Death in Charge: A Film Review and Contest

Author/Michael Allen

Director: Devi Snively.

Writer: Devi Snively.

A Deviant Pictures Production "Death in Charge," is now making the festival circuit and is currently in Sydney, Australia at the "A Night of Horror International Film Festival" (March 23 to April 3). Highlighting the visual abilities of the camera this horror short utilizes colours and comedy to tell a breathtaking tale of death then life in fifteen minutes flat. Also, lo' and behold I have an extra copy of Snively's short film on hand; check out the contest details at the end of the review.

A babysitter loses her life while getting cozy with her boyfriend and Death (Marina Benedict) fills in. Single mom Sandy (Gillian Shure), who is unaware of the ghostly presence Death, allows the Grim Reaper to babysit her daughter, since the previous 'sitter broke her skull open. After agreeing hesitantly Death goes about the duties of cooking, entertaining and watching young girl Whitney (Kylie Chalfa). Listening mostly, Death teaches a few lessons about life, or death while Whitney threatens to kill her mom, gun in hand. A few fun times later mom comes in and slips on some Kraft Dinner, then pokes her eye out on a toy tank. Add a crying Whitney and one last guttural line from Death, cue credits.

The first film quality of "Death in Charge," that stands out is the beautiful photography. Shot in high definition the yellows, blues, oranges and others figure prominently despite being mostly in the background. Even exterior shots appear surreal as multiple colours blend into each other. The cinematography is absolutely brilliant.

This short horror film, running a mere fifteen minutes, manages to squeeze in many elements in the short run time. Written as a response to the rash of school shootings, especially in Columbine, throughout the United States Devi Snively approaches the concept of death in a light-hearted way while blatantly telling viewers to be thankful for the many gifts of life. Aside from the social message the shots of Death creeping about the house, in silhouette and a few well shot scenes, sometimes involving blood, shows a confidence, from Snively in her approach to directing.

Staying with a stable camera and shooting differing angles, at medium to long distances, "Death in Charge," displays an interesting visual layout. Switching from close-ups to medium shots then back and forth, the directing style of Snively captures all her shots with a flourish for character interactions. Only one continuity error, coming from the director's chair, creates mild confusion. How did Death save character Whitney from electrocution? This reviewer is not sure how Whitney survives after watching multiple times. Aside from one minor pause in execution "Death in Charge," delivers a lot to take in from one viewing.

An ambiguous quality to the short film "Death in Charge," is the setting. Beginning with '50s music, clothes, and a vehicle the film seems to be set in the mid 1900s. In the next scene, the music changes to '90s dance music, then recent hip-hop and the costumes seem appropriate for more recent times. What time period is "Death in Charge," taking place in? This is the only query from this viewer and the flaw is not distracting enough to take away from the enjoyment of the picture.

Ending on a positive note Snively manages a rare feat by blending comedy with horror; though more in the tone of satire, a few bloody shots mix up the tone of the picture. Thereby, "Death in Charge," manages to diversify the audience. Suitable for various age groups and social situations, including work "Death in Charge," gets a lot more right than the film gets wrong.

Currently available for viewing on the film festival circuit a full film schedule can be found from the "Death in Charge," website below. Also, I will mail off one copy of the "Death in Charge," DVD to a contest winner. The first five people to answer the question "what other film production has Devi Snively also been a part of?" correctly on this article, with an e-mail, will be entered in a draw. The winner, after I get your mailing address, will receive the "Death in Charge," DVD and promotional kit. So, good luck to contest entrants and support excellent independent film-making by seeing "Death in Charge," in theatres during North American play dates.

7 Scarred Skulls out of 10.

In response to the criticism of Death saving Whitney's life Devi Snively replies:

"Death saves Whitney by using the wooden end of her scythe to release her from the electric shock. We had originally shot this from another angle which would have made it clearer, but alas the performance of the electric shock was a bit too over-the-top and we felt too distracting to use."

And in response to the time period or genre for "Death in Charge," Devi Snively states:

"Also the anachronisms in decor/period were an homage to the original E.C. Horror comics. Stylistically, we tried to recreate the look and feel of the old comics while still maintaining a more updated contemporary feel with the story. An unusual choice perhaps, but I'm a bit of a mess of contradictions myself..."

An additional movie still from the film:


















Sources:

Death in Charge

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The Strangers 2 Now Hiring: Crew and News

Author/Michael Allen

Some hazy news is in circulation on the horror film "The Strangers 2" with a French, amateur director likely taking the leadership role on this sequel. Apparently, French director Laurent Briet (Little Minx Exquisite Corpse..., Warp Vision...) is in talks with Rogue Pictures for directing duties on this film and with two previous films to his credit Briet will likely add a European flourish for violence to "The Strangers 2." Already the script has been written for the film by Bryan Bertino; so, production is likely to begin once directing negotiations have come to an agreement, with a 2010 release date as the goal.

Have a look at a couple nostalgic movie stills from initial film, "The Strangers," to quell some of the anticipation for this, likely straight-to-DVD production.











For additional photos for "The Strangers," check here.

Sources:

The Strangers 2 at Bloody-Disgusting

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Dead Snow (Dod Sno): A Movie Review

Author/Michael Allen

Director: Tommy Wirkola.

Writer: Stig Frode Henriksen.

A Norwegian film that made its premiere at the 2009 Sundance Film Festival, "Dead Snow," is now approaching North American shores, with a limited release this summer. And not since "Shock Waves," has the use of Nazi zombies been given such effective attention. Twenty-nine year old Tommy Wirkola from "Kill Buljo: The Movie," fame, a satire of Tarantino's "Kill Bill," is the creative energy behind this newest zombie genre film. Not skimping on the gore and attempting a few scares along the way "Dead Snow," mostly stays in comedic tones. Also, while paying homage to 80s slasher films of the past "Dead Snow," manages to avoid the many pitfalls of blending horror and comedy through excellent film techniques while owning the many cliches of horror film classics. And these are not just zombies these are frozen Nazi zombies!

The story begins with eight medical students embarking on a weekend of fun, at the local cabin, to party in the Norwegian countryside. One friend travels by cross country skiing while the remaining seven make their way by car. One early chase scene and death hints that journeying in a group is a much better option than going solo, cue credits. Next, the remaining friends find the cottage, and after some sexual innuendo begin to party in typical, one-dimensional character fashion. Not long after the students arrive at the cabin a crazy old man, only known as the wanderer (Bjorn Sundquist) creeps out of the local forest to tell tales of Nazi soldiers and hidden gold. Add some eerie music, shift to nighttime and the fun continues.

