From The Land Down Under Prey: News, Movie Poster, and Trailer

Author/Michael Allen

Hyper surreal horror film "Prey," announces a May 9, 2009 in Australia. However, the film is still seeking North American distributors for a continental release date. Movie stills and a high quality trailer are available at the main homepage, but here is the synopsis, trailer, and latest cast information...

A synopsis...

Three couples, one from the USA and two from Australia, are about to learn the horrible truth about what happens when your 4WD holiday goes horribly wrong. In the desert, in the night, in the dark (Shock).

Release Date: May 9, 2009 (Australia).

Rating: Unknown.

Director: Oscar D'Roccster.

Writer: John V. Soto, and Robert Lewis Galinsky.

Cast: Natalie Bassingthwaighte, Jesse Johnson, Natalie Walker, Ben Kermode, Christian Clark, and Kristin Sargent.

A trailer for "Prey," here:



Sources:

Prey Homepage

Prey at Shock

Prey at IMDB

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Martyrs Full of Buckshot: DVD Details, Movie Poster, News and Trailer

Author/Michael Allen

The DVD details for "Martyrs," are hitting the airwaves and a fifty-five minute behind the scenes documentary is sure to entice horror film viewers. A two disc set will hit video store shelves in late March throughout Canada with an April release date for America. Including English subtitles and Dolby 5.1 surround sound "Martyrs," will be a full on visceral experience. Take a look at an extended international trailer inside.

First the synopsis...

Lucie has been missing for over a year when she is finally found by the side of the road, she appears distressed and slightly bewildered. Unable to tell what has happened or who has tortured her the police are at a loss. Authorities later find a derelict slaughterhouse and every indication shows that Lucie has been held there for a long duration. Little evidence of sexual abuse makes police question the motives of the kidnapper, but without leads this case only becomes more bizarre over time (Trailer).

Release Date: March 24, 2009 (DVD, Canada).

Rating: Released for disturbing/severe aberrant behavior involving strong bloody violence, torture, child abuse and some nudity.

Director: Pascal Laugier.

Writer: Pascal Laugier.

Cast: Morjana Alaoui, Mylene Jampanoi, Catherine Begin, Robert Toupin, Patricia Tulasne, Juiette Gosselin, and Xavier Dolan-Tadros.

A trailer for "Martyrs," here (warning graphic, brutal and violent this trailer is suitable for 18+):



Sources:

Martyrs at IMDB

Martyrs at Traileraddict

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Advertise with 28 Days Later Analysis

Author/Michael Allen

28dayslateranalysis.com receives over 45,000 plus page views a month and the viewership is still growing!

28DLA.com has a Film Rank of 30 on Technorati (May 27th, 2011):

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As well, 28DLA has a reputation of 104 on Alexa and a global rank of 494,695 (May 27th, 2011):

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And over 26+ subscriptions through Feedburner.

28DLA.com is also associated with the IMDB Newsdesk:

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And the Trailer Addict Newsdesk.

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28DLA.com has over 230+ followers on Facebook (fan page):

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And 500+ followers on Twitter:

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With a Klout score of 45 (Twitter).

As well, this site covers several genres, but focuses on horror and thrillers. So, if you are an advertiser who seeks a targeted readership then this is the site for you.

Advertising transactions involving banners and text links begin at a $120 for 6 months:

And for a year at $200:

Promotional articles are charged a minimum $50 each and an article can be purchased here:

Promotional articles must contain at the lead of the article: "This is an advertisement for ____."

As well, Sponsored Tweets are available through Twitter at $20 with three separate announcements available in a package:

Obviously, advertisements cannot contain pornographic content or links to pornography, illegal material e.g. piracy, or any content that will violate Google's Terms of Service seen here:

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Finally, all advertising transactions come with either electronic or paper receipts depending on your preference, with every advertising transactions prepaid before posting. As well, 10% of all advertising revenue is donated to the Victoria Single Parent Resource Centre:

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Thanks for your interest in advertising on 28DLA,

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www.28dayslateranalysis.com
The Voice of Horror


Picture provided by:

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IFC Gains N. American Distribution Rights for Finish Film Sauna: News

Author/Michael Allen

The IFC has gained North American distribution rights for director Antti-Jussi Annila's "Sauna." A period piece the film has won seven Finish Film awards for the following; sound design, costume design, art direction and others. Not garnering a large audience "Sauna," needs a little more attention as this beautiful film releases on DVD possibly in March (Internet).

