Friday, September 30, 2011

Uwe Boll's Blubberella To Squash Audiences January 31st on DVD and VOD

The earth will quake January 31st when Phase 4 Films unleashes Blubberella to DVD and VOD audiences. And with a tagline like "Half vampire, two and a half women," you know the jokes are going to be crass in typical Uwe Boll (Bloodrayne 3) style. Another tagline "Pound for poung pure action," is not much better and the film has been called: "a big ol’ meaty wad of concentrated awful" (Rigney). Phase 4 Films would like us to believe that Uwe boll "has a huge cult following," but 28DLA would like to start a spontantaneous anti-Boll petition right here. Let us stop Boll from making any more films!

For those interested, Blubberella was filmed dually with Bloodrayne 3 in Zagreb, Croatia. And many actors from Bloodrayne 3 participate in this film: "you almost feel sorry for the film’s cast, who have been plucked from the set of Bloodrayne 3 to participate in one of the worst comedies I’ve seen since Fat Slags." Actors Michael Pare, Clint Howard and Uwe Boll as Hitler reprise their roles in this comedic? film. Instead, of an army of vampires, this time Hitler is creating an army of zombies. Enjoy a preview of the release below along with Rigney's hilarious review.

Release Date: January 31st (VOD, DVD).

Director: Uwe Boll.

Producer: Dan Clarke.

Writers: Lindsay Hollister, Uwe Boll, and Willam Belli.

Cast: Uwe Boll, Lindsay Hollister, Clint Howard, and Michael Paré.

The film's official trailer:



Read Rigney's review here at Beyond Hollywood:

Blubberella Reviewed at Beyond Hollywood

Source:

Blubberella at Phase 4 Films

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John Dies at the End Stars Paul Giamatti in a Surreal Horror Comedy: First Trailer and Poster

Take another hit of Soy Sauce before watching this psychedelic reel for John Dies at the End. This is a surreal film from director Don Coscarelli (Bubba Ho-Tep) that promises to reveal the secrets of the universe. But that is a bait and switch as the film's first trailer shows horrifying images of murder instead. This horror, comedy stars Paul Giamatti and Clancy Brown in a supernatural thriller that really plays with reality. What is real? Find out in the clip below and enjoy this first poster art for the film seen left.

Release Date: 2012:

Director: Don Coscarelli.

Writer: Don Coscarelli, and David Wong.

Producers: Paul Giamatti, Dan Carey, Brad Baruh, and don Coscarelli.

Cast: Paul Giamatti, Clancy Brown, Chase Williamson, Rob Mayes, Glynn Turman, Daniel Roebuck, Doug Jones, and Angus Scrimms.

The trailer for the film is here:



More info' on John Dies at the End at the film's fan page:

John Dies at the End on Facebook

Source:

John Dies at the End at the UHM

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7 Lives is Picked Up By Revolver Entertainment For UK Distro': Promo' Reel and DVD Artwork

The United Kingdom's branch of Revolver Entertainment wants you to walk a mile in Tom's (Danny Dyer) shoes with 7 Lives. Tom is a businessman who is being seduced by the promise of a "more exciting life." His life gets too exciting when he is mugged and murdered by a group of street thugs. Then, he is reincarnated (can you do that?) and given the opportunity to live the lives of five other people in an alternate world. Revolver Entertainment will bring the parallel world madness to DVD and Blu-Ray October 7th in the United Kingdom only.

Strangely, there is no trailer available for this film as of yet. However, director Paul Wilkins has posted some early pick up shots on Youtube of the film and the clip can be seen below. In the five minute reel, Tom is attacked by three black youths, while a beautiful woman offers him a way out of his mundane family life. The clip is taken from the early stages of production, but fans of sci-fi thrillers might find a chuckle or two as actor Danny Dyer does his best humble mumble to escape an unavoidable attack. Cast and crew details are also below.

Release Date: October 7th, 2011 (DVD, Blu-Ray).

Director: Paul Wilkins.

Cast: Danny Dyer, Kate Ashfield, Anna Skellern, Theo Barklem-Biggs, Martin Compston, Nick Brimble, Tom Goodman-Hill, and Jennie Jacques.

The early shots are here:



Source:

7 Lives at Revolver Entertainment

This title is only available in PAL formats and North American DVD/Blu-Ray plays are generally designed to play NTSC only:

7 Lives (Danny Dyer)

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Jabberwock and Rallying Support: A Movie Review

*full disclosure: American World Pictures provided a screener of this film for review.

Director: Steven R. Monroe.

Writers: Raul Inglis and Rafael Jordan.

Cast: Tahmoh Penikett, Michael Worth and Kacey Barnfield.

SyFy Channel should consider rebranding. They do a better job with the fantasy films they choose than the science fiction and terror products combined. Jabberwock is a simple tongue-in-cheek tale that plays with Lewis Carroll’s nonsense poem, but spells the monster’s name without the y.

Either there were copyright issues that the film's producers could not wrangle, or they were simply trying to be original. To loosely base the monster on the design by artist John Tenniel gives this film a continuity that is much appreciated. Not every detail, like the creature’s long antennae, canonical beard and broad buckteeth are recreated, but any avid arts aficionado will recognize the silhouette.

As for this made-for-TV product, the tale is generic but yet interesting. The music is remarkably well done. It’s rousing and ambitious, and without it, it would be like watching Star Wars Episode IV without John William’s soundtrack. Director Steven Monroe (I Spit on Your Grave) and writers Raul Inglis and Rafael Jordon do a good job in keeping the product respectful to the poem without being too overt. The dialogue turns the stanzas from the poem into spoken lines to create some tension, and how that all works depends on the delivery by the actors. They do a reasonable job at trying to be fearful of a digitally created monster.

And as a final nod to how enduring this poem is, the writers put their own spin it on by saying it’s an old bedtime tale invented to scare children, so they don’t go wandering off late at night.

Instead of a dreaded nightmarish fare, this film is an enjoyable B-movie romp that works well for the medium. It belongs on the small screen to hide any blemishes that would otherwise be too apparent if it was theatrical. And any larger budget might have helped correct any historical inaccuracies. If this film was to be taken seriously, then maybe the building of the world would look more appropriate for the era. It can be high fantasy, where everyone looks good, or a recreation of the sanitary conditions prior to the Black Plague.