Characters Erlend (Jeppe Laursen) and Chris (Jenny Skavlan) quickly move towards sex in a very unromantic setting, the outhouse and find themselves next to die in a grisly fashion. Surviving friends clue in slowly, then strategize a possible counter-attack while a group of Einsatzgruppen Nazi officers, long dead and looking horrendous, terrorize the cabin dwellers with weaponless gropings. Several bodies later Martin (Vegar Hoel) and Roy (Stig Frode Henriksen) battle Colonel Herzog in a series of chainsaw attacks that leaves one cabin burnt to the ground and several other bodies limbless. The gold is found and back in Nazi hands; the conflict quietens briefly, only to be given new life in one last desperate escape attempt, from character Martin, to return back to medical school.

Set in the rural mountainsides of Norway a la "Cold Prey," and the sequel, "Dead Snow," delivers a surprisingly entertaining time in a brief ninety-six minutes. Not taking itself too seriously Wirkola manages to pay respects to many films of the past including; "Evil Dead," "Friday the 13th," and "Dead Alive." Although, not really reinventing the genre Wirkola makes his knowledge of the horror known by introducing one movie geek who knows way too much horror trivia. But one of the many selling points of the film is the breathtaking cinematography, that isolates the characters in the frozen wasteland.

Attempting a few scares early "Dead Snow," primarily focuses on making one laugh. Utilizing intestines as rope and removing any comfort by eye gouging one of the characters, the film generates strong emotions that are mostly meant to be on the lighter side of the spectrum. Many of the deaths in the last act are over-the-top hilarious and campy, with a skidoo becoming the primary killing tool. Some strangeness develops as one character receives a bite from the infected and unbelievably amputates his arm, with a chainsaw; then, this very Ash looking character from the "Evil Dead," series cauterizes his wound with a small gasoline fire. Unfortunately, the scares in the film mostly fail as the tone in music and setting is not right for an intense experience. But the film makes up for this lack with the exciting use of large amounts of blood and gore. "Dead Snow," is a true satire.

The lighting tries to set the horrifying tone of the film by shooting many of the early interactions between ghoul and protagonists in nighttime and the camera techniques vary enough to create for an interesting visual experience; only the music hesitates in quiet moments. "Dead Snow," keeps the mystery going as long as possible by keeping the zombies in the darkness of shadows with heavy breathing punctuating the silence of calmer scenes. Setting up one shot on a lonely hillside with the only illumination from a lantern, inside a tent, set decorator Morten Jakobsen adds a spectacular stunt sequence that while overly bloody in nature comes off horrifyingly well. Wirkola does his best to clue the viewer in as to future transition points and scene changes with long distance shots contrasting close-ups of characters dialoguing. Many audiences will recognize the appearance of the shaky cam during action sequences, that is meant to disorient, but thankfully is not given overuse in the feature. Other utilizations of the camera, including splattering gore, often across the camera lens is effective in creating more laughter.

There are relatively few flaws in "Dead Snow," and this feature film is re-watchable despite an absence of any social message whatsoever and an ending that falls into the category of tragedy. Few plot holes develop and only one continuity error, which revolves around central character Vegard's (Lasse Valdal) escaping from a bunker comes off as uneven. And while the ending is dark and bleak in tone the rest of the film comes off as the director wants, in a comedic fashion.

"Dead Snow," along with a host of other excellent European horror films stands out as being one of the few that balances both comedy and horror in one film. "Dead Snow," must be seen by quality horror film fans, especially when this flick makes its way to theatres during a limited run this summer. Definitely a shining star amongst several other similar low budget films "Dead Snow," spreads its wings in a goretastique cinema battle between the good, the bad, and the undead.

7 Greyish Skulls out of 10.

Sources:

Dead Snow Review at Variety

Dead Snow at IMDB

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Not One But Two Zmd(s): Zombies of Mass Destruction Movies Coming to DVD: News, Poster, and Trailer

Author/Michael Allen

Possibly for competitive reasons two films, with similar names are making their way to DVD in the next couple of years. The film receiving a preview here is "ZMD: Zombies of Mass Destruction," which has a 2009 release date and not "ZMDs: Zombies of Mass Destruction," with a 2011 release. Hopefully that clears things up, or confuses the issue further; anyways, this political comedy, set in the world of zombies looks like an attempt to poke fun at the situation in Afghanistan, or Iraq. Adding some interesting stunts into the film "ZMD: Zombies of Mass Destruction," looks to explode on home theatre systems later this year. Have a look at the hilarious plot summary inside along with a full trailer.

A synopsis here...

"Life is wonderful for the people in the quiet island town of Port Gamble. Frida, a young Iranian-American college dropout, is back in town to help her father run the family restaurant. Tom Hunt, a Wall Street broker, visits his hometown with his outspoken boyfriend Lance in order to finally come out to his estranged mother. As Frida, Tom, and Lance take life-changing steps, the town faces a far greater challenge: a zombie virus outbreak (DreadCentral)!"

Release Date: 2009.

Rating: Unknown.

Director: Kevin Hamedani.

Writer(s): Kevin Hamedani, and Ramon Isao.

Cast: Brittany Christine, Constance Best, Russell Hodgkinson, Richard Carmen, Trent Sweeney, Sydney Sweeney, Bill Johns, and Victoria Drake.

A trailer for "ZMD: Zombies of Mass Destruction." here:



Sources:

ZMD at DreadCentral

ZMD at IMDB

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Shuttle: A Movie Review

Author/Michael Allen

Writer of 2007s "Flawless," Edward Anderson sits in the director's chair for the first time in horror film "Shuttle," a 2008 SXSW movie entry, which is now pushing forward with an April 7, 2009 DVD release date. Light on scares or gore "Shuttle," utilizes a character reveal at midpoint to add a twist where one is usually found in the ending and an intensity chills throughout. Not bowing to conventional story development Anderson finds his stride in this 106 minute tightly written thriller.

Beginning with good friends Mel (Peyton List) and Jules (Cameron Goodman) returning from a southern holiday these two comely girls quickly flirt, then entice Seth (James Snyder) and Matt (Dave Power) to join them in a cheap airport shuttle ride. Pretty boy and wanton ladies man, Seth engrosses himself with bubbly, blonde Jules while laidback, complainer Matt warms to Mel, a recent dumpee from a previous cheating fiancé. Add in one neurotic, businessman, with shifty eyes and this shuttle is all set to wander the seediest neighbourhoods of South Boston.

