Monday, February 28, 2011

Scream of the Banshee to Shatter Viewership Records on SyFy March 26th!

Director Steven C. Miller's (Automaton Transfusion) and writer Anthony C. Ferrante's (Headless Horseman) Scream of the Banshee will be debuting on the SyFy channel Saturday, March 26th, at 9:00pm. This will be the SyFy's "200th Saturday Original Movie," (SyFy) which SyFy reminds viewers has been full of "vengeful demon moths, pterodactyls, werewolves...really big snakes," (SyFy) and now disembodied spirits! This will be the television premiere of Scream of the Banshee, which notably stars Lance Henriksen and Lauren Holly. More details on this shrieking film are below.

The synopsis for Scream of the Banshee is here:

"When a college Professor opens up a strange, ornate box discovered in the basement of a University, she and her students hear a horrifying scream belonging to that of a bloodthirsty banshee. They think nothing of it, until that scream begins to haunt all that heard it in strange and surreal ways. According to Irish lore, if you hear a Banshee scream, you will die – which is what starts happening to them one by one, as the creature starts taking their lives…" (After Dark Originals).

Release Date: March 26th, 2011 (Television Premiere).

Director: Steven C. Miller.

Writer: Anthony C. Ferrante.

Cast: Lauren Holly, Lance Henricksen, Monica Acosta, Eric F. Adams, Marcelle Baer, Edrick Browne, and Leanne Cochran.

*A trailer is unavailable.

**"enjoying a robust ratings surge, a Syfy Saturday Original Movie has broken the two million total viewers mark for six straight months" (SyFy).

More on Scream of the Banshee at the After Dark Originals:

Scream of the Banshee at AFDO

Damned by Dawn is another banshee themed film, which was released in 2010 by Image Entertainment and director Brett Anstey:



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CW's Supernatural and It's a Mistake? A Television Episode Review ("The French Mistake")

From Episode 15: The French Mistake
Creator: Eric Kripke

Alternate universe stories can sometimes be a mistake, and if it can be pulled off right, viewers will no doubt want more. In CW's latest episode of Supernatural, "The French Mistake" boldly goes where no man has gone before.

The civil war that's going on in Heaven has become one of attrition. The crossroads angel Balthazar, appears before the Winchester brothers and he hands them a set of keys that accesses a special weapons locker in heaven. Whoever possesses them can change the sway of power.

To keep them safe, Sam and Dean are tossed out of their universe and into 'our' reality—where there is no such thing as magic, demons or angels. Instead, this episode enforces Shakespeare’s greatest line: all the world's a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts.

If that is the case, then this episode gives a satiric take on the series as a whole. To see what happens behind the set is a bit interesting, but very brief. There is not enough to give viewers an idea of what goes on in the making of a television show.

The connection for this episode is to put faces to the people behind the scenes and to poke a bit of fun at itself too. Sera Gamble, Bob Singer and Eric Kripke make more than just a cameo. In this universe, they’re carrying the show.

Curiously, various studio staff repeatedly point out that Padalecki and Ackles are not on speaking terms. In a show that has lasted for six seasons, one has to question why this fact is so important.

Even the hard-nosed Castiel does a roundabout. Misha Collins, the actor who plays the often-grungy angel, is a self-absorbed twitter-a-holic with a squeaky voice. To establish the fact that the Winchesters were thrown into ‘our’ universe, he even tweeted out, “Ola mishamigos! J2 got me good. Really starting to feel like one of the guys,” at the exact time the episode made its first-run on Friday night, Eastern Standard Time.

If that is not enough, long time fans of the show will know that Jared Padelecki is indeed married to Genevieve—she played the demon Ruby from a previous season. Fortunately, none of these portrayals are real. They're all exaggerated, and this also includes Eric Kripke's showdown at the OK Corral. That does not go so good when he is confronting the Angel Virgil, sent to retrieve the key. When nearly everyone at the sound stage gets offed, perhaps that is a sign.

The series has gone ‘meta’ before with the two brothers crossing over to other dimensions that are based on other television realities. Sometimes, too much parody is self-depreciating, even if what Balthazar did was to send Raphael and Virgil on a wild goose chase with the brothers as bait. But have the writers finally crossed the line? The first three episodes in the second half of season six have been solid with enforcing a point, but if the hints in this episode are any indication, perhaps season six is going to the series final hurrah!

Dragging it on will only hurt the show’s lasting legacy than preserve it.

Visit the North American homepage for Supernatural here:

Supernatural at the CW

Previous seasons:



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I Am Omega and Kicking Your Way Through Infection: A Movie Review

Director: Griff Furst.

Writer: Richard Matheson and Geoff Meed.