Even putting a dragon into the tale would make no difference. When the jabberwock flies in and terrorizes a faraway village near the mountains because of the actions of Cid (Raffaello Degruttola), who provides mostly comedy relief, only Francis(Tahmoh Penikett), a blacksmith can save the day. He has taken over his father’s business and when the beast comes calling, he’s the only pillar of support for the populace. His brother Alec (Michael Worth) does not arrive right away, but does help champion a few battles.

There’s some thought put into the structure of this tale, and it speaks about how communities are built. Someone has to rise into the position of leadership. But before anyone can say this story is reminiscent of Chris Sander’s How to Tame Your Dragon, this movie is not. Francis is nothing like the young and weak Hiccup.

Penikett is a gentle stoic giant. Perhaps these are the only type of roles he can easily play, and in this movie’s case, it suits him well. To have him play against the traditional heroic cues is perfect. He makes the character of Francis look sublime, but he can be gruff when he comes out of his shell to lead the charge. Instead of his more handsome counterpart, his brother, Francis is still the character who comes of age, and wins the girl.

Even in this product, there has to be a damsel in distress. When the real knight in shining armour can not do the job, Francis has to figure out what is going on. And yes, he finally pulls out this movie’s equivalent of the Vorpal Sword. The blade looks mean and that is all the audience needs to know.

This movie sets itself up for a possible sequel, but once is good enough.

Overall: 7.5 out of 10.

A scene from the show at the SyFy Network:

Jabberwock at SyFy

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Thursday, September 29, 2011

Snitch to Star Edward Furlong as a Rat on the Run: First Film Poster

Tombstone Distribution is a distribution house based in Los Angeles, California that focuses on films in the horror and thriller genres. Their latest pick up is called Snitch and this film stars Edward Furlong, Meatloaf and others. Snitch is about a rat who sells out the fictional Torino family when things get tough. But the Italian Mafia has a long memory and they come looking for Johnny Graham (Furlong) even when he is in the Witness Protection program.

Production on this feature will complete this year and expect Snitch to have a presence at this year's American Film Market that begins in November. The AFM takes place in Santa Monica each year and arguably, this is the biggest film festival and screening venue in North America. With Snitch in attendance, there will surely be a few more thrills and double dealings present. Enjoy the first film poster here with cast details below.

Director: Heather Hale.

Writer: Eric Troyer.

Producer: Heather Hale, Joe Di Maio, and Eric Troyer.

Cast: Edward Furlong, Grace Johnston, Rick Ravanello, Brian Krause, Meat Loaf, Elaine Hendrix, Edward Asner, P.J. Byrne, Daz Crawford, Rena Owen, John Bobek, Diana Sayers, Camellia Rahbary, Charles Austin Moore II, and Patrick G. Keenan.

Snitch at Tombstone Distribution:

Snitch Film Details

The film's homepage:

Snitch's Homepage


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"Death Valley" and Sharing a Few Laughs: A Television Review ("Zombie Fights").

*here be some spoilers.

Director: Drew Daywalt.

Writer: Matthew Lawton.

The new "Death Valley" series from MTV is much like Shakespeare's shortest work, "The Comedy of Errors." Instead of mistaken identities there are mistaken motivations. One character, unknowingly, does not appreciate his partner enough, while Captain Dashell (Bryan Callen) is still struggling to understand his sexuality. This leads to all sorts of awkward dialogue from him: "I regulate my semen count. You want to know how?" or "Do you want me to come in for coffee?" Dashell is completely oblivious to the underlining meta message of homosexuality in his dialogue and John John (Texas Battle) does his best to keep an awkward distance. Other plots points in Epis. 5, "Zombie Fights" include more zombie madness, cage fights, a lost relative found, a cliffhanger ending and a Lloyd Kaufman zombie look-a-like to round out the evining. These subplots and the use of dramatic irony (that poor oblivious Dashell) make "Death Valley" a comedic series of note.

Director Drew Daywalt is no stranger to 28DLA as he took part in an interview here in September of last year (Daywalt Interview). Generally a director of shorts, Daywalt transitions to television in this episode and the previous showing "Two Girls, One Cup," flawlessly. The action in a zombie cage match is enhanced with the proper choice of a night shoot. The lighting makes the zombies' rotten flesh even more grotesque. As well, during a skit involving a blood drive vehicle and vampires, Daywalt keeps both protagonist and antagonist in shot during this strangest mini-episode. Can these cops keep their focus on the situation at hand, for once? Finally, rookie Landry (Catie Lotz) gets her hands dirty in a small department store back room with a bloodthirsty zombie. Daywalt is always capturing that action, even with the shaky camera.


The main premise in "Zombie Fights" is about John John finding his dad on video as a member of the undead. Some of the only sentimentality so far in the series is generated from John John's stories of abuse. Then, John John's dad is fighting the spitting image of Lloyd Kaufman (The Toxic Avenger) and all seriousness is again forgotten in favour of more laughs. There is more bloodshed as Dashell changes from confused bisexual to macho killing machine, with more blood splattered zombies the result.

Another nice turn in this episode is the use of the sensationalist cliffhanger ending. This is not a device seen in previous episodes. Near the end of "Zombie Fights" Officer Joe (Charlie Sanders) is set upon by several vampires in a dark alley. His prognosis is uncertain and "Death Valley" seems to be broadening its scope with the inclusion of more drama e.g. John John's zombie dad. Fans will have to standby to find out what happens to Joe in the upcoming episode "The Hottest Day of the Year."

This episode aired on MTV September 26th and fans of the show who missed this episode can watch this showing and others at the MTV website (listed below). Check out this series for a chuckle or two. Many of the situations are adult in nature, but the show rarely takes itself too seriously. A great comedy, with excellent directing and some funny misunderstandings, "Death Valley" continues to entertain this household and maybe yours too.

Overall: 7.5 (a really fun show).