The absence of pedestrians and traffic early signals that this is a good place to disfinger, face-slash and generally torture these young twenty-somethings. Later, the anonymous shuttle driver delivers, with an emotionless, utilitarian approach to life brutal deaths inside and outside the bus. This maniac gets some late help from one of the oddest characters in the bus as things begin to look hopeful for the young couples. But things go south with character after character succumbing to disfiguring injuries at the hands of swerving driver, black market sexploiter and anonymous killer, only none as the driver (Tony Curran).

A fairly long feature for a low budget picture, "Shuttle," manages to move along at a fairly decent speed while delivering some goretastic action sequences along the way. Feeling like a road trip through a murderous man's Disneyland, many of the characters fight back with energetic fervor and cunning force, only to see an outwitting at the hands of the central, dehumanizing antagonist. The unbelievable story chops up the pacing slightly, with the killer revealing a previous hostage count of 100 plus. But, the film blatantly, or violently asks viewers to gently leave their rational minds at the shuttle door as this ride, in fun fashion runs over many of the characters rather than get them to their destination safely, or on time. As well, one of the better scenes, within "Shuttle," involves the bus, in CGI impacting, at high speed with one good Samaritan, who unwisely stops to help a character sobbing in the streets.

Unfortunately, the small budget can be seen in darkly lit settings and shaky camera effects, that give the film a grainier quality while allowing independent film director Anderson just enough creative room to explore slightly bizarre story lines. A continuity error near the beginning of "Shuttle," involving daylight shifting to nighttime, in 10 seconds flat stands out as one of the few mistakes in the execution of the film. And the shaky camera effect seems to be an attempt, by the director to engross viewers more fully into the picture. The amateur cast comes off believably well, only the distracting absence of extras makes one feel "Shuttle," is in strange, or surreal waters.

A superb project from an amateur director Edward Anderson, in "Shuttle," pushes most of the right buttons to deliver a fantastical tale about the black market sex trade and fictional transport of white females to Asia. A unique tale that requires imagination will surprise and excite those patient enough to sit through this long film from beginning to end. Adding enough scares to shock audiences during calm moments, Anderson contrasts a moderately developing story with some very bloody and disturbing images.

Available soon on DVD for home viewing pleasure this slightly under the radar horror flick could use a larger audience than "Shuttles," limited release was able to provide. Cleverly written with only a few flaws "Shuttle," is an excellent addition to a movie fan's DVD collection. Definitely check this one out during the first week of April 2009.

6.5 Crunchy Skulls out of 10.

And for more information on Edward Anderson check out my interview with the director, from February 26, 2009 here.

Sources

Shuttle at IMDB

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No Right Turn: Movie Still, News, and Trailer

Author/Michael Allen

While talking with director David Noel Bourke briefly today about his latest production "No Right Turn," this horror enthusiast found out that "No Right Turn," which has been given a European premiere last weekend, is working towards wider, possibly global distribution. A North American release is hopefully the goal, but horror/thriller movie fans might have to wait a little longer as this film, which while entertaining and slightly surreal in the trailer, needs North American distributors. Have a first look at "No Right Turn," below...

The synopsis...

Monella, who is in a state, that at times seems very catatonic, expresses life through her art, while torturing herself at the end of a gun. Johnny who makes his living as a drug runner, via delivering "junk," in pizza boxes looks for a better life with friend, lover, and wife Nina. A series of events brings wounded Monella and Nina together, and they form a friendship through trust. As Johnny's downward spiral seemingly increases, Nina looks for her escape plan, one that involves a life on the run with fellow spirit and new lover Monella (Cinema-nocturna).

Release Date: 2009 (North America, unknown).

Rating: Unknown.

Director: David Noel Bourke.

Writer: David Noel Bourke.

Cast: Sira Stampe, Laura Bach, Tao Hildebrand, Lars Lippert, Sami Darr, Flora Nassei Jensen, Mads Koudal, and Morten Steensgaard.

The trailer for "No Right Turn," here:



Sources:

No Right Turn Movie Review at CinemaNocturna

No Right Turn at IMDB

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The Dead Rise Again and Again: News, Movie Poster, and Trailer

Author/Michael Allen

"The Dead," not to be confused with George a Romero's "...of the Dead," is a zombie genre film set in the deserts of Africa. Filming, which took place in Ghana and Burkina, Faso is complete and now in post production. Third time English director Howard J. Ford, with help from brother Jonathon Ford, helm this independent terror flick and the trailer has a definite Romero feel as the undead stumble slowly around, in what looks like a mostly unthreatening manner. However, the unique and isolating backdrop of West Africa with a cross racial set of characters could spark some creative life in, what looks to be a thrilling story. Why the fascination with zombie films? And what do zombies represent in modern culture? Hopefully some of these questions, along with some excitement, will be given attention in this latest zombie film "The Dead."

The synopsis...

When Lt. Brian Murphy finds himself in extreme conditions he must team up with local Daniel Dembele in order for both men to try and find their way back to what is left of their lives whilst battling a terrifying threat from which there seems to be no escape (DreadCentral).

Release Date: 2010.

Rating: Unknown.

Director: Howard J. Ford, and Jonathon Ford.

Writer: Howard J. Ford, and Jonathon Ford.

Cast: Rob Freeman, Dan Morgan, Glenn Salvage, Kian Moallemi, amir Moallemi, Katy Richardson, Julia Scott-Russell, Kerry Moallemi, Anne Davaud, Michael Kuper, David Dontoh, and John Reilly.


A full trailer for "The Dead," a la youtube.com:



Sources:

The Dead at IMDB

The Dead at DreadCentral

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The Telling of Tales in the Playboy Mansion: News, Movie Poster, and Trailer

Author/Michael Allen

A straight-to-DVD feature "The Telling," is three short stories in one film. The movie, which was shot in the Playboy mansion stars former girlfriend to Hugh Hefner Bridget Marquardt. Promising an exotic tale, told through the eyes of three promising sorority sisters "The Telling," will be available in April 14, 2009 for a viewing. Have a look at the first trailer for this independent horror film inside.

First the synopsis...

In this horror anthology film, three girls pledge the most popular, and cruelest sorority on campus. For their final task, they must tell the scariest story they know. Containing three distinct stories; one featuring a murderous doll, one a has-been actress and her run in with a film crew of the undead and, finally, a hunt-and-kill fright-fest. The tales inspire someone at the sorority to commit their own murders (Internet).

Release Date: April 14, 2009.

Rating: Unknown.