A short synopsis...

In the war-torn 16th century, two Finnish brothers seeking forgiveness for a crime they have committed encounter a demonic force in the wilderness (About).


Release Date: March 25, 2009 (Video-on-display in N. America, DVD to follow)

Rating: Unknown.

Director: Antti-Jussi Annila.

Writer: Iiro Kuttner.

Cast: Ville Virtanen, Tommi Eronen, Viktor Klimenko, Rain Tolk, Kari Ketonen, Sonja Petajajarvi, Vilhelmina Virkkunen, Taisto Reimaluoto, and Ismo Kallio.

A trailer for "Sauna," here:



Sources:

Sauna at About.com

Sauna at IMDB

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Long Weekend Remade: Movie Poster, News, and Trailer

Author/Michael Allen

A remake of 1978s "Long Weekend," has been shown at French film festivals this weekend. Unfortunately, a North American release date is unknown while the film travels to limited screenings. But possibly look for "Long Weekend," in major cites at the end of 2009.

A short, mysterious synopsis...

A suburban couple take a weekend vacation in the hopes of repairing their relationship. They set out to an isolated beach where they encounter nature's revenge (Internet).

Director: Jamie Blanks.

Writing: Everett De Roche.

Cast: James Caviezel, and Claudia Karvan.

A trailer for "Lost Weekend," here:



Sources:

Long Weekend at IMDB

Long Weekend at About Now

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Heart of Darkness and the Influence of Africa: An Analysis (Essay)

Author/Michael Allen

Heart of Darkness a film about colonial adventures set in the 19th century explores several themes including cultural African myths, the potential for madness in stressful environments, colonial pursuits in the African continent, and the Jungian psychological concept known as the shadow. Many other themes unfold within Heart of Darkness but writer and novelist Joseph Conrad's main focus is to tell an entertaining tale of how the psyche, under duress, can twist a person’s perceptions to such an extent as to cause insanity. Director Nicolas Roeg uses various techniques to clue the viewer in to this fact through central character Marlow (Tim Roth), a sea captain and ivory trader who is entering Kurtz's (John Malkovich) lair of madness near the end of the film. In order to enhance the theme of Africa's ability to turn some characters against themselves, character Kurtz is shown behaving in bizarre ways as Marlow finally reaches his final port of call in Africa's heart of darkness.

On the surface the story and plot of Heart of Darkness begins simply with Marlow, the recruit of a shipping company, making his way to Africa for a load of ivory, but on another level Marlow begins to question his own sanity as he experiences the mysteries of the African continent. The characterization of Marlow as an inquisitive, bold explorer shifts during the story as he travels up the Congo River in search of wealth. Taking part in new dangerous landscapes, hostage takings, and ambushes, from the locals and cohorts of Kurtz, the challenges the character Marlow changes his outlook upon himself and his mission.

In the film Marlow appears to Africanize during his journey. After one particular battle, that leaves his African companion Mfumu (Isaach De Bankole) dead, Marlow uses Mfumu's blood to paint his own face in a death mask similar to the hunters who pursue him and hamper his journey. As well, Marlow, in the same scene takes off his shoes and goes barefoot, similar to the African tribes in the picture. Also, Marlow's entire demeanour changes to a more primal state as he stares blankly into the forest, especially in the final scenes of the feature. Actor Tim Roth portrays Marlow with an understatement that is the mark of true, quality acting Roth's performance may make viewers question whether this sea captain is himself "going native," or losing his hold on sanity.

Director Roeg hints at the greed and brutality of colonialism, along with the theme of insanity throughout Heart of Darkness with the use of symbolism and character interaction. In the Free State of the Congo, during an opening sequence, an elephant can be seen in its final death throes as the animal's tusks have likely already been taken and this initial scene hints at the violence inherent in colonial ventures. Later, in the film several sequences involve Africans receiving poor treatment from white station managers in the form of beatings, imprisonment, or worse, death. The overt racist overtones of Conrad's writings come through in one specific scene where an African becomes scapegoated, by the colonials after a building, with provisions has been razed by fire. The beating takes places in retaliation for the sabotage of the warehouse and the implication is that the Africans have also sunk Marlow's ship, which is found by Marlow in the river. However, the likely suspect for the impairments to Marlow's mission is Gosse (James Fox,) (Meaning), the way station manager who wants to gain access to the deepest, most profitable ivory encampment at Marlow's expense (Meaning). The Africans become the target of Gosse after his mission fails and his inhuman treatment of the natives is a low point in the film.