You know you are cheap when you find yourself rooting around bargain bins for the best horror deals. Sometimes, this characteristic pays off and that is the case with The Midnight Horror Collection: Flesh Eating Zombies. This late 2010 release offers four features for under ten dollars. Included in this film anthology are Grave Mistake, Awaken the Dead, Last of the Living and the film reviewed here, I Am Omega. Echo Bridge Entertainment re-released each of these films for fans of the undead on celluloid August, 2010.

I Am Omega is one of The Asylum's mockbusters, which attempted to capitalize on the looming success of I Am Legend, starring Will Smith. Both films were released within a month of each other and this film is another action film based on Richard Matheson's novel, I Am Legend. Like an '80s action throwback, I Am Omega seems to transcend its meager six figure budget in make-up and story, while offering B-movie fans something substantial to chew on.

This reviewer is admittedly a B-movie fan; so, I Am Omega will appeal to those who like something off of center, or even off kilter. Moving on, the plotline in I Am Omega is similar in structure to the film that it is attempting to exploit, I Am Legend. A former military man lies holed up in the mountains outside of an unnamed, large metropolitan center in the state of California. Here, he lives in isolation, as his psyche breaks down under the dual stress of losing his young son and wife to a vicious attack, while aloneness offers its own problems. A misfire of the streptococcus bacterial strain has ravaged humanity, leaving few survivors. Renchard (Mark Dacascos) is one of those few. But now, the world is full of those infected with a biological agent.

One of the highlights of this 2007 production is the make-up effects by Tara Lang. The dozens of green scaled antagonists look like something from a swampy abyss. They drip fluids and these creatures are ever promising to infect Renchard and later, his anarchist friends. Once the settings darken, you can see the interaction between Alexander Yellen's cinematography and Lang's use of lighting to intensify the horror displayed on her grotesque creations.

Returning to the plot, Renchard groups up with two anarchists, under duress, to rescue a young woman, trapped in what is obviously Los Angeles. Renchard is the only character to make his way to this new destination, as Mike (Ryan Lloyd) is offed with a clawed strike and Vincent (Geoff Meed) retreats to greener pastures. There is a meeting between the hero and a burgeoning heroine, while Vincent later turns from friend to foe. Enter in the destruction of LA, through a timed, eugenic intended explosive and a final martial arts inspired climax and here, you have I Am Omega and the subplots wrapped in a nice blood dripping bow.

The action is another expert element within the film. Actors Dacascos and Meed show some knowledge for martial arts, as their interactions are often violent and full of spin-kicks, high kicks etc. Central character Renchard is written as if from an '80s action film, where action stars speak little and they smile even less. The fighting between those uninfected (Renchard, Vincent, Mike and Brianna) and the infected is well-choreographed, with some of those dispatched re-appearing again and again, in strange fashion. This is an action genre fans delight, while I Am Omega might appeal to B-movie and zombie horror sub-genre fans, also.

As stated earlier, I Am Omega re-released with three other titles as part of The Midnight Horror Collection: Flesh Eating Zombies anthology in August 2010. The package that this thrifty reviewer picked up was for five dollars, making each of these films equivalent to the price of a chocolate bar. So, there is value here, but there is, more importantly, entertainment. Look for this one on your undead horizons and read a review of another film in this undead grouping here (Last of the Living Review).

Overall: 6.75 out of 10 (some continuity errors, lots of action, some good character writing).

I Am Omega at The Asylum:

I Am Omega w/Alternate Poster Art

The Midnight Horror Collection: Flesh Eating Zombies came with Last of the Living, Grave Mistake, Awaken the Dead and I Am Omega, respectively:



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Sunday, February 27, 2011

Zombie Farm and Devouring Viewers' Funny Bones : A Movie Review

*A review copy of this film was provided by Maya Entertainment.

Director/writer: Ricardo Islas.

Zombie Farm is an upcoming dramatic thriller release from Maya Entertainment. This title is slated for a March 8th release, on DVD. Previously titled Macumba, this film is not to be confused with the 2007 Zombie Farm, from director Barsuglia. This Zombie Farm has a Latino vibe, with this title being filmed in both Spanish and English. Full of silly Latin jokes and dramatic social commentaries, this film is a light hearted, entertaining time, with zombies acting as a dumbed down version of immigrant labour.

The film begins with a young wife, named Ana Maria (Monika Munoz) searching for a solution to domestic abuse. She is physically abused by her alcoholic husband (Khotan Fernandez) and a snake oil salesman on television (Roberto Montesinos) promises a cure. However, Maria is disappointed to find out that Roque is just another charlatan. Hope rises on the horizon, as a macumba, or voodoo priestess, gives Maria a potion to cure her husband's violent streak. Instead, the mixture turns him into an unstoppable, flesh-eating zombie. Enter in some social commentary on the Latino community and you have Zombie Farm in a rotting nutshell.

There seems to be an inferiority complex running through some of the characters, as they lament of not having blue eyes, or white skin. Yet, Zombie Farm manages to poke fun at itself by substituting Mexican slave labour for zombies. In the film, the macumba raises an army of the undead to work for local farmers and soon, you are realizing that this film is offering a unique perspective on the difficulties of being Mexican in a multi-cultural climate.