Epis. 5 at MTV:

Full Episodes of Death Valley at MTV


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"Death Valley" and Hit and Miss Comedy: A Television Review ("Two Girls, One Cup")

Director: Drew Daywalt.

Writers: Spider One, Eric Weinberg, Curtis Gwinn, and David A. Weinstein.

"Death Valley" is a welcome addition to the small screen community of horror comedies. Its style is almost like "Seinfeld," a show about nothing, and where this show takes its inspiration from is almost like "COPS." Viewers are riding along in the backseat to witness what the LAPD Undead Task Force does throughout the day.

Cameras are supposed to follow two teams as they deal with vampires, werewolves and zombies that have decided to take up residence in the San Fernando Valley. No explanation is required for these appearances, and for the most part, the citizens have learned to deal with it. The authorities simply organized a special strike force to handle these beasts as though they are another category of criminals. While these officers will not last a moment in an actual police force (they're nothing like "NYPD Blue"), this television show is a MTV style fantasy that falls in the same vein as "Celebrity Deathmatch" there is gore to be spilled, and the effects pulled off look like they belong on the big screen than small.

Producer Spider One (born Michael David Cummings and brother to Rob Zombie) has a product that is very much like Zombieland. The humour is very similar. The buddy film format with Officer Billy Pierce (Bryce Johnson, "Nip/Tuck") and Joe Stubeck (Charlie Sanders, "Cedar Rapids") actually works. They make a good team, and viewers can't help but chuckle at their antics. Stubeck pulls off the innocent routine very nicely, especially in episode four, “Two Girls, One Cop.”

The other team of Officers Carla Rinaldi (Tania Raymonde, "Lost") and John-John Johnson (Texas Battle, Final Destination 3) is more traditional and they are not the straight-laced team one would expect to encounter in a Resident Evil game. They provide support when the undead run amok.

And there is Officer Kirsten Landry (Caity Lotz, "Mad Men"), the hot rookie. She can hold her own and her go-get-‘em attitude can easily light some young male viewer’s heart afire. In the show, Capt. Frank Dashell (Bryan Callen, The Hangover) tries and epically fails at overstating his attraction to her. The laughs created here do not always work. Callen is over the top in his interpretation of the character, and viewers have to wonder how the character even managed to make the rank of captain. Some of the behaviour the character pushes is just plain ridiculous.

The only huge problem with this series is that it loses visual continuity very fast. If the entire series is to be seen through the lens of a cameraman, then it should stick to the format. There are moments where the cameraman would have to put himself in the line of fire to get those shots. Or, in those intimate moments, they technically should not exist on film; that is distracting. Maybe there's a ghost filming the series, and we're all looking at life in the valley from high above.

"Death Valley" has potential, but with this one major flaw, some patchwork is required to make it stand out.

Overall: 7 out of 10.

*this episode aired September 19th, 2011.

"Death Valley" at MTV:

Death Valley's Homepage

Comparable (satirized cop show):

Reno 911 Seas. 1 on DVD

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Wednesday, September 28, 2011

"The Dead Files" and Strange Behaviour: A Television Review (“Evil in Erieville")


Production Company: Painless Productions.

Executive Producer: Jim Casey.

Cast: Amy Allan, Stephen Dischiavi, and Matthew Anderson.

As new paranormal reality television shows are broadcast, they can belong to one of three markets: to sell a location about the fact that it may be haunted, to tell a spooky tale or to make a new celebrity of the host(s). "The Dead Files" is all of the above, and for one of the two partners, Amy Allan is trying to tell the world that she speaks to dead people. She is a medium, shows no remorse by cheapening her credibility. She uses the line from the Sixth Sense, "I see dead people."

Most serious paranormal investigators want to stay as far away from cheap movie references.

Steve Di Schiavi on the other hand, can only see bupkis. He wants cold hard facts and evidence that he can hold in his hands. Very little is said about him and viewers soon learn what he is about. He was a no nonsense cop from the borough of Brooklyn, New York. He's apparently retired; and the premiere episode does not explain why he took up paranormal investigation. That can be odd when considering he is a fact gatherer. His accent is a hoot to listen to, but one has to wonder about what department he worked for when in the force.

In the premiere episode, “Evil in Erieville,” an investor from the west coast, Elvis, bought an old farmhouse in Erieville that he wants to turn into a B&B. He had an encounter with an apparition and he now wants some answers. Nothing in the episode reveals how he contacted the "Dead Files'" crew, and as the duo conduct their separate investigations, many disturbing truths might be revealed. How they tie together suggests that is how paranormal investigations should be done when a medium is used.

The uniqueness with this series is that the two do not share their information until the reveal with the client. That is a good technique to use to validate word of mouth details, but It can also be bad if the information is simply edited down to make one of the two stars sound like he or she knows what is going on.

The series can be interesting to watch if viewers can truly believe that Allan knows nothing about the hauntings. Mediumship can only be believed in one-on-one situations, where the interaction is happening in real time, than on a television show. Also, Alllan has an air of showmanship that makes her credibility very difficult to digest.

On the other end of the investigation spectrum, the framed photograph that was found hidden inside a wall cavity gets barely a nod. How does it relate to the case? There has to be a reason but it hardly gets explored. This detail could be a sloppy case of the story editor not making sure all the points revealed are important by the episode's end. All viewers know is that the family in the picture used the long table that's in the old farmhouse, and the owner does not seem all that concerned.

Elvis' hauntings began while he was renovating the abode and toying with spirit contact. He is playing with fire in this episode and when Di Schiavi questions him, there was some reluctance from this house owner in revealing some details. This investigator could have pressed harder, but didn't. To see him go tough as nails would have made for some entertaining moments but this detective must have been holding back. If the client does not say anything, he impairs the investigation.

And when Elvis has to sign a waiver with the Travel Network, then the agendas with both him and the channel can clash. Viewers have to realize that this show is acting more like a travelogue of habitable destinations. With a B&B in the works, the question of whether or not clientele want to be spooked late at night by an insane, murderous, female spirit really has to be questioned. That’s only assuming the haunting is even in fact real. Those ghost children may not be able to hold her back.