Other plot lines and story developments revolve around Marlow battling cannibals in his journey up the Congo River to Kurtz's encampment; yet, the writing is continually building the myth of Kurtz as a genius in the ivory trade while developing an intensity in the film until Marlow and Kurtz finally confront each other. At the first colony, quarter master Harlequin (Morton Faldaas) states, when put to the test by Marlow that "There are rumours about him [Kurtz]." And "He [Kurtz] guards a mountain of ivory." (Heart) Harlequin then continues to state that Kurtz has lost touch and become foolish. During these early characterizations the story is foreshadowing an eventual showdown between antagonist and protagonist (Kurtz and Marlow).

The myth of Kurtz continues to build at the second station as manager Gosse states, "he is ill." Also, "[Kurtz] He is the greatest agent we have." And Marlow replies "You must be referring to Mr. Kurtz. I have heard no other name since I stood on African soil.“ (Heart)

When Marlow meets Kurtz, after traveling up the Congo this legend is more madman and savage than the way station managers describe; but, the first meeting seems anti-climactic as Marlow and Kurtz meet, and then come to an understanding instead of clashing on principles. Then, the story shifts in the final act and focuses on Kurtz's more primal urges of greed and brutality that rage out of control (Meaning). The setting of Kurtz's camp with human skulls, corpses, and primitive clothing hint at Kurtz's inability to manage his inner desires while transitioning the tone of the story into darker territory. Kurtz is a symbol of colonialism out of check and without constraints and Marlow the observer of such carnage. The outcome of pure primal desire is mostly death and destruction and the massive accumulation of wealth in ivory, which Kurtz surrounds himself in.

At the time in which this film is set Africa was known as the "Dark Continent," (Meaning) and the natives as apes and savages, to the colonials. Therefore, Conrad is subtly suggesting that Kurtz has fallen under the dark spell of Africa and lost his Europeanisms. Kurtz is essentially lost to the wilderness. Thus, Marlow's job is twofold; to retrieve the ivory from the central station and to relief, apprehend, or deal with Kurtz's character in any way that will reduce possible embarrassment to the shipping company (Meaning).

Clearly insane and possibly diseased Kurtz in his tattered clothing and rambling, speeches are in stark contrast to the previous managers, at the other way stations who maintain the European trappings of their previous home lives and distance themselves from African culture. Possibly, in an attempt by director Roeg or writer Conrad, the different dress, lifestyle and mannerisms between the inner way station captains and Kurtz show the two differing sides of colonialism. One side of colonialism involves the accumulation and display of wealth while a darker side, a more primitive side, being shown by Kurtz's character, involves the destruction of ancient civilizations for wealth and the loss of inner discipline. Kurtz represents the aspect of colonialism that many would prefer not to see.

During the climax or anti-climax, several character interactions between Marlow and Kurtz, the death of this central character, Kurtz and subsequent denouement of the story which includes Kurtz's wife (Candace Daly). Returning to the European setting Marlow addresses Kurtz's wife in the final scene and lies about Kurtz's final words. As Kurtz was dying he states, "The horror, the horror." But Marlow states that Kurtz's last words were, "Your name," (Heart).

In an attempt to protect the wife of Kurtz and her view of Europe and Kurtz's colonial work, Marlow gently misdirects her perspective in an attempt to keep her view of Kurtz in a positive, innocent light while allowing her to maintain her naiveté. The naiveté of women in "Heart of Darkness," who are given a very small role in the film is a running theme in Conrad's literary work. Often representing home life or superficial concerns women are only a symbol and a display of a man's success during the 18th century (Meaning). In the final shots of the film Roeg focuses the viewer's attention on the luxury of this young wife and her home. However, Kurtz's wife is not independent of the exploits of African territory as women in the 18th century, including Kurtz's wife play a complicit and passive role by enjoying the spoils of colonialism from Kurtz and the other European colonialists.

Other sub plots and African myths are given attention in Heart of Darkness and frame the setting of the film while explaining character motivations. Cannibalism is given reference to, in the film "Heart of Darkness," while Marlow drives his boat up the Congo. Marlow states "There are cannibals in that jungle (Heart)."