The issue of physical abuse is also touched upon, but the subject is not held uncomfortably in your face. Instead, the abusive husband gets his just desserts, by becoming just another flesheater. This reviewer is not trying to dismiss the important topic of abuse, but the film is 9/10 entertainment and only 1/10 drama. With the doughy Roberto Montesinos as your central protagonist, you know you are not entering hostile territory.

The conclusion tries to shift this drama and comedy into the thriller genre; however, the film never enters scary or tense areas. The gore effects are laughable, as simple face paint marks the characters as zombies. Heads come off with comedic ease and any thrills quickly transform back to humour. Zombie Farm is not a film that will turn your hair white, but this film is endearing and inviting on at least a couple levels (characters, writing).

Extra features are sparse on this release, with no director's commentary included. There is an in-depth behind the scenes featurette available, on the production of the film. As already mentioned, the film is available in two languages, Spanish and English. The final special feature is simply Maya Entertainment's upcoming feature film list, with trailers.

To sum up, Zombie Farm is comedic and innovative. Yet, the film tries to cross too many genres. This might have been a much better film by just staying within the comedic and dramatic elements, but instead, the film becomes ambitious, in the final act. This film is not for those looking for spooky delights and instead, drama or comedy fans of various backgrounds are encouraged to pick this title up. By just viewing the film you are ensuring sanctuary from becoming one of the many of the macumba's voodoo slaves!

Overall: 7 out of 10 (light-hearted, sometimes dramatic, a unique look at the Latino community and the issues therein).

More details on Zombie Farm, including plotline, are available at Maya Entertainment below:

Zombie Farm at Maya Entertainment

Become a fan of the film on Facebook:

Zombie Farm on FB

Entertaining for some, but maybe not others:



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Saturday, February 26, 2011

Espionage Thriller Legacy: Black Ops to Release in UK Theatres March 11th!

Legacy UK Quad Poster
Action thriller fans from the United Kingdom have something to get excited about! Legacy: Black Ops, starring Idris Elba, Eamonn Walker, Mem Ferda and Monique Gabriela Curnen will be released in theatres throughout the UK March 11th. Revolver Entertainment will then release this title on DVD and Blu-ray March 14th. Theatre locations will be announced shortly.

Legacy: Black Ops involves political espionage, as a black ops solider has been sold out by his brother, a "New York Senator" (Legacy). Sibling rivalry reaches catastrophic levels, with arms tradings and black market corruption setting the backdrop. Revisit the action oriented trailer below and then UK fans can get set for the premiere!

The synopsis for Legacy: Black Ops is here:

"Malcolm Gray (Elba) is a former black ops officer who is living in a run down Brooklyn apartment. Years earlier, while hunting down an elusive arms and weapons dealer, a mission went horribly wrong that led to Gray being captured and tortured. In his work he has been responsible for some horrible crimes under his unit, and now, back after being away for so long, he is ready to expose the man that has been pulling the strings: a New York Senator who happens to be his brother (Walker)" (Legacy).

Release Date: March 11th (Limited Theatrical), March 14th (DVD, Blu-ray).

Director/writer: Thomas Ikimi.

Cast: Idris Elba, Eamon Walker, Clarke Peters, Mem Ferda, Monique Gabriela Curnen, Richard Brake and Julian Wadham.

This is a mature rated trailer for content, including violence:




More info' on the film can be found at the official Legacy: Black Ops webpage:

Legacy Homepage

Or follow the film on Facebook:

Legacy on FB

Or on Twitter:

Legacy on Twitter

Legacy: Black Ops has been available in North America as Legacy since December, 2010 (DVD, VOD):



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Dead City and Being On the Run in San Antonio: A Book Review

*A review copy of this novel was generously provided by Joe McKinney.

Author: Joe McKinney.

Dead City is Joe McKinney's first novel and this book started at least a four book trend, with Apocalypse of the Dead, Flesheaters, and King Zombie to follow. Published first in 2006, the version reviewed here is a 2010 re-release, with chapters from Apocalypse of the Dead added. Dead City follows Aristotle's three unities: unity of time, unity of place and unity of action. The unity of the material is not in question, but the novel's lack of deeper characterizations, or insights into the central protagonist are. Some fans will enjoy all the simple run-and-gun, in a zombie filled San Antonio; however, this reviewer started to wonder what the greater purpose was, in all the violence.

Eddie is a beat cop, with a young family. He is on duty when the usual bums and low-lifes turn into man-eating vessels. His partner is killed and soon, the novel is introducing and outroducing characters like a quickly moving revolving door. A Spanish speaking gardener is one of the first to get the boot, followed by: a zombie sympathizer named Ken Stoler, Sandy Navarro - a news reporter, Marcus - a fellow cop, and several members of a church group. All of these characters are quickly forgotten amongst the zombie swarms.