And Elvis does not have issues with the ghosts. He has been warned, and he comes through as unwilling to stop his occult hobbies. He does not want the spirits to move on despite the fact that he had a ghostly visitation. He simply reacted to the ghost lady cradling his chest like a frozen lover. When the final interview reveals that he's responsible for opening the gateway to the other side, he reluctantly admits to doing so. He thinks he can handle it but Allan thinks otherwise, and says he'll eventually be requiring her help.

The series has potential if Di Schiavi actually steps up his duties and puts some of these idiots in jail. Sadly, he has no jurisdiction when it comes to dealing with people dabbling with spirit summoning. This modern age reflects nothing of the Elizabethan times where John Dee he was accused and sentenced because of his dark arts.

Overall: 6.75 out of 10.

The Dead Files at the Travel Channel

Related:

The Task on DVD at Amazon (Paranormal Reality Show)

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The Inner Room and Requiring a Shot of Adrenalin Early: A Movie Review

*full disclosure: a screener of this film was provided by writer Mark Diestler.

Director: Jack Gastelbondo.

Writers: Jack Gastelbondo, and Mark Diestler.

Tagline: "The Past Never Dies."

The Inner Room is a film from first time feature film director Jack Gastelbondo and writer Mark Diestler. The film deals with a relationship falling apart because of a lost child, at a very slow pace. The use of characters is sparse, with two primary and two minor. Arguably, there are a few more minor charcters, but this lack of a diverse cast creates for an uncomplex script. The plotline, if you are cynical reviewer, can be broken down pretty quickly: are the visions caused because of the lack of medication or because of a haunting? However, Gastelbondo seems happy to experiment with filmmaking with the inclusion of blue and washed out filters, along with other filmmaking techniques. The slow pacing really drained the entertainment factor out of this film for this reviewer.

Julianne (Jessica Duffy) and Chris (Marty Lindsey) are a married couple setting out for that horror cliche of old, the isolated cabin. Here, they try and repair their marriage which has been shaken after the death of their child. Julianne's visions of figures in doorways or in the nearby forest do not help matters, while Chris tries to distract himself with photography. An initial hook is skipped in favour of dialogue, lots of dialogue. Not much of this chatter answers the important questions, or the simple ones like: why are they at the cabin?. Later, Julianne's visions begin to show some credibility when a grave is found in their rental's backyard. Then, in the final third of the film, Gastelbondo and Diestler pull out all the stops.

But, by this time it is too late. The lack of subplots and characters make the story too straight forward. For there to be any mystery some distractions were necessary, red herrings or the inclusion of a larger cast. The story is thus too simple either due to budget constraints or a conservative script. Subplots do rear their heads at the halfway mark in the form of a nosy neighbour and in stories of disappearances. However, at this point this reviewer's attention span was wavering. And before you ask again, no, this reviewer does not have ADHD. An initial exciting hook and some misdirections early would have gone a long way to satisfying this critical reviewer.

So, the lack of initial action turns The Inner Room into a brutal slow burn. There really is very little excitement in this film until the climax. The story really needed to be propelled in a stronger fashion, while still including the developing characterizations. Thankfully, some of Gastelbondo's directing techniques keep the visual sphere interesting e.g. slow reel distortion, dual images in frame, match on action and the aforementioned filters. The director is not afraid to experiment; but, with the small budget there really are limits on what can be accomplished. As well, the grueling first two thirds of the film are offset by Gastelbondo's score, with the director performing double and triple duty on the project. Overall, the developments in the story are stretched out too much in the presence of a predictable plotline.

Filmmakers might find some interesting film elements in this picture to study. Most viewers will not be entertained by this piece, which is more psychological thriller than horror. The thrills only come near the end. As well, film fans of drama might find some of the dialogue and interplay between Julianne and Chris entertaining, some might not. Most horror fans will not be satisfied with this outing, outside of an axe swing or bleeding wound. There are only a few elements of horror here including ghosts, graves and one cleverly disguised killer. This reviewer would not recommend The Inner Room to most audiences.

Story/plot/script: 6 (the film stays in first gear for way too long).
Characters/believability: 7 (more characters needed, good casting).
Directing techniques/ pacing: 6.5 (experimental, surreal, brutal pacing).

Overall: 6.5 out of 10.

*releases on DVD October 11th.

A second review of this title at the Recorder Online (Thomas N.):

The Inner Room at Recorder Online

More details on this film can be found at The Inner Room fan page:

The Inner Room at Facebook

The Inner Room at Amazon:

The Inner Room at Amazon

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Tuesday, September 27, 2011

Supernatural and Revisiting the Devil: A Television Review (“Meet the New Boss")

*here be spoilers.

Director: Phil Sgriccia.

Writer: Sera Gamble.

"Supernatural's" season seven premiere is looking promising as long as the series' writers know where to focus the tale. Like previous seasons, new story arcs are revealed as the episode picks up from last season's cliffhanger. Castiel introduced himself as the new God and he is pissed.

The war in heaven is still going on in “Meet the New Boss,” and as Castiel works to establish himself around the world, mostly in the United States, there is someone behind the scenes who is watching. It may not necessarily be a case of stomach upset. The segment of where the stained glass image of Jesus gets changed to Castiel as the new messiah cannot go unnoticed. It may hint at the things to come for later episodes.

As Castiel takes the mantle of Lord Almighty, he is purging the world of hypocrites and false prophets. While he tries to be a just God, only wrathful to those who forsake or lie to him, he is also remaking the world in his image. He reveals to some people that his father, the original grey haired Lord, has left them.

When considering how large the multiverse is, the old God has to be somewhere. Perhaps he's made a new universe and he is taking care of business there. Some loose threads from last season’s stories are still unwinding, and they have yet to resolve themselves. But to know why the original God has left this universe is still a mystery, and not even Death knows. They could be poker buddies, and Death is not telling.

He does reveal that Cas' ate more than just human souls. The Leviathan may be the new villain of the season and for Death to talk about it in plural form says there are more than just one. These creatures are also not simply ancient sea dwellers. Hebrew and Jewish texts label the creature as a multi-headed demonic serpent and also mention the Behemoth. When the two battle, it's the end of the world (again). Either entity can threaten everything on the petri dish known as the "Supernatural" universe, and God locked away the Leviathan away in Purgatory, much to Death's chagrin.