Within the 18th century instances of native Africans eating human flesh was common and the inclusion of this myth and cultural identity in Heart of Darkness hints at a
clash of culture between Europe and Africa and the concept of primitism (O'Farrell). Primitive, which is how the African culture, at the time was seen allows for the Europeans, in the story to dehumanize the Africans while exploiting their territory for resources and wealth. As well, the theme of exploitation is what drives the film and Marlow onwards towards Kurtz's encampment. At the final way station the many skulls and corpses hint at the possibility of cannibalism at the camp and the disregard for certain European taboos while heightening the darkness and brutality of Kurtz's character.

Finally, a theme, which relates to Carl Jung's psychological concept known as the shadow can be seen working in several of the characters within the film, but especially central characters Kurtz and Marlow. The shadow is an unconscious force, in the psyche that hides and represses all those feeling or motivations that are too much of a burden for the consciousness to bear (Fitz-Randolph). If these darker more primitive, basal needs and energies are overly repressed then they are manifested in inappropriate ways. Kurtz represses and denies his own shadow and in turn the Africans in the villages and communities, near his encampment suffer the consequences of his shadow's energy. Notice when Kurtz interacts with Marlow that there is no reference to his involvement in genocide or African atrocities despite the mountain of evidence, including African corpses at his encampment. In addition, Marlow who is more aware of his darker desires and therefore more capable of keeping them in check can see the shadow working within Kurtz. This madman casually kills animals without cause, kidnaps and indoctrinates children into murderers, and withholds the company's shipment of ivory. Kurtz cannot see his own inner shadow at work, but both Marlow and the viewer can.

Heart of Darkness written by Joseph Conrad, with a visual translation from director Nicolas Roeg delves into themes of colonialism, in the 18th century while displaying an entertaining tale of exploitation and the possibility of insanity in man under stress. The settings, characterizations, and acting help to create for an interesting, believable story as the films touches on relevant issues of madness and a life without constraint, or rules. Only briefly showing the African perspective within Heart of Darkness the film is about Europeans for Europeans. As well, over a hundred years old Heart of Darkness touches on themes that are relevant today and the film offers a complex, timeless tale of life and work in the deepest jungles of the African Congo.

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Behind the Scenes with Director Edward Anderson: Exclusive Interview

Author/Michael Allen

Edward Anderson is the writer of 2007s "Flawless," and now he takes the director's chair, for the first time in "Shuttle." Premiering at the "South by Southwest: Film Festival," in Austin, Texas. "Shuttle," will make a debut at select cities across America through March and April.

First off, thank-you Mr. Anderson for taking the time out to answer a few questions for fans of your films and the horror film genre. Outside of the premiere in Austin, Texas can you tell me in which select cities "Shuttle," will play in?

"Theatrically, it will be released in the U.S. in March -- Los Angeles, Chicago, Boston, Seattle, Minneapolis, and Denver. Then (to) DVD in April."

As well Anderson brings us up to date on the film's success in Europe.

"It's (Shuttle) also played some foreign festivals - including Germany's Fantasy Film Fest, and will open in London's Fright Fest next month."

Magnolia Releasing, the distributors are delivering the film, to stores through promotion company Magnet in April 7, 2009. Can you tell us the budget for the film? And can fans expect anything exciting from the DVD of "Shuttle?"

"...(The films) budget was under $3 million." And, "The DVD will include a behind-the-scenes look (from Shuttle), and deleted scenes."

Your crime/drama genre film "Flawless," was told from character Laura Quinn's (Demi Moore) first person narrative, can you tell us how the story unfolds in "Shuttle?"

"Hopefully, the film works on a couple levels. Straight, hardcore thrill-ride for some, clue-filled dark riddle for others. And without getting into spoiler territory, there's a contemporary context that grounds the story. It's somewhat inverted, although that's really the point..."

From horror film boards and forums there is an excitement building for the horror film "Shuttle," and from early reviews most everything, about the feature comes across as suspenseful and tense. But let's see what the audiences have to say as the film moves, possibly to a city in your area this March 6, 2009. Again, special thanks to Edward Anderson for taking the time off, from film work to partake in this online interview.

A theatrical trailer for "Shuttle," with movie poster here:

"Shuttle," movie poster and trailer.