Dead City is a fairly cautious first book and that is a good strategic move by McKinney. Many authors make the mistake of over-extending themselves. Yet, McKinney smartly keeps the action over the course of a twenty-four hour period (unity of time), while all the frenetic action is driving central character Eddie towards his family (unity of action). The final unity of place is also followed, as all of the action occurs in the Texas city of San Antonio, or in the outskirts of the city. By following the three unities of drama, McKinney is focusing the material in genre. There is more than just drama here, though.

The infection begins to sweep this city fairly quickly and the details of San Antonio come first-hand, as the author was a former police officer in this locale. The action begins early and McKinney shows his understanding of creating excitement, quickly. This book is never boring or dull, but what of connections between characters, or the novel's deeper underlining purpose?

Eddie is a family man and he is ever struggling onwards to reunite with his wife, April, but his plotline feels like a sidebar. As well, Eddie seems to have few flaws. A few missteps by Eddie would have helped this reviewer identify with this predominant character a little more strongly. One of the few insights into Eddie occurs near the end of the novel: "for me, rushing headlong in to a light was just plain stupid. I only fought when I had to, and then I tried to have a plan about it" (McKinney, P. 228). Even this acknowledgment seems more of a good strategy, than an error in character. There simply was not enough obtuse angles built into Eddie, to allow this reviewer to identify with him.

On a final note, the introduction of the character Tiresias comes too late in the novel, to add any encouraging or tragic prophecies. A Greek character of old, Tiresias is often spouting the tragic foretellings of jealous Gods to tragic heroes. Here, he is an addendum, in a fantasy world full of death. Preachings of deeper connections and building bridges seems to hint at McKinney's upcoming novel, Apocalypse of the Dead. Here, the meditations seem thoughtful, but out of synchronicity with the early parts of the novel. The inclusion of characters from other forms of literature is enjoyable, however.

*as a note, the author has pointed out Tiresias' other role: "as [an] advisor in the land of the dead," within Homer's Odyssey.

A cautious, but unified novel, Dead City is a fast paced zombie story, that puts Eddie, and a few flat characters, up against hundreds of thousands of the infected. Dead City is never dull and McKinney carefully steps into his first novel with a few unavoidable missteps. This novel is given only a tepid recommend and this book reviewer would gently point you towards McKinney's second novel in this series titled Apocalypse of the Dead (Apocalypse of the Dead Review on 28DLA). On its own, Dead City seems to stutter and fall in parts, as if hit with a good headshot.

Overall: 6.5 out of 10.

Joe McKinney's ever increasing zombie book bibliography can be found below:

Joe McKinney's Official Website

A second review of this novel is available at Horrorphilia, by writer Scott Shoyer:

Dead City Review at Horrorphiia

Both of McKinney's latest novels are below (Dead City, Apocalypse of the Dead):



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Friday, February 25, 2011

After Dark Original 51 will Debut on Television Through SyFy February 26th!

The After Dark Original feature 51 will debut on television Saturday February, 26th. SyFy will host the premiere, as part of the "SyFy Saturday Original Movies." 51 involves that secret underground military facility in Nevada. Here, everyone knows that aliens are housed, for experiments and February 26th will prove peoples' suspicions. So, check out the thrilling first trailer for 51, which shows extraterrestrials on the loose and military personnel on the run!

The film's synopsis:

"Due to political pressure from the American public, the Air Force has decided to allow two well-known reporters limited access to the most secretive base on the planet. But when one of the base’s 'long-term visitors' exploits this unprecedented visit as a chance to liberate himself and his fellow alien captives, Area 51 turns from a secure government base to a horrifying destination of terror."

Premiere Date: February 26th, 9:00pm (Television Premiere).

Director: Jason Connery (Pandemic).

Writer: Kenny Yakkel.

Cast: Bruce Boxleitner (Col. Martin), John Shea (Sam Whitaker), Jason London (Shoes), Rachel Miner (Sgt Hannah).

The official trailer for the premiere is here:



*shows at 9:00pm

51 at the After Dark Originals' Website

Other entertaining material on Area 51 is here:



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Bonnie and Clyde vs Dracula and Forgetting a Key Fanged Character: A Movie Review


Director/writer: Timothy Friend.

When vampires start to become involved in the pulp world of the 30’s, with some good ol’ gangbuster action, there are only a few good choices producers can make to represent an era. Here, Bonnie and Clyde vs. Dracula provides the formula. In the solution, what the film delivers is an oddball mix of character development and weird science.

The idea seems sound. The gangster couple's exploits stirred the public imagination in a time that's been polarized as highly criminal. Certain gangsters ran amok. To include the undead implies that the influence of the mafia is indeed eternal. No matter how hard the law tries, they cannot be put down.