Director: Nicholas Carpenter, and Casey Ward.

Writer: Joe Lessard.

Cast: Bridget Marquardt, Holly madison, Jean Louis O'Sullivan, John D"aquino, Rebekah Kochan, and Nicole Zeoli.

A trailer for "The Telling," here (apologies for some unreadable text):



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Indie Film Skeleton Crew Leaves Scars: Movie Poster, Synopsis, and Trailer

Author/Michael Allen

Director Tommi Lepola has given the first trailer and movie poster a green light for "Skeleton Crew." A snuff film plot device is sure to generate some excitement as this low budget film moves towards a release date. Starring several first time actors and actresses "Skeleton Crew," is announcing a mid 2009, straight-to-DVD release as shooting just began late in 2008. Have a look at the first teaser trailer, with cast and crew information inside...

A synopsis...

In the early 1970’s, a remote mental institution next to the Russian border was shut down by the police. Before it was closed Dr. Andersson made a series of snuff films using his patients. The doctor filmed all the murders in 8mm, and started to call himself ‘The Auteur.’ Thirty years later, an American film crew arrives in Finland to shoot a horror movie about the massacre, and are unaware that they are about to become the stars of their director’s real life snuff film. Instead of making a horror film, they are in one. The Auteur is slaying the Skeleton Crew one by one…“There’s no sequel for you (Horror-movies.ca)!”

Release Date: July 21, 2009.

Rating: The teaser makes this one look like a hard R.

Director: Tommi Lepola, and Tero Molin.

Writer(s): Tero Molin, and Teemu Molin.

Cast: Rita Suomalainen, Steve Porter, Anna Alkiomaa, Jonathan Rankle, Jani Lahti, and Ville Arasalo.

A teaser trailer for "Skeleton Crew," here:



Sources:

Skeleton Crew at Horror-movies.ca

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Perkins 14: A Movie Review

Author/Michael Allen

Director: Craig Singer.

Writer: Lane Shadgett and Jeremy Donaldson.

Massifys "Ghosts in the Machine," contest was won by scriptwriter Jeremy Donaldson, who is the producer of "Perkins 14," and his nostalgic poster, a throwback to the 70s was a centerpiece from which the film saw development. Another "Afterdark Horrorfest III," series presentation "Perkins 14," was given a late March 2009 DVD release and stars two other "Ghosts in the Machine," casting contest winners; Shayla Beesley and Katherine Pawlak. Donaldson, who shot his miniature feature and contest winner mainly with a DVX100a miniDV camera has found most of his influences from films like; "Night of the Living Dead," "The Crow," and "28 Days Later," each of which can subtly be seen in this zombie film without zombies.

"Perkins 14," centers around police officer Dwayne (Patrick O'Kane) and the loss of young son Kyle (C. J. Singer), ten years past, the character is constantly pushing the story onwards, in a mostly slow fashion that brings him in conflict with one of several antagonists, in the film Ronald Perkins (Richard Brake). Through some quick detective work Dwayne manages to piece together the location of his son, after Perkins falls into police custody through a minor drug charge. Hal (Dean Sansone), Dwayne's police partner, unwittingly unleashes fourteen serial killers into the local town after discovering an underground chamber that was Perkin's previous science lab. Minus one killer, who succumbs to starvation in their cell thirteen killers unleash havoc, and murder into the surrounding area of Stone Cove. Dwayne unable to kill his own son dies, along with others in a brutally, sometimes unrealistic fashion, while the surviving Perkins 14 hope for a sequel.

The story spends most of its time building painstakingly slowly in the first forty-five minutes of the film, without any initial hook to keep viewers, or reviewers interest. Finally, finding some legs to run with near the middle "Perkins 14," finds a second gear as characters, who are given brief introductions die off-screen only leaving blood and entrails behind. Unfortunately, "Perkins 14," is mostly for the patient, who will find reward later in Donaldson's blatant homage to the film "28 Days Later." Offering one central story about abduction and the brainwashing of children "Perkins 14," adds a secondary story involving, daughter to Dwayne, Daisy who looks to sow some wild oats in an abandoned amusement park. Secondary stories can often be a way to add contrast to the primary story or to break up scenes and the pacing of a film, but in "Perkins 14," the delivery of such little screen time for character Daisy and her friends comes off as a distraction rather than a clever addition.

Another aspect that appears odd and occurs early in the film is the use of Gaelic music with a setting that would be reminiscent of Ireland, which can confuse as to the location of the film. Other settings that stand out involve Perkins' cellar that is host to several cages, and torture videos, that offer the first few scenes of violence. Shifting near the last third of "Perkins 14," to a police station, some creativity can finally be seen in the lighting and effects of the film. But can a film turn itself around in the last act?

The answer is not really as director Craig Singer from previous "After Dark," film "Dark Ride," scrambles for some late scares involving ascending camera techniques and out of focus shooting, that while interesting can not make up for the previous lack. Working on a shoe string budget Singer manages to pull some atmosphere out of the final sheriff station setting through the use of smoke and sparse lighting. And only a few earlier stunts are given quality camera time, with one Perkins 14 escapee involuntarily ending his life on the hood of a patrol car; later, another serial killer throws himself through a sheet of glass, in order to bare his teeth a la "28 Days Later." Both of these scenes and a few others thrill, but the films earlier sombre tones with a final hopeless, dark twist will make some shake their head at the ending.

A bleak story from "Ghosts in the Machine," script winner Jeremy Donaldson delivers a mediocre production that delves into an interesting premise only to find death and despair in the finish. Hosting a cast of amateur actors, which offers many members of the Singer clan "Perkins 14," does not deliver a full-on horror picture that will re-invent, or expand the myth of the zombie, genre horror picture.

Now, on DVD "Perkins 14," will be looking for horror film fans to snatch this one up off of video store shelves. Although, not standing out prominently from a slew of other genre films "Perkins 14," can be entertaining for those who love a good scare, or a fun night with zombies running free. Give this one a watch and be patient as the film builds towards an anti-climactic ending.

5 Laughing Skulls out of 10.


Sources:

Perkins 14 at Massify

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A Preview of Lars von Trier's Antichrist: Movie Still, and News

Author/Michael Allen

*Click on the image for full view*

Danish director Lars Van Trier offers a new, controversial take on Creationism in his latest film "Antichrist." Proposing that the devil is the creator of the universe "Antichrist," with stars Willem Dafoe, and Charlotte Gainsbourg will tackle a subject in which most people have a strong opinion.

