka (Eihi Shiina) and homicidal uncle turning her father's legs into ground meat. They are getting ready to cook him up. Kika tries to escape, but mom is not going to let her. But before she can issue a coup de grĂ¢ce, a meteorite smashes through her. She loses her heart and steal's Kika's before she becomes encased in a resin cocoon.

Soon afterwards, that piece of space rock spreads an epidemic that transforms half a nation into zombies. Most of North Japan is infected and it gets walled up before the rest of Japan falls. If there is supposed to be a metaphor here, then only half of it is expressed. Instead, the film focuses in on Kika. She survived her deathblow with the help of a scientist. But without her own heart to guide her, all she has in life is to become a super soldier. When she walks the streets on a post-apocalyptic Japan, all she sees is a world tainted by fascism.

The division between North and South Japan only becomes more obvious when the current prime minister and his opponent tries to reunite the two lands together. One thinks that living with the zombie is possible. But when the branding of Kika's uncle with the swastika is no accident, what exactly that means only hints at another story. The connection with another country's political climate from the original axis of evil is not explored.

And that’s when this movie’s narrative gets strangely cut off. A proper movie intro is played about mid-way in the film. Either audiences will understand why this sequence is inserted here or they won't—Pulp Fiction this product is not.

Instead, this film moves at a rapid pace of one music video style set piece to another, with a bit of dialogue explaining what Kika’s team of assassins are going to do. And that is all the excuse director Nishimura needs to deliver an orgy of devastation as her team navigates the zombie landscape in the search for her mother. Viewers are treated to a very imaginative minefield of multi-limbed zombies and fetish creations that can only come from Nishimura’s effects team.

To actually sub-categorize this film is nigh impossible. Splatter is hardly fitting. This film is a fine example of the Theatre of the Absurd, a style of theatre that emerged out of World War II. The only shame is that the allusion to this era does not hit home until after watching this film. This style of theatre was a reaction to the atrocities that happened during the war. Just like the artists of the time, they pondered over existential philosophy. By combining that with drama, a new style of entertainment emerged. In these plays, the plots lacked realistic or logical development, and Helldriver is certainly one fine example of it.

To further the point even more, this film contains many grotesque and ludicrous visual elements that can only be found in a circus act. Not many films will have zombies huddle up and turn into a car or become a rocket-powered airplane. Nishimura is certainly going for as many pop and horror culture references as he can here, and he also respectfully pays tribute to more traditional J-horror culture. Viewers more familiar with older products, like Versus in Japan and Evil Dead in North America, may find some passing familiarity with this product.

For those who know a fair bit about Japanese horror cinema, they may understand what Nishimura is going for. Otherwise, all viewers have to do is to leave their brains turned off and treat this film like a Michael Bay product. It exists to be seen more for its inexplicable explosive content than to be understood.

Overall: 6 out of 10.

The film's fan page is here:

Helldriver on Facebook

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