For most of the film, Bonnie (Tiffany Shepis) and Clyde (Trent Haaga) are simply hiding out from the law. In the shack they are in, they are slowly just learning about what's happening nearby. They don't even know that Doctor Loveless (Allen Lowman) has found Dracula's remains. The good doctor has hopes of prolonging his life with Dracula’s help. Hopefully, he will not become a vampire himself. If that is not enough, there is a subplot where his relationship with his sister Annabelle (Jennifer Friend) is explored. With that, the tale overextends itself like the reach of Nosferatu's hand.

To bounce between these separate narratives ruins the flow. For most of the middle act, the tale drags. Audiences are anxious for the two legends to meet. When they do, the results happen too fast and one will have to wonder if this film should simply be labeled Bonnie and Clyde meets Dracula instead.

At least the subplot with Annabelle's caged life carries the film. Loveless treats her like slime. Friend provides an interesting performance that comes close to outshining Shepis' own. The two characters are polar opposites and they are the true stars of the film. Everyone else seems less than what a gangster should be. Haaga and Shepis do share a good chemistry, but the character of Clyde is more of a bumbling buffoon, who is wrapped around Bonnie's finger more than once.

At the mansion, Loveless is like Cobra Commander from G.I. Joe, without either Charles Adler or Chris Latta's voice to make him truly inspiring. There has to be an in-joke there since he does carry a staff with a cobra head attached to it. And the character of Dracula does not even get enough screen time to merit commentary.

If this film were only more balanced, then it would certainly get more attention from the law. Just where are they in all this mess?

6 out of 10.

*this title will release through Indican Pictures on DVD April 2011.

More details on this picture can be found at the Indican website (distributor):

Bonnie and Clyde vs Dracula at Indican

The film's homepage is here:

Bonnie and Clyde vs Dracula's Official Website

In these films, Dracula gets a bigger role:



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Psych:9 and Hammering Away at the Night Shift: A Movie Review

*Here be some spoilers.

Director: Andrew Shortell.

Writer: Lawrence Robinson.

Psych:9 was shot in the Czech Republic and recently this film moved to DVD and Blu-ray February 22nd. This film stars Sara Foster (90210), Cary Elwes (Saw), and Michael Biehn. Released by Ghost House Underground, Psych:9 delves into the cluttered subconscious of a young woman, named Roslyn (Foster). In reality, Roslyn would be a dream client for a private psychologist, with future bills paid for years. However, this protagonist is a nightmare to those around her, as many of her co-workers and acquaintances find themselves riddled with knife, or hammer wounds.

All aboard the spoiler train; Roslyn is a damaged young woman, who is attempting to recover from deep emotional scars. Her father raped her and her mother attempted to kill her. So understandably she is not very good company for her husband, Cole (Gabriel Mann). Sexually aloof, Roslyn attempts to unravel her distress by returning to the hospital that admitted her for psychological treatment, a few years prior. Here, Roslyn would commit her second murder, with plenty more bloodshed upcoming.

Director Andrew Shortell and writer Lawrence Robinson have come up with some great psychological material here. According to Sigmund Freud, Roslyn is using many ego defence mechanisms to ward off the truth, that her parents humiliated her. She uses denial: "I did not do this," while files lay strewn and friends disappear. Later, she use projection: "my husband is the Nighthawk." The Nighthawk is the name given to an anonymous killer, who hunts, coincidentally, just outside Roslyn's workplace. Roslyn also uses displacement, by blaming the Nighthawk's murders on her husband to Detective Marling (Michael Biehn). All of these psychological approaches to distressing unconscious material help Roslyn repress the fact that she is a cold-blooded killer!

Much of the time in the film is dedicated to Roslyn talking to an imagined Dr. Clement, but there are thrilling times in darkly lit corridors and dungeony basements in Psych:9, as well! The lighting and dingy atmosphere of the sets create for an excellent horror feature, with Roslyn finding ever more clever ways to off her victims. Blood bath anyone? The set direction by Martin Kubricht is believable. His soon to be abandoned hospital is full of garbage strewn rooms, electrical convulsive therapy chairs and miles of corridors to run from hammer wielding maniacs. All of these areas provide Roslyn with the required room to do her dirty work.

Psych:9 is definitely in the genre of psychological thriller and this is a good film for those looking for some complexity and shortcomings in their villains. Full of tension, red herrings and imaginary characters, Shortell and Robinson will have most viewers second guessing until the climactic finish.

Overall: 8 out of 10 (good sets, great acting, believable, but the ending is a little rushed).

Another positive review of this title at Killer Films (Alex Scott-Webster):

Psych:9 Review

The film's fan page is here on Facebook:

Psych:9 on FB

At Amazon:



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Thursday, February 24, 2011

The Last Lovecraft: Relic of Cthulhu and From Slacker to Hero: A Movie Review


Director: Henry Saine

Writer: Devin McGinn

Silently released to DVD on Feb 15th in North America (and soon to come on April 4 in the UK) is The Last Lovecraft: Relic of Cthulhu. This horror-comedy is a welcome change, when compared to previous attempts at re-igniting popular culture’s fascination with H.P. Lovecraft's seminal works.