Van Trier's personal belief is that “...a film should be like a stone in your shoe." So, viewers of this film, who will not have a chance to see "Antichrist," until after Cannes 2009, can expect to be taken on a surreal horror experience that is sure to make some more than uncomfortable. Have a look at the cast and crew information inside with the first release date...

Release Date: May 20, 2009 (France).

Rating: Unknown.

Director: Lars von Trier.

Writer(s): Lars von Trier, and Anders Thomas Jensen.

Cast: Willem Dafoe, and Charlotte Gainsbourg.

Sources:

Lost Boys 3 at Bloody Disgusting

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Back on Track Lost Boys 3: Cast, Crew, and News

Author/Michael Allen

Looks like "Lost Boys 3," is moving towards a production date as the writer, Evan Charnov has been chosen to pen a script. Already announcing the return of Corey Feldman this new story will focus on character Edgar Frog. As well, Jamison Newlander will star and "Lost Boys 3," is now hoping for a 2010 release date. As of yet there is no word if Corey Haim will return from the original film, but rumours are stating that his appearance, in the film is unlikely. Have a look at a very brief synopsis and the available crew information inside.

A vague synopsis...

The story will focus on Edgar Frog.

Release Date: 2010.

Rating: Unknown.

Director: Unknown.

Writer: Evan Charnov

Cast: Corey Feldman, and Jamison Newlander.

More information might be available through Warner Premiere.

Sources:

Lost Boys 3 at Bloody Disgusting

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From Within: A Movie Review

Author/Michael Allen

Director: Phedon Papamichael.

Writer: Brad Keene.

Genre horror film "From Within," touches on themes of revenge and religious extremism while breathing new life into the typical teen angst flick. Making the best of a low budget "From Within," now on DVD turns a difficult topic, religion into a restricted gore piece that will have one thinking about the benefits of following a spiritual group, or in the films case more like a Christian cult. Prolific director Phedon Papamichael (3:10 to Yuma, Walk the Line), does his best with the material, but the story, from writer Brad Keene, with constant religious overtones leaves a sour taste in one's mouth.

Beginning with Sean (Shiloh Fernandez) reciting an ancient curse and then quickly offing himself, "From Within," sets the mysterious tone early as this supernatural curse passes from person to person in the small, rural backdrop of Grovestown. Next, Sean's girlfriend Natalie (Rumer Willis) brings the curse centrally back to the town square and the bodies begin to drop like dominoes. As the story unravels, mostly through Aidan's (Thomas Dekker) eyes, brother to Sean, the death of both mens' mother, is central to the story. The film takes on an "us," versus "them," approach when the murderers of Mrs. Spindle turns out to be the local townsfolk. The "us," is the Spindle clan, who with only surviving members Aidan and cousin Sadie (Margo Harshman) looking for revenge upon the town who is "them," and happy to do battle. The townspeople become split down the middle with central religious instigator Dylan (Kelly Blatz) leading the mostly devout and the remainder, including Lyndsay (Elizabeth Rice), a potential love interest to Aidan questioning this newest battle of good against evil and where she belongs in the story.

Often pictures that delve into the subtext of the bible come off, unsurprisingly as preachy, but this is not totally the case for "From Within." The film borrows the myth of an ancient contagious curse from Asian culture and the premise while unique, is not given equal excellent delivery in the film. The theme of good versus evil is challenging to deliver lightly and the films central message seems to change during a viewing from cynical to maniacal then back and forth. The only social message that does come across clearly is that of religious extremism, which whether at home or abroad can only lead to more and more violence, or in this case more and more gore.

The ability of the curse to create a shape or doppelganger to spook, then scare, and finally murder their prey is done with shadows and not frequently enough, from the shape's perspective. The differing directing style of allowing the shape to inhabit mirrors, then television sets, while grey eyes stare blankly, unknowingly at their unfortunate victim, comes off, shockingly well. Tricking the characters in the movie to drink bleach and thus indirectly kill one character, the shape switches methods and more directly kills one semi-nude, teenage, female by sawing off her arms with the remnants of a glass window. Mostly as an attempt to build tension the horrifying scenes are given originality through various visual and aural deliveries that match the characters fears. Effective in creating the intended shock "From Within," offers enough scares for gorehounds, but can graphic brutality, alone sell the film?

Unfortunately, the answer is no and if not for the inspiring acting from Thomas Dekker and Adam Goldberg, with additional help from an interesting dark magic storyline, "From Within," would stumble into the background of underground horror storytelling. Dekker from the television series "The Sarah Connor Chronicles," delivers the mystery, and pain necessary for his character and only one initial interaction, in a car between Dekker and Lyndsay, appears melodramatic. Goldberg, who is often comedic in film delivers a dual characterization in "From Within," as his character becomes overly dramatic thens shifts to slyly comedic during many of his scenes. Goldberg's performance as Roy, a redneck and devout church goer is effective and almost surreal to watch. Surprisingly, good and initially indistinguishable Adam breaks any previous type casting by performing angrily and then crazily by burning annoying character Sadie in a gasoline crucifix. Hard to top, many of the other actors in the film fade into the story as other well-acting characters stand forefront in the film.

Staying with the dark magic plotline throughout "From Within," writer Brad Keene seems to be self-consciously laughing at religion in the context of the film while leaving the ending open for viewer's to make their own interpretation. Attempting a one, two knock out horror punch the initial building story shifts in the final scene to a twist ending, that while visually graphic and stunning only leaves a questioning feeling, that will likely not be given relief from a sequel.

Director Papamichael and writer Keene give a nod to the religious right, in the American mid-west as they offer their own take on religion, which is a subject best left to practitioners, or philosophers. Despite the heavy subject matter and serious tones during the showing of "From Within," this film manages to do its job and create an eighty-nine minute horrifying thriller. And while thought provoking and sometimes shocking "From Within," with its small budget, will likely be found on the bottom of video store shelves, partially stocked, with empty eye sockets on the covering pleading with you to take this film home.

5.5 Eyeless Skulls out of 10.

Sources:

From Within Movie Stills at Allmoviephoto

From Within at IMDB

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Sorority Row: First Theatrical Trailer and Synopsis

Author/Michael Allen

Generating a buzz and moving towards an October 2, 2009 release date Summit Entertainment is providing the first trailer for "Sorority Row." Allowing a big glimpse at the plot and story the killer, thankfully is kept in the shadows. Have a look at the first theatrical trailer here for "Sorority Row," which stars; Briana Evigan, Leah Pipes, Jamie Chung, Rumer Willis, and Audrina Patridge.