But with them possibly destroying Cas' from within, they're setting themselves up as a new purveyor of evil. They now own Cas' body and may very well give the fallen angels, like Crowley a run for his money. Now that will be a match of the millennium that can cap off either the mid-season or season with.

Although Misha Collins revealed that he will no longer be a series regular for season seven, that still does not prevent him from making special appearances if future episodes require him. As one subplot play on, another involves Sam as though his affair with the original Lord of Hell is not over with.

Lucifer is moreorless back to torment Sam, who now has all of his memories back. This episode is slick in not saying if this Old Nick is a figment of Sam's imagination or not. And when Dean goes to find Sam, he is nowhere to be seen. Did he go back to Hell? The peeks into that realm are looking better than the cheap fire effects, and that is another thread from last season that is thankfully continuing. If the hints from Sam are true, Michael, the Archangel, is going to be important this season.

But until the series writers decide on which antagonist and story-arc is going to be prominent, there are only 23 episodes to get to the point. Let's hope season seven will not take the same tumble as it did with the Mother-of-All storyline.

Overall: 7.5 out of 10.

The television show's website:

The Supernatural Homepage at the CW

Seas. 6 on DVD:



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Ninjas vs Monsters Completes Justin Timpane's Trilogy: Production Preview

Justin Timpane will complete his trilogy of films with Ninjas vs Monsters. The first two titles involved zombies and vampires in Ninjas vs Zombies (2008) and Ninjas vs Vampires (2010). Now, the werewolf and the mummy get the headlock, as Timpane brings back actor Daniel Ross for one more martial arts brawl. Production on this title is expected to begin in the Spring of 2012. For now, a concept poster is available and the short synopsis tallks of several twenty-somthing, slackers saving the world once again, in comic book style. Those interested in this series can read one of the comic book companion pieces for Ninjas vs. Zombies below. More to come shortly!

Production Begins: Spring 2012.

Director/writer: Justin Timpane.

Cast: Daniel Ross.

The film's fan page:

Ninjas vs Monsters on Facebook

A comic book episode for Ninjas vs Zombies:

Ninjas vs Zombies at Azure Press

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The Presence Hosts a Ghost and A Terrified Mira Sorvino: DVD Preview

The Presence will be released by Lionsgate on DVD, Digital Download and On Demand October 4th and the film stars Oscar winner Mira Sorvino. Also starring are Justin Kirk ("Weeds") and Shane West (A Walk to Remember). The film involves a woman alone in an isolated cabin, who becomes possessed by a malignant spirit. Sorvino's character, only known as The Woman, begins to behave strangely when her boyfriend, Kirk, comes by to check on her. Let the ghostly sparks fly on DVD in just a few days.

This is director Tom Provost's first feature film as director and some horrorphiles might recognize Provost from his screenplay and writing credit on Under Suspicion, starring Gene Hackman and Morgan Freeman. Under Suspicion was nominated for Best Picture in 2000 at the Oscars and here, Provost continues with the more thrilling side of genres. Special features for The Presence are inside.

Release Date: October 14th, 2011 (DVD).

Director/writer: Tom Provost.

Producers: Tom Rice and Dan Myrick.

Cast: Mira Sorvino, Justin Kirk, Tony Curran and Shane West.

The film's official trailer is here:



Special features include:

- Audio commentary with Writer-Director Tom Provost
- “Making of The Presence” featurette
- Storyboards with commentary by Writer-Director Tom Provost and Editor Cecily Rhett

*rated PG-13 for frightening and thematic elements.

Become a fan of the film on Facebook:

The Presence on Facebook

Available for pre-orders now:



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Monday, September 26, 2011

The Devil's Double Receives a Golden Gala

The Pathe Tuschinski Theatre hosted a "Golden Gala" for the film The Devil's Double. Several cast members were in attendance including Dominic Cooper, Mem Ferda, Raad Rawi and Mimoun Oaissa. Also, the biographer Latif Yahia, on whom The Devil's Double is based, was in attendance with writer Michael Thomas. The event was golden in theme, with some of the events matching the glamorous moments of the film, as noted by actor Ferda: "of all the premieres I have attended this has truly been the most spectacular."

The Pathe Tuschinski Theatre is located in Amsterdam and this event was held September 5th. Organizers of the event included Corrino Media Group, Corsan, Staccato and A-Film. The event was a huge success as seen by the photos in the slideshow below. Enjoy the red carpet glamour of The Devil's Double, which is in theatres now.

The synopsis for the film is here:

"Bagdad, the playground for the rich and infamous, where anything can be bought, but for a price. This is Uday Hussein’s world and with his depraved lust for debauchery and immorality, he helps himself to whatever turns him on.

When army lieutenant Latif Yahia, is summoned to Saddam’s palace, he is faced with an impossible request - to be Uday’s - fiday, his body double, or have his family condemned to death.

In a world entrenched in betrayal and corruption knowing who to trust becomes a matter of life or death for Latif, as he battles to escape from his forced existence" (Devil's Double).

Release Date: In Theatres Now.

Director: Lee Tamahori.

Writer: Michael Thomas.

Producer: Paul Breuls, Michael John Fedun and Emjay Rechsteiner.

Cast: Dominic Cooper, Raad Rawi, Mem Ferda, Philip Quast and Mimoun Oaissa.

Several pictures from the gala are hosted here on Youtube:



More on The Devil's Double at the film's homepage:

The Devil's Double Homepage

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"Todd and the Book of Pure Evil" Seas. 2 Preview and DVD Launch

When audiences last left "Todd and the Book of Pure Evil," Atticus had a hissy spat with his father and before audiences could blink, he throws the best comedic-style line in cliffhanger history, "Geez, I wonder what's going to happen next?"

Audiences will find out October 23, as Space, The Imagination Station continues the adventures of Todd, Curtis, Hannah and Jenny. In the meantime, FEARnet and the Comedy Network has been reairing season one, which should cumulate to the second season's premiere in the States. Hopefully this time, there will not be a year long wait.