If there’s ever a definitive appropriate nod of approval, it's found in the opening slate that sets the tone for this film: The world is indeed comic, but the joke is on mankind.

With this release are the usual extras. There is a director’s commentary, an extended scene and a gallery of on-set photos to enjoy. The commentary on the extended scene provides some insight to why one version was used over another and with this scene are storyboards. They replace scenes of potential carnage, if the budget allowed it. Had this production found some additional investors, the practical effects would have made for some interesting on-screen splatter. Instead, when considering how much has been done in the other departments, the final product is a fair trade-off.

The creature-effects are very impressive. The team involved in creating the Deep Ones, Starspawn and even the Suckerfish were enjoyable to watch, as they shamble and sloth about. If any sanity was lost, it is not where the story is going.

The plot is inspired from modern-age horror comics, like The Occult Files of Doctor Spektor and Hellboy. A strange relic has been uncovered, chaos will soon reign over the Earth and Lovecraft has one remaining survivor of his bloodline to set things right. Charlie Phillips (Devin McGinn) doesn’t even know about his bloodline and he is introduced as a slacker. Working at a dead end job does not help his life any and it is only with his buddy Jeff (Kyle Davis), that both aspire to be a comic book writer/artist team.

This theme also leads up towards an animated sequence that steals the show. It summarizes the world H.P. Lovecraft has created. As Cthulhu waits in the sunken world of R'lyeh, his minions awaken to lay rampage upon the world. Charlie and Jeff have to enlist the help of an uber-nerd Paul (Barak Hardley) just to start saving the world.

As this newly formed team have to find out how to prevent Cthulhu from awakening, what they encounter is wrought with more than just simple dangers. This time, there is some slapstick camaraderie as they run around like chickens with their heads cut off.

When the team finally figures out where to go, there is a wonderful performance from Gregg Lawrence as Captain Olaf to greet them. He gives new meaning to the concept of that ol mangy sea captain. That is the fun part of the film; it is dangerous to sail the ocean blue where there are vicious sea creatures sleeping below. Some will chase after these mariners and where Olaf went was deep inland. He'd probably go climbing up a mountain to escape madness too, but that’s being saved for a possible sequel.

Only time will tell of that. In the meantime, there are still fans from another cult film that are waiting for Bubba Nosferatu to arrive.

Overall: 7 out of 10.

The fan page for the film is here, but this site is not updated regularly:

The Last Lovecraft on Facebook

Available at Amazon, as of February 15th:



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CW’s Supernatural: Mannequin 3: The Reckoning and Nothing is Gonna Stop Us Now: A Television Review

Jensen Ackles as Dean.
Creator: Eric Kripke

All the bad things that one can recall about the 80’s are remembered in Mannequin 3: The Reckoning. If the episode title is not a dead giveaway, then what happens within is. Audiences old enough to remember the movie Mannequin, starring Kim Cattral and Andrew McCarthy finding love centuries apart, may get the joke. But for Stephen King fans, there is a touch of good old-fashioned mass-market style terror to fill the episode with.

But does that formula work? Love is a bitch, even for the dead.

And in what Dean has to face—to deal with his feelings—he has to finally face up to it. This latest episode is all about Dean and it skips Sam’s problems as though his fainting spell meant nothing.

There is a brief ‘I told you so’ moment, but it does not look like it had any affect. The rest of the episode bounces between the two brothers; Sam has to deal with a female spirit who is possessing mannequins and Dean has to go back to Lisa Braedon at the behest of her son, Ben.

Before reuniting with Sam, Dean was living a normal happy life. He was with Lisa and has become something of a father to Ben. But when he left to resume the Hunter lifestyle with Sam, it was jarring for the young boy.

Lisa tried to call Dean many times throughout the series, usually off-camera, perhaps to ask when he is coming back. However, when considering what he does, if the monsters start tracking him down, his new family is in trouble. Dean cares for them too much by not getting them involved. But that comes at a price.

Sadly that is going to mean separation. And he gets a good idea about what Sam must be going through by the episode’s end—it is tough to block off the past.

But for Sam, he doesn’t have time to think about his short trip to Hell and back. He has to find out what is causing the mysterious death of several males who once worked together. Eventually, he learns that the female spirit is out for revenge on the boys who played a cruel joke on her.

Unfortunately, the creep factor doesn’t quite work when what the victims encounter are faceless minions. If you blink, they are going to attack. If you don’t, they are frozen in time. The scenes in question looked like they were taking a cue from the episode Blink, than Rose (with the Nestine Intelligence) from Doctor Who.