First the synopsis...

Sexy college juniors Cassidy (Briana Evigan), Jessica (Leah Pipes), Claire (Jamie Chung), Ellie (Rumer Willis) and Megan (Audrina Patridge) are sorority sisters sworn to trust, secrecy and solidarity, no matter what. But their loyalty is tested when a prank at a raucous house party goes terribly wrong and Megan ends up brutally murdered. Rather than confess to the crime and risk destroying their bright futures, the girls agree to hide the bloody corpse and keep their secret forever. But what happens if Megan is not dead and now wants revenge (Trailer)?

The full trailer...



For full cast information and additional movie stills click here "Sorority Row," movie stills.

Sources:

Sorority Row at Bloody-Disgusting


Sorority Row at Traileraddict

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Autopsy: A Movie Review

Author/Michael Allen

Director: Adam Gierasch.

Writer(s): Adam Gierasch, and Jace Anderson.

"After Dark Horrorfest III," is the production team behind "Autopsy," a slightly independent horror film from late 2008. Making a DVD debut March 22, 2009 this film definitely has a low budget feel, but after multiple viewings the film begins to grow on oneself. Despite an early plot hole involving a mysteriously appearing ambulance "Autopsy," holds together on a logical level even with a low approximate budget of $8 million. Utilizing Adam Gierasch from Dario Argento's "Mother of Tears," as director, the surrealness of "Autopsy," has a definite haunted house feel.

Beginning with five core friends drinking and drugging during Mardi Gras, the film moves along to an off-screen accident, and then to Mercy Hospital, the central setting for the remainder of the film. Even with the difficulties of there being "...no cell service...," an ambulance appears out of nowhere, lights flashing, and the plotholes begin.

Once this loose group of partiers make their way to the hospital they are quickly broken up, in order to create for several smaller stories with most of the camera time focusing on Emily (Jessica Lowndes) looking for boyfriend Bobby (Ross Kohn).

Surprisingly, Robert Patrick (T2) makes a lengthy appearance as Dr. David Benway along with Jenette Goldstein (Aliens) as Nurse Marian and Ross Mccall from "Band of Brothers." A seemingly all-star cast would seem to deliver an A class picture, but unfortunately this only partially the case. The deliberate focus on gore sequences, with the addition of appropriate bloody floors and ghastly looking hospital rooms, takes away from the actor's time to deliver effective characterizations. Breaking up the interactions between the characters, the low brow scare attempts come off, often as comedic while some of the lesser known actors appear amateurish. Check out an early scene, inside an ambulance while a screaming man creates smiles on the actor's faces, where the tone of the film is meant to be horrific.

One of the strangest aspects of the film is the various lightings in the corridors and hospital rooms of Mercy Hospital that creates for a haunted house feel to "Autopsy." Changing from greens, to reds and oranges Gierasch seems to be taking a page out of Argento's playbook to create for one of the most bizarre movie atmospheres in recent horror history. Similar to an amusement ride, first time director Gierasch manages to set the proper tone for the film, but an uncomplex storyline means that this film will shortly be forgotten a few minutes after a viewing.

A very linear plot and unspectacular scare events in "Autopsy," means that viewers will have to delight in the gore of the film or the campy approach to acting from several of the actors. Only a few scenes that involve dangling body parts will shock and a gas canister impacting on a head will generate some strong emotions. Not staying in a completely serious tone Gierasch, with help from partner and fellow writer Jace Anderson deliver a few comedic lines, or shots with often type cast Robert LaSardo carting around a tray of body parts. Unspectacular, but sometimes fun "Autopsy," comes off as only slightly above average in the horror genre amongst a slew of more mentionable films.

From obscene gore to appropriately lit backgrounds "Autopsy," does its best to deliver an exciting feature despite the foils of a low budget. The acting from some of the lesser known actors is given support mainly from Jenette Goldstein, AKA Pvt. Vasquez from "Aliens," and periodically from stable, mostly supporting actor Robert Patrick. Not shying away from the blood and guts of horror storytelling Gierasch hits most of the notes; yet, "Autopsy," with some poor help from a 35 mm camera does not go the extra mile to create fascination or awe.

A few scares and some comedic sequences, primarily from actor LaSardo are not enough to give "Autopsy, a strong recommend. A lukewarm thumbs up is the best this reviewer can give a movie that relies too heavily on visual morbidity to entertain audiences. Worth a one time watch "Autopsy," will then, likely remain on DVD collector's shelves to collect dust and leaves viewers wondering, where was the autopsy?

5.5 Damaged Skulls out of 10.

Sources:

Autopsy at IMDB

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(Thirst)y for Blood: News, and Trailer

Author/Michael Allen

A new film from Korean film director Chan-wook Park, "Thirst," is now making the rounds with the first official trailer. The story, which revolves around a priest who becomes a vampire sounds interesting and the trailer looks even better. Here is hoping that English subtitles come with the next "Thirst," trailer as this first one is entirely in Korean.

A synopsis...

Beloved and devoted priest from a small town volunteers for a medical experiment which fails and turns him into a vampire. Physical and psychological changes lead to his affair with a wife of his childhood friend who is repressed and tired of her mundane life. The one-time priest falls deeper in despair and depravity. As things turns for worse, he struggles to maintain whats left of his humanity (Horror).


Director: Chan-wook Park.

Writer(s): Seo-gyeong Jeong, and Chan-wook Park.

Cast: Eriq Ebouaney, Kang-ho Song, Ha-kyun Shin, Dal-su Oh, Ok-bin Kim, and Mercedes Cabral.

A trailer for "Thirst," here:



Sources:

Thirst at Horrorsociety

Thirst at Twitchfilm

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Reykjavik Whale Watching Massacre Preview: Movie Poster, News, and Trailer

Author/Michael Allen

Some vague details and a trailer are coming out for the Icelandic film "Reykjavik Whale Watching Massacre," which is moving towards a late 2009 release date, in Iceland. A long way off from North American shores the cast and crew information is available here. As well, the trailer for "Reykjavik Whale Watching Massacre," offers a few unique scenes that set the tone for a possible slasher film. Have a look at all the news inside.

A synopsis for "Reykjavik...:"

An epic tale about a group of whale watchers, whose ship breaks down and they get picked up by a whale fisher vessel. The Fishbillies on the vessel has just gone bust, and everything goes out of control (Internet).

Release Date: September 2009 (Iceland).

Rating: Unknown.

Director: Julius Kemp.

Writer: Sjon Sigurdsson.