"Todd and the Book of Pure Evil" premiered to Canadian audiences first in 2010, and over the summer State-side networks acquired the rights to rebroadcast it in the States. Todd and his gang of friends are reacquiring the book, which grants its owner a wish in Evil Dead fashion. It is going to get even more interesting in season two. Atticus takes over the position of power that his father once had, but does that mean he's going to be incognito whenever he is with Todd?

To get caught up with the story, the DVD release will hit stores October 11. Episodes can also be found on Spacecast.com, or iTunes Canada.

Halloween may well be the month of Evil, if Todd does not save the day.

UPDATE:
FEARnet has confirmed that season two will air State-side March 2012, and it will continue to be part of Tuesdays "Twisted Comedy" hour.

source:
http://www.dreadcentral.com/news/48368/fearnet-confirms-second-season-todd-book-pure-evil

More on the show at the "Todd and the Book of Pure Evil" homepage:

Todd and the Book of Pure Evil Official Website

The previous episode "Rock 'n Roll Zombies Know Best" is available for instant watch at Amazon:



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The Dead and Enjoying the Undead Scenery: A Movie Review

Directors/writers: Howard J. Ford and Jonathan Ford.

The Dead is a zombie thriller filmed in Burkina, Faso from brothers Howard J. Ford and Jonathan Ford. Released in the United Kingdom in September and to show in America October 7th, The Dead is a self-described "zombie road trip" movie. So, there is plenty of time spent in a broken down pickup as charcters Lt. Brian Murphy (Rob Freeman) and Stg Daniel Dembele (Prince David Oseia) cross the African continent in search of safety. The great cinematography made this reviewer wonder if this is the first African shot zombie film. No others come to mind and The Dead is unique in landscape, but not in methodology. The shamblers propel the story forward like George A. Romero's undead in Night of the Living Dead, while the film keeps the tension up by offering death on every corner.

Murphy and Dembele meet up in an arid desert. Murphy crashed in a plane and Dembele deserted his army unit. Both are now heading north to a safe haven. Along the way they run over zombies, machete others, while talking about their family or the desperate situation. Of significance, Dembele is black and Murphy is white. Yet, skin colours do not matter when you are on the run, or do they? The Dead offers a late message of cross-culturalization, or the unity of man when faced with survival. But this film is more reminiscent of a late '80s films, where messages were also secondary. There is very little dialogue here and the emphasis is placed on the compelling action.

There really is only a flash of tense dialogue in the first 30 minutes of the film. Otherwise, Murphy is running from locale to locale, as the undead surround him. With the introduction of Dembele, there is more conversation and this film begins to feel like a buddy movie. There is much teamwork between Murphy and Dembele, as they search abandoned locations for a way out of a zombified Africa. Teamwork only goes so far, however, when your buddy is being mawed on by a creepy looking zombie.

The film then returns to how it began, with Murphy on the run, again. Thankfully, the African sunsets and desert landscapes create eye appeal, while the story is bare bones: " [there is] a lack of an adequate story" (UHM). There is really not much out of the travelling from one point to another. There are distractions along the way e.g. a baby in need of rescue, or a village in need of protection. Yet, the Ford brothers do not really step out of this "zombie road trip" movie, while relying on the gorgeous scenery to keep things interesting.

This film will play in Los Angeles, New York City, Boston and other cities October 7th and this zombie film fan would recommend you have a look. Just go in with low expectations, with The Dead sometimes slow in pacing especially in the finale. The Fords follow the classic zombie tales of old and if you are a fan of this style, then you will enjoy this film. As with most buddy films, see this one with a friend. Your significant other might be tempted to walk away from all the violence and mayhem.

Story/plot: 6.5 (a little weak here, uncomplex).
Directing techniques/ interpretation: 7 (long shots, medium shots, utilization of scenery).

Overall: 6.75 out of 10.

Visit the film's website for more info' and theatre showings:

The Dead's Official Website

Another review of this title at Upcoming Horror Movies (Frightmaster):

The Dead Reviewed at the UHM

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Sunday, September 25, 2011

The Roads Less Traveled: The Plan and Preparing For The Zombie Outbreak?: A Book Review


*full disclosure: an e-book of this paperback was provided by Permuted Press.

Author: C. Dulaney.

C. Dulaney's first book, Roads Less Traveled: The Plan, is primarily about Kasey, a woman with a zombie outbreak plan? Do people really have these? This title was released by Permuted Press August 24th in paperback form and this reviewer is mostly glad they did. The Roads Less Traveled: The Plan is the first volume in a trilogy and this novel primarily follows characters Ben, Kasey, Jake, Zack, Mia, Nancy, Shannon and a few others, as they try to hold off the shambling hordes. They hold off these rotting fleshbags for much of the novel, but the introduction of some escaped convicts reminds us that human's are the real villains (again). The writing and story arc are well thought out. However, there was one issue that was a let down and that involved the short climax.

Ben and his friends escape their college dorms in Part 1 of the novel, titled "Down the Road," while Kasey waits for their arrival in a small mountain side community, called Mattias. There are infected friends, detours and some action along the way, until the book finds itself in Part 2, "The Road Home." Here, the characters put their Z-plan into effect by boarding up windows, preparing fortifications and by generally staying vigilant. This preparation is for effect, when a large horde follows character Mia and her blood trail into Mattias. Then, some mild chaos is subdued by Kasey's constant leadership and a whole lot of ammo. Late in the novel, during Part 3, "Road to Nowhere," the climax begins, but the crescendo is short and tame when it should be taking risks and offering tension over several chapters. The final piece introduces these zombie survivalist to a group of rampaging convicts, with Dulaney's next paperback poised to pick up the mostly action packed events.

It is obvious the amount of time and work Dulaney has put into this novel as the wider story arc can be seen near the halfway point; not everything is summed up here. As well, Dulaney seems to be following some sort of outline or plot path, so the book is constantly moving somewhere, despite some moments of melodrama. How many times did Kasey breakdown in the pages? However, some of these plot devices are meant to show the vulnerability of the characters. And some characters are a little less vulnerable and more sinister than others. There are very few issues of grammar here and the different conflicts kept this novel interesting for this reviewer.