The scene with the ghost possessing Dean’s Impala, however, is perfect. Stephen King's Christine reference is great. Dean puts on a classic, 'you got to be kidding' look when his own car is chasing after him like a lover scorned. And at the end, there’s a moment of realization on what the series' writers are after: Love is about the choices and sacrifices one has to make in order for it to work.

Visit the North American homepage for Supernatural here:

Supernatural at the CW

Previous seasons:



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Fritt Vilt III/Cold Prey 3 and Stepping Out for a Sandwich: A Movie Review

Director: Mikkel Braenne Sandemose.

Writers: Lars Gudmestad and Peder Fuglerud.

The Cold Prey series is set in the slasher genre and each of these films has been produced in the cold climes of Norway. The first film was completed in 2006 and the second in 2008. Each film follows the murder spree of a mute Geir Olav Brath to an eventual bloody conclusion. A different director has highlighted each film, with Mats Stenberg showing the best of the series with Cold Prey 2. Unfortunately, this latest film, a prequel, is not up to the task of thrilling audiences. Full of been-here-done-that, Cold Prey 3 offers very little back story on killer Brath and instead, the film serves up repetitive trope after trope.

The plot begins with a young boy tortured, by an isolated couple in a remote mountain resort. The opportunity to delve into Brath's psyche is overlooked in favour of bringing still more twenty-somethings out to the woods for slaughter. The usual divide and conquer strategy is used by a now adult Brath to turn a fun camping trip bad. Enter in a concerned police officer and soon, you will be praying for the credits to roll, too.

It is completely unfathomable that the reason's for Brath's callous treatment by others is given about five minutes worth of attention. Apparently, Brath spent some time in a closet and this turned him into a killer. This is not believable. Also, this reviewer's Norwegian really let him down and whether the couple in the early part of the film are actually Brath's parents cannot be firmly relayed. What is evident is the overuse of cliches, which will bore the majority of viewers.

Whatever happened to darkly lit hospital hallways and an unstoppable Brath? Come back to the series soon Stenberg! Viewers will instead be served up the Laurie Strode effect, as a female protagonist does much of the the fighting against Brath. The rest of the film seems to be stolen from the Wrong Turn franchise, as some ugly hillbillies go about their misdeeds. The women are used as potential baby making machines, while the attention wanders. Then, the tried and true, send out some youths into the forest for some killing, begins and this reviewer went to prepare himself something to eat, while the film played on.

Cold Prey 3 is freezing this series in ice and hopefully, that is where Brath will stay, unless a competent director comes along. In need of some adrenalin, Cold Prey 3 does not deliver anything noteworthy, or redeemably exciting. You have seen this film before and you have likely seen it done much better.

Overall: 5 out of 10 (missed opportunities, cliche ridden, predictable, disappointing and uninteresting).

*Released in Norway October 15th.

**No release date scheduled for North America. Be thankful.

Cold Prey 2 is a must see, even if you missed the first:



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Wednesday, February 23, 2011

Stephen Dorff and Maria Bello to Star in the Bank Robber Thriller Jacked!

The thriller Jacked has a new poster and a completion date. Jacked will complete production in 2011, with this title previously called Carjacked. Starring Stephen Dorff and Maria Bello, Jacked involves a single mom's attempt to escape a "vicious bank robber" (Catalogue). Bello will play the mom and seen left, you can tell that motherhood requires firearms!

Tagline:

"It's her car. Don't tell her what to do."

The synopsis for Jacked is here:

"Lorraine, a vulnerable single mom and her 5 year-old son are carjacked by Roy, a vicious bank robber who forces her to drive cross country to meet up with his accomplice who still has the money from the robbery. Her fight for survival marks the beginning of her journey toward independence" (Catalogue).

Completion Date: 2011.

Director: John Bonito.

Writers: Sherry Compton and Michael Compton.

Cast: Maria Bello, Stephen Dorff, Joanna Cassidy, Catherine Dent, and Gary Grubbs.

Sources:

Jacked at the Film Catalogue

Other films that involve carjackings include:



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Apocalypse of the Dead and Driving to Damnation: A Book Review

*A review copy of Apocalypse of the Dead was graciously provided by author Joe McKinney for review.

Author: Joe McKinney.

There is a running joke here at 28DLA.com of reviewing the sequels of books and then, this reviewer goes back to look at the original. This strange trend continues. This zombie lover read the bibliography on author Joe McKinney's website and there, this title was listed first, Apocalypse of the Dead. However, Apocalypse of the Dead is, of course, the second book in a series, which is led by Dead City. McKinney will follow-up these two novels with Flesheaters releasing in April, 2011 and Zombie King in 2012. This is an epic zombie novel series, with Apocalypse of the Dead introducing a large, diverse group of characters. The connections between these survivors become more obvious as the zombie plague, spreading across the United States, corals everyone into a Jim Jones, cult-like situation. Hard to put down, Apocalypse of the Dead keeps you gnawing at the pages, late into the night with moanings on zombie philosophy.