Cast: Pihla Viitala, Nae, Terence Anderson, Miranda Hennessy, Aymen Hamdouchi, Carlos Takeshi, and Miwa Yanagizawa.

A trailer for the film here:



Sources:

Reykjavik at Shocktillyoudrop

Reykjavik at Horrorhideout.com

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The Thing 2010: Cast, Interview and News

Author/Michael Allen

Frank Darabont spoke with Robert Epstein about the future "The Thing," sequel over at Suicidegirls.com and apparently the film takes off where the original 1982 left off (Suicide). However, other sources are saying that the film is now a prequel, or a remake (UpcomingHorror). Too early to tell the director has been chosen and junior director Matthijs Van Heijningen Jr. will helm this feature for the Sci-Fi Channel with a release date in 2010. Have a look at the limited crew information along with the highlights from the interview with producer Darabont.

DRE: "I heard you are involved with The Thing remake for Sci-Fi Channel."

FD: "It’s not a remake as much as it is a miniseries sequel to the great John Carpenter movie. It got reported in the trades as a remake but I would not want to remake a movie as good as John Carpenter’s. But to do a loving sequel as a miniseries really does appeal to me. Then you’re not screwing up somebody’s great movie."

DRE: "Is it going to pick up right up at the end of the John Carpenter movie?"

FD: "I can’t absolutely vouch for that but that is my hope. We’ll see if the studio lets me get away with it [laughs]. That would be my ideal situation...(Suicide)"

Release Date: 2010.

Rating: Unknown.

Director: Matthijs Van Heijningen Jr.

Writer(s): John W. Campbell Jr., and Ronald D. Moore.

Cast: Unknown.

Sources:

The Thing at IMDB

The Thing at Suicidegirls

The Thing at Upcominghorrormovies

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Cold Prey 2 (Fritt Vilt 2): Movie Review

Author/Michael Allen

Director: Mats Stenberg.

Writer: Thomas Moldestad.

First time director Mats Stenberg delivers an excellent film in "Cold Prey 2," that adds a lot more scares early in the film than its predecessor "Cold Prey." The differing directing styles make an appearance early as there is no slow build-up of story or characterizations as in Roar Uthaug's version. Instead, the film makes a few attempts at jump scares, initially while continuing the myth of a psychotic man/child who looks to increase his tally of murders. Not allowing for any pauses in the storytelling "Cold Prey 2" makes for a much more interesting film, that has a stronger identity as the film is constantly working on the viewer's fears. Stenberg utilizes people's fear of the unknown, harsh climates, pure evil, eventual death and possibly even hospitals (nosophobia) to deliver terror in a relatively brief ninety minutes.


The story focuses on the only surviving character from "Cold Prey," Jannike (Ingrid Bolso Berdal) who acts, understandably stronger and more confident in this second film. Appearing traumatized and emotional, understandably after seeing the corpses of her dead friends, Jannike seems to actively pursue the antagonist in the film. Not leaving anything to chance Jannike kills Geir Olav Brath (Robert Follin) for the fourth time near the end of the film. But can true evil ever really be killed?

Other story developments involve Jannike returning from the frozen wasteland into a nearby hospital where the serial killer has also been taken. Unfortunately, four of her friends are no longer alive; yet the killer somehow manages to revive himself once Jannike thumps him on the chest several times. Not leaving anything to chance the doctor, unhesitatingly revives and stabilizes the killer without any moral thought and soon terror unleashes himself in the small confines of one Norwegian hospital. Needless to say the blood flows and surprisingly fast.

Writer Thomas Moldestad has written a very tight, exciting script, that while almost entirely humourless only expands the myth of the "Cold Prey," and will likely spawn future sequels. Well written with only a few minor unbelievable parts the story flows mostly logically with the exception of Brath who, from the story, has seen death four times. Not really representing a psychopathic man the central antagonist is the embodiment of evil in human form; similar to other fear-inducing villains i.e. Michael Myers this killer will keep on killing as long as viewers find entertainment or fear in the story. Not heavy on dialogue, but full of sub-plots including; romantic entanglements between many of the characters and the delivery of a sad back story for the serial killer deliver a fast moving, surprisingly fun film.

Directing techniques, lighting, and musical scores each work off each other to create for a suitable horror or thriller tone. Newcomer Stenberg adds an almost MTV style feel to the film as scenes change quickly and the music blares loudly, in an eerie manner, during most of the film. The lighting, which is mostly in dark during the final two thirds of the film amps up the fear effect as the stalker moves mostly unseen down halls with his reflection subtly shown, briefly in mirrors. The music is lyricless, except during the title credits and moves back and forth between light and dark tones throughout the movie in a frenetic style that creates an uncomfortable feeling. A few surprising death sequences with haunting shadowing of the killer truly hit all the right notes in producing a fearful picture. To fully emphasize the quality of "Cold Prey 2," turn off all the lights and crank the volume to experience a full visceral experience.

Now, available on Video-On-Demand "Cold Prey 2" can be seen in the comfort of your own home...if you dare! Definitely check this film out on a quiet night to enjoy this little film from Norway.

7 Frosty Skulls out of 10.

Sources:

Cold Prey 2 at IMDB

Cold Prey 2 Movie Stills at Fullhalloween

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I F*cking Hate You Hits the Funny Bone: Short Film Review

Author/Michael Allen

Director: Zak Forsman.

Writer: Zak Forsman.

Eyesoda.com is releasing a new short film by the name of "I F*cking Hate You," which centers around two primary characters. Ron (John T. Woods) uses a subtle ruse to have ex-girlfriend Carol come over to his house for her precious mug and in the process Ron manages to partially win Carol (Marion Kerr) back, or rekindkle an old flame. This somewhat simple story is told in a complex manner mostly through Ron's eyes as he uses the title of the short film in a love/hate song.

Very humourous and told in a light way director Zak Forsman uses directing techniques that keeps Carol in a silhouette in the beginning of the film and near the end, that book ends the film nicely. The dialogue heightens the sincerity of the portrayal and the song "I F*cking Hate You," is sure to put a smile on viewer's faces with lines like "I want to rip your spinal column out and break it over my shin."

A refreshing, and lifelike tale "I F*cking Hate You," is a film for viewers looking for a humourous approach to the romantic break-up that adds a little hope near the end of the film. Appropriate for adults this short story can be found at Eyesoda.com in the sources section below.