This zombie book fan would mention one critique and that involves the paperback's climax in the "Road to Nowhere." Without giving anything away, there is a pitched battle in the final pages that is over in under three to four pages. This does not seem like a satisfying end to a 211 page novel. Surely more tension could have been built near the end, instead of simply prepping the second novel. There was one unexpected character development late, but Dulaney really needed to put a face on the antagonists. And really, the antagonists here are the scavengers, the backstabbers and the double dealers rather than all those shambling corpses. After all, who is more dangerous: someone/something who cannot open a door, or someone who can and who will help themselves to your dwindling supplies? Some of these dangers could have been fleshed out more in the finale.

Overall, The Roads Less Traveled: The Plan, was an enjoyable read simply for the fantasy elements of Dulaney's writing. As an aside, this reviewer learned that reading fiction actually improves the readers empathy, this week: "fiction but not non-fiction has the effect of improving empathy...because fiction is primarily about selves interacting with other selves in the social world" (Guardian). So, to stay emotive and to have a good time inside a zombie apocalypse, this reviewer will be waiting for Dulaney's follow-up, which hopefully utilizes more amplifying tension.

Writing/story/plot: 8 (having a Z-plan seems ridiculous, the climax is a little anti-climactic, the writing is good, characters are believable, would have like to see more from the side of the antagonists).
Characters/believability: 7.5 (believable in-fighting, organized convicts seems a little far-fetched, lots of crying from characters in this read).

Overall: 7.75 out of 10.

*disclaimer: advertising and promotional material do not influence or bias reviews.

The book at Permuted Press:

The Roads Less Traveled: The Plan at Permuted Press

Another review of this title at Zombiephiles (Astra Daemon):

The Roads Less Traveled: The Plan Reviewed at Zombiephiles

An article on fiction and empathy at the Guardian:

Empathy and Fiction at the Guardian

At Amazon:



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Haunted Changi and Not Feeding the Ghosts: A Movie Review

Director: Andrew Lau.

Cast: Farid Azlam, Sheena Chung and Audi Khalis.

From the ruins of a Singaporean hospital comes yet another found footage product. Haunted Changi makes use of a real facility that is haunted by the ghosts of war. It was a command center once occupied by the Japanese, and it was used to detain POWs before being turned into a hospital. During the second World War, people were beheaded, experimented on, tortured, and maybe also buried on site.

If that is not enough to give locals the willies, then nothing will.

If this film actually spent time exploring Taoism and mixed it up with the fear of hungry ghosts—where spirits do not get the rites required to pass on to the next life—then this film would have some flavour. As it is, this film does not quite stand out. Maybe if the film made use of some kanji than resorting to cheesy English words as part of its title, then there’d be curiousity for this product.

This film seems uncertain to which target audience they are going for. Even the characters waver in and out of Chinese and English, which can confuse some viewers. Instead, the audiences are treated to visuals that are a study of urban decay through the eyes of a photographer. And they may love this film given all the high dynamic colours that are flying in front of the camera. But unless audiences belong to that mindset, these sweeping moments are fast and furious, using time-lapse to speed up those cloudscapes, or slow and dull, since audiences are looking at reams of footage. Let’s get to the story already!

That can’t come soon enough. As Andrew, Farid, Sheena and Audi finally start exploring the hospital ruins, they capture a creepy shadow that they cannot quite explain. They had the help of a paranormal investigation group, but they have seemingly turned tail and ran.

The movie does not pick up its pace until Andrew goes missing. He’s become rather obsessed with a Chinese national who has taken up residence in the hospital. He wants to interview her for their documentary but she is elusive.

When everyone goes running around trying to find each other, there is something of a narrative going on, but the problem of how the footage was discovered should be questioned. Who else was brave enough to enter the tunnels underneath the hospital to find the tapes? And to cut the final moments of these documentary film-makers haunts this film’s structure. It works up to a point, but the movie’s editor doesn’t know where to stop.

Maybe if Andrew was still around, then he’d help edit these last five minutes. His singular contribution was the intro he made for their unfinished documentary and that was the best part.

Overall: 7 out of 10.

The film's homepage is here w/trailer:

Haunted Changi's Homepage

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The House that Jack Built and Your Portal to Ninety Minutes of Misery: A Movie Review

*full disclosure: a screener of this film was provided by Gravitas Ventures.

Director: Bruce Reisman.

Writer: Bruce Reisman and Kris Black.

Here is another entry into the worst films for 2011 here at 28DLA. The title of this latest nomination is The House That Jack Built and this is more of an ego project for actor Kris Black than anything else. Poor acting, lack of rehearsals, a small budget and the use of one set make this film feel cheap, while the script is seriously uninspired. As a little backstory, "The House That Jack Built" was originally a poem from 1755 and there have been at least eleven films made with this title, beginning with George Albert Smith's experimental 1910 film. Without having seen the other ten films, this version is by far the worst. Although this film was technically released on DVD in August of 2010, The House That Jack Built releases this month through video-on-demand. So the film hosts all the prerequisites for making it one of the "Worst Film of 2011."

Okay, let us begin with the plot....That was fun. But really, there is not much of a script here. There is some mention by Joe Mantegna's character of a curse on his family, which is sourced to the house in which both Jack and Jack Jr. live. Mantegna as Jack Jr. begs Kris Black's Jack not to demolish the house and this pact is broken a year after his father's death. Now, Grandpa Jack (Peter Onorati), in unexplained disfigured form, has been released from his supernatural prison. He pursues his family and their friends with a bloody vengeance. Then people die by circular saw, Phillips screwdriver and other tools. That is basically the script summed up in a nutshell.

One of the poor film elements that is going to make itself clear early is the terrible acting. Kris Black acts cool with his cigarette hanging from his month in sunglasses, but his delivery of dialogue is unnatural and sometimes forced. Other characters also struggle with their lines and, understandably, their motivations. Were there any rehearsals? The result is a fairly shallow film, with director Bruce Reisman ready to experiment with the camera e.g. long, continuous shots - despite the hamperings from the acting department.