This is a 500 page novel; so, addressing the plot with any merit, or depth in a short review is a mostly futile endeavour. On the surface, Apocalypse of the Dead involves several plague survivors fighting against the dead throughout the United States. On a deeper level, this novel acts as a warning to the dysfunction of following a crowd, while the promise of salvation acts as the needle in a hurricane. A self-imploding cult acts as a beacon drawing characters Ed (the ex-officer), Ben (the reporter), Barnes (the pilot), Jeff (the debtor), Colin (the broken), Kyra (the blind), Nate (the desperate), Billy (the ex-con), Margaret (the grandmother), Robin (the pornstar), and Sandra (the survivor) to salvation, or damnation like a desperate moth to a flame.

Just getting to this central point requires driving through the millions of the infected. Streaming out of Florida and Texas, a boatload of refugees, hoping to escape a quarantined area, move an infection from an enclosed and walled-up San Antonio to surrounding areas. Not long thereafter, the undead are causing riots in Los Angeles, Minneapolis, and every other major metropolitan area, as the virus spreads through bites, and sexual contact. North Dakota offers salvation, but even here, evils lurks. Where is the hope?

Apocalypse of the Dead is truly an epic novel, as the stalwart hero, Ed, fights against unspeakable odds. Ed is an aged member of a senior's community, who does his best to protect the blind, and others with various health conditions. His six-shooters turn the hordes into gory masses, while this seventy year old man does his best and betters men half his age in dire situations. Triumphant into the end, Ed shows that hero's are still worthy of being mentioned in literature and that a senior can win the hearts of readers.

The action within this novel involving Ed and other characters is intense and really, there is only one brief pause in the pacing, which occurs just before the final harrowing climax. Characters are often doing their best to outwit escaped convicts on their way to the conclusion, or stage one, stage two, and stage three zombies(the undead are classified by the time they have been infected for). There is very little downtime in this book. This exciting pace is welcomed and often enthralling, as Ed squares off against an insane cult leader in the "bread basket" (McKinney) of America. The results are devastating to the character base of the book.

One final note, on Joe McKinney's latest is required. Few zombie styled novels will tackle philosophy, but here McKinney talks about nihilism, the meaning(less) of life and even Buddhist teachings like samsara (disgust). The use of philosophy seems to bring some deeper structure to the close of the book and there is challenging material here for those searching for more than the confines of a zombie apocalypse.

Available for several months now, Apocalypse of the Dead is an epic and satisfying read. This reviewer recommends that you begin with McKinney's first novel, Dead City (do not make the mistake this book reviewer made), which sets up this second in the series. Then, step into this novel, which turns the United States and the imagination into darker, foreboding territory. Apocalypse of the Dead is not to be missed!

Overall: 8.5 out of 10 (lots of material here, thrilling, and believable).

Read a second review on this title from Scott Shoyer at Anything Horror:

Apocalypse of the Dead at Anything Horror

Visit Joe McKinney's website for updates on his upcoming novels Flesheaters and King Zombie:

Joe McKinney's Bibliography

Available for under $5? Are you kidding me? Buy this:



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Tuesday, February 22, 2011

The First Clip from Battle: Los Angeles aka World Invasion: Battle LA is Live

The first actual footage for Battle: Los Angeles aka World Invasion: Battle LA is here. In this one minute clip Staff Sergeant Nantz (Aaron Eckhart) finds himself and his squad in an ambush, and under alien threat. The reel shows the antagonists in some spotty shots and the imagery shows believable warfare environments. Have a look at the footage below courtesy of Yahoo! and Shock Till You Drop.

The synopsis for Battle: Los Angeles is here:

"For years, there have been documented cases of UFO sightings around the world – Buenos Aires, Seoul, France, Germany, China. But in 2011, what were once just sightings will become a terrifying reality when Earth is attacked by unknown forces. As people everywhere watch the world's great cities fall, Los Angeles becomes the last stand for mankind in a battle no one expected. It's up to a Marine staff sergeant (Aaron Eckhart) and his new platoon to draw a line in the sand as they take on an enemy unlike any they've ever encountered before" (Trailer).

Release: March 11, 2011 (Theatrical, North America).

Director: Jonathan Liebesman.

Writer: Chris Bertolini.

Cast: Aaron Eckhart, Michelle Rodriguez, Bridget Mynahan, Joey King, Michael Pena, Lucas Till, Noel Fisher, Jim Parrack and Taylor Handley.

The film reel for Battle: Los Angeles is here:


There is a lot of new info' on the film at the Battle: Los Angeles website:

Battle: Los Angeles Homepage

An earlier trailer for this feature was posted November 12th and the clip is here:

Battle: Los Angeles Trailer

An e-mail alert can be set up with Amazon to notify those interested in the DVD and Blu-ray releases of this title:



Sources:

Battle: Los Angeles on Shock Till You Drop

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