Sources

I F*cking Hate You at Eyesoda.com

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High Lane Looks Terrifying: Movie Stills, News, and Synopsis

Author/Michael Allen

Very little news on French, horror film "High Lane," which is coming to theatres, probably in Europe this year (2009). A possible DVD or VOD date will come to North America, likely at a later date. However, the first stills and synopsis can be found here from the director of "The Good, The Bad, and The Zombies."

A synopsis...

A group of friends on vacation decide to venture onto a trail high up in the mountains that has been closed for repairs. The climb proves more perilous than planned. Especially as they soon realize that they're not alone. This adventure will turn into a nightmare (Bloody).

Release Date: 2009.

Rating: Does not look PG-13.

Director: Abel Ferry.

Writer: Abel Ferry.

Cast: Fanny Valette, Raphael Lenglet, Johan Libereau, Nicolas Giraud and Maud Wyler

Two additional photos here:













Sources:

High Lane at Webng

High Lane at Bloody Disgusting

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Dante 01 Scorches Across the Screen: News, Movie Poster, and Trailer

Author/Michael Allen

"Dante 01," from director Marc Caro (City of Lost Children) offers a new interpretation of the three circles of hell from the "Divine Comedy." Taking place within a futuristic psychiatric hospital the film promises to add elements of Japanese anime. Have a look at the first trailer here and prepare for the DVD release, April 21, 2009 (Twitch).

A full synopsis here...

Dante 01 is a space prison drifting in the suffocating atmosphere of the hostile planet called Dante. Inside, six of the most dangerous criminals of the surrounding worlds are used as guinea-pigs for obscure experiments. A resistance is organized around César, a psychopath manipulator. But his authority is called into question by the arrival of Saint Georges, a mysterious prisoner possessed by a secret force which he will soon learn how to control. Using his power to face the hostility of his fellow prisoners and to release them from the maleficent attraction of Dante's hell Cesar will be shown visions that only the Gods can see (Twitch).

Release Date: April 21, 2009.

Rating: Restricted for violence, some disturbing images, language and brief nudity.

Director: Marc Caro.

Writer(s): Marc Caro, and Pierre Bordage.

Cast: Lamber Wilson, Linh Dan Pham, Simona Maicanescu, Dominique Pinon, Bruno Lochet, Francois Levantal, Gerald Laroche, and Francois Hadjit-Lazaro.

A teaser trailer...



Sources

Dante 01 at Twitchfilm

Dante 01 at IMDB

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Going Down Under To Speak with Brett Anstey Director of Damned By Dawn: An Interview

Author/Michael Allen

Brett Anstey the writer and director of horror, short "Atomic Spitballs," stops by 28dayslateranalysis.com to answer a few questions about the terrorific "Damned by Dawn." Groundbreaking and thrilling the first movie stills of the film are available at damnedbydawn.com along with the first theatrical trailer. Moving towards an April release date in Melbourne, Australia, North American fans with have to stand by, in anticipation until distributors can be found. Check out some highlights from the interview with this up-and-coming film director.

Hello Brett thanks for participating in an online interview here with us...

From your Fangoria interview "Aussies are Damned By Dawn," the central villain/antagonist is a wailing Banshee who "...terrorizes a family." Can you give fans a little more background on how this character enters the story/film?

Brett - "In Irish folklore, a Banshee is a spirit, a messenger of death, who is wailing signals that a family member is going to die. She appears in a number of different guises - the most popular are as a beautiful young maiden or as a ragged old woman. And her eyes are always bloodshot from centuries of weeping. So within our story, the Banshee appears during the night as our protagonist's grandmother dies, then the crap hits the fan!"


Mike - Also, from Michael Gingold's article Dawn Klingberg, from recent horror film "Prey," and "Storage," takes part in the filming along with Danny Alder. How were you able to manage so many personalities on a relatively arduous twenty-six day, outdoor shoot?

Brett - "It's all in the timing, I think. We shot our film when all of the actors had breaks in their schedules, so essentially we got lucky. Also, not all the actors were required for the twenty-six shooting days. I'd have to double check, but Dawn for instance was only required for 4 or 5 days."

From viewing your science fiction, thriller "Atomic Spitballs (had me laughing)," there is a comedic undertone to this award winning independent short film. Will "Damned by Dawn," also have comedic elements or will the film be mainly in a horror, scary tone?

Brett - "The short answer is no. I think it is very tricky to mix comedy and horror successfully, without it becoming too cheesy. Mind you, "The Howling," and "An American Werewolf In London," are two of my favorite films and they are both exceptions, rather than the rule. So we elected very early to keep the tone in "Damned by Dawn," very serious and creepy."

Mike - Oh, oh sounds like this one will be a shocker.

It seems like there were a lot of insects on the set with "...950 of them (cockroaches)...," crawling around on the environments and wailing screams "...for the banshee's shrieking...," scaring the crew. Can you relate any other anecdotes while filming in Ballarat, Victoria?

Brett - "Thankfully the entire cast and crew were really into it. They were up for the challenge and were willing to accept any of the obstacles I threw at them! For the most part, making these types of films is a blast. You get to do things that you would not normally get the opportunity to experience. I mean, who would not want to spend their nights running around through spooky woods, or getting covered in blood, or exploring old caves/mine shafts, or dealing with hundreds of cockroaches, or walking around creepy old houses? These things are fun to do! Well to me at least. We spent two days & nights shooting in an abandoned mine shaft. This place was not easily accessible, as in we had have to carry the camera equipment/unit gear/generators etc., at least two kilometers; over creeks, through waist high thistles & blackberries, and up hills which were almost vertical, it was insane. All of this JUST to reach the entrance of the shaft. Then we needed to venture deep inside the shaft to shoot. And without a torch, it was pitch black. And incredibly spooky! By the end of the two days, everyone became a victim of the low hanging ceiling - I have never heard more expletives within a two day period! "

Mike - Wow, that sounds exciting and adventurous I wish I could have been there.

Finally, can you provide some insight, for fans of the horror genre as to where "Damned By Dawn," will premiere at and what film festivals you would like to partake in through 2009?

Brett - "The film will premiere here in Melbourne, Australia, in May. Then the film will be entered into the major genre festivals, so fingers crossed. Distribution isn't finalized yet, so I can't really say anything further on that at this stage."

Well Brett it was a real honour to interview you for my site. I hope your film garners a lot of attention for your premiere and please get in touch with me, in the future when you pick your North American distributors.

A full theatrical trailer for "Damned by Dawn," here:



Sources

"Brett Anstey Director of Damned by Dawn." Damned by Dawn (2009): 16 March 2009.

Damned By Dawn Homepage

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