So, if the film is not pushing forward a relevant story, then what is the purpose of The House That Jack Built? The only answer this reviewer could find is that the film is an ego project for Kris Black, who stars in the film and who also co-wrote the script. He appears in most of the shots and the attention from other characters is almost exclusively focused on him. Watching Black act is like watching "a bored little rich kid" (Dread). His performance is uninspiring and his charm as a character and as an actor seems to be lacking. Black cannot hold the weight of the film on his shoulders, and nor does he seem interested in doing so.

One final look at the film's negatives is necessary to solidify the film's inclusion in "The Worst Film of 2011" category. Black plays a character who makes it big in the recording business, without ever mentioning a hit record or hit single. Also, Jack never performs one song and he seems more like a high school drop out rather than a multi-million dollar recording artist. This is another film which tries to make it seem that making millions can be done without hard work or talent. Maybe this is not the message the film was going for, but it is the one that this critic saw early.

Avoid this film wherever possible, as The House That Jack Built truly disappoints. A miserable experience, The House That Jack Built is a forgettable film that is undeserving of an audience because of its lack of depth, complexity, acting skills and a host of other film elements. This film has been nominated for "Worst Film" and this movie might just come out the winner in 2011.

Story/plot/interpretation: 4.5 (there is no real story here, just the basic framework).
Acting/believability: 5 (some characters are better than others but the primary cast is generally weak in performances).

Overall: 4.75 (a very poor showing here).

*on Comcast, Rogers and various other platforms as of September 2011 (you have been warned).

The Foy Wonder reviews the The House That Jack Built:

The House That Jack Built at Dread Central

Try it in book form; you are bound to get a better showing:



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Saturday, September 24, 2011

Black Friday 3D Offers Director Ryûhei Kitamura and a Serial Killer: First Poster

Ryûhei Kitamura (Midnight Meat Train) is set to direct his latest thriller titled Black Friday 3D. This film is currently in the pre-production stages. Black Friday 3D involves a vicious assault, the aftermath and a group of friends trying to track this villain down. His name is Tyler Hillburg, a serial killer and he is expecting their presence in an isolated cabin. Cue the bloodshed.

Cast for this film is unconfirmed, but the film's first poster signals that the producers are seeking participation from actress Lyndsay Lohan and actor Josh Hartnett. Both of these actors are unconfirmed in this production. For now, enjoy an early preview of the film with this early movie poster. The graphic shows the mask used by Hillburg, with more to follow soon.

Director: Ryuhel Kitamura

Cast: TBC.

*genres: action, thriller.

Source:

Black Friday 3D at Stealth Media Group

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"The Uninvited:" An iPad Anthology for Horror Mavens

Horror enthusiasts all over the world are invited to read “The Uninvited,” a brand-new iPad app containing original tales of terror and sequential art. This anthology ($2.99) can be found on Apple’s App store, and it features work from contributors far and wide. More multimedia and literary content are planned for future issues, but as for when it happens will depend on the response, and the other struggles along the way.

That also includes embracing the digital generation, where almost any book can be found in electronic form, and adapting the software to run on other tablet computers. An iPhone version is in the works, but as for the desktop computer, who wants that? According to magazine founder, Adam Blainey, these computers aren't designed for reading a lengthy novel or a comic book.

“It works, but it just never caught on for psychological reasons,” says Blainey. Some people are probably afraid of transition. In a horror magazine, that is a perfect place to staunch certain fears and launch new talent. “I want to have a magazine where readers are led through a visual landscape that has been finely crafted by an artist,” says Blainey, “as well as through the written word.”

This magazine welcomes new contributors because it has an open submission policy, and the editors here will work with writers to craft a tale truly disturbing. Editor Steven Saunders and Blainey found Mark MacKenzie’s story, “The Most Beautiful Girl,” to be very engaging, and it’s just one of the three stories to be found in the premiere issue.

“It’s about a bloke who falls in love with a succubus, and of course, it's a dream come true at first…” teases Blainey. Saunders describes "The Uninvited" to contain edgy, rated R, style content. Some of the content had to be toned down so it meets Apple’s App Store requirement. While Blainey focuses mostly on the technical end of the production spectrum, both he and Saunders do share a long time interest in the genre and both of them can be a guiding hand for these new writers.

“I have to admit, a lot of what I read in my youth came from an earlier era: H.P. Lovecraft, Robert E. Howard, and Edgar Allen Poe, “ says Blainey. “That’s gripping horror that isn't really done anymore. And, obviously, horror art has a deep-rooted history in the likes of Hieronymus Bosch, a Dutch painter who has focused on the fantastic.”

Bosch was also given the label of being one of the first surrealist painters. Steven Saunders long history with the comic book industry as a writer, critic, and creator, gives him the experience that Blainey needed when he was assembling the team. Even the old EC comics like “Tales from the Crypt” and “The Vault of Horror” are fondly remembered by Saunders, and he brings other influential favourites like Brian Lumley and Arthur Machen to the plate as well. Also, appreciation for John Carpenter’s films shows just how much the two loves the genre.

Along with graphic designer, Warren Zahari, the group has created a slick looking electronic magazine. His layout of the artwork complements the stories. One of the artists, Nunun, who hails from Indonesia, can be seen in “
The Devil Eggs: Except Reality.”

“We hope that trend of world-wide contributors continues and we're working with a team of artists from Hong Kong to do a story for issue two, though that is unconfirmed,” hints Blainey.

This publisher also sees 2011 as the "Year of the eBook;" Amazon’s Kindles, Chapter’s Kobo readers and other similar devices are becoming affordable, and that trend is not going to stop. Saunders sees digital publishing taking off because of the growing popularity of tablets. “It's like using a data slate (also known as a PADD) from a 'Star Trek' episode,” concludes Saunders, “You can swipe it, read it, use the table of contents to jump around. It's the future!”

"The Uninvited" can be found on the iTunes Preview website, or to contribute please check out their main website.

Blainey's website for "The Uninvited" is listed above and here:

The Uninvited Magazine

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