Sources:

"Edward Anderson Director of Shuttle." Shuttle (2009): 26 February 2009

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Australia's Acolytes: Movie Poster, and Trailer

Author/Michael Allen

Australian director Jon Hewitt delivers a tantalizing tale that while complex looks to deliver thrills and chills. "Acolytes," has not received a North American distributor and seems to have made most of the rounds at film festivals. A DVD release or limited theatrical showing are both likely. See the first trailer and cast information here.

A synopsis...

A trio of teens, including two boys and a girl, stumble across what they believe to be the resolution of a classmate’s disappearance. An ex-convict and a strange fellow in a S.U.V. are part of the story the kids weave to explain the mystery. Instead of talking to the police, however, the boys naively try to leverage the situation to their own advantage. As the scheme inevitably falls apart, perceptions of who are the antagonists and protagonists shift until almost all of the characters are compromised (Twitch).

Release Date: North American unknown.

Rating: Restricted for violence and thematic elements.

Director: Jon Hewitt.

Writer(s): Shayne Armstrong, and Shane Krause.

Cast: Danny Baldwin, Holly Baldwin, Harley Bennick, Michael Dorman, Sue Dwyer, Joel Edgerton, Sebastian Gregory, and Isabella Heathcote.

A trailer for "Acolytes," here:



Sources:

Acolytes at Twitchfilm

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Wes Cravens' 25/8: Movie Stills, News, and Synopsis

Author/Michael Allen

Wes Craven is helming a new horror project known as "25/8." Revolving around the theme of evil and fighting off the forces of the dark 24 hours a day "25/8," will be hitting theatres in late 2009. Already working on his next project "Scream 4," Wes Craven has this feature in the post-production phase. Check out the full synopsis here and an additional movie still.

The synopsis...

In the sleepy town of Riverton, legend tells of a serial killer who swore he would return to murder the seven children born the night he died. Now, 16 years later, people are disappearing again. Has the psychopath been reincarnated as one of the seven teens, or did he survive the night he was left for dead? Only one of the kids knows the answer (Movies).

Adam “Bug,” Heller (Max Thieriot) was supposed to die on the bloody night his father went insane. Unaware of his dad’s terrifying crimes, he has been plagued by nightmares since he was a baby. But if "Bug," hopes to save his friends from the monster that’s returned, he must face an evil that won’t rest…until it finishes the job it began the day he was born (Movies).

Release Date: 2009.

Rating: Possible restricted.

Director: Wes Craven.

Writer(s): Wes Craven.

Cast: Max Theriot, John Magaro, Emily Meade, Nick Lashaway, Denzel Whitaker, Shareeka Epps, and Paulina Olszyinski

An additional movie still here:















Sources:

25/8 at Moviesonline

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The Haunting of Molly Hartley: Movie Review

Author/Michael Allen

Director: Mickey Liddell.

Writer(s): John Travis, and Rebecca Sonnenshine.

"The Haunting of Molly Hartley," is a tale about the supernatural, religion and the difficulties of adolescence. The story begins with a brutal, adrenalin filled action sequence that results in the death of two characters and then transitions ahead fifteen years later. Molly Hartley (Haley Bennett), who resembles the previous girl in the beginning of the film, slowly over time, reveals that her schizophrenic mother is delusional and believes that Molly is the devil incarnate. Already having survived one scissor attack, from her mother Molly has moved on with her life with Jane Hartley (Marin Hinkle) imprisoned in an insane asylum. Attempting to let go of the past Molly begins to experience schizophrenic symptoms, as well while her friends and family ask her to turn to God in order to stop the voices. However, God seems unable to relieve Molly's symptoms and the story takes a bizarre turn at this point, which is hard to describe. Let us say that the town, which Molly lives in supports witchcraft and the arcane while the youth would rather play with ouijia boards and chant at satanic rituals instead of playing football or partying.

The first two-thirds of "The Haunting of Molly Hartley," are actually well shot with an interesting story from first time director Mickey Liddell. The first action sequence in the film actually shifts in tone from calm to excitement and back again, until one gigantic car crash explodes on screen. Also, the pacing within the film seems to be slowly building towards an interesting climax, although somewhat slowly. Character interactions between Molly and Chace Crawford (Joseph Young) seem genuine while Joseph, as an actor seems a little too old to be playing a skirt chasing teen. And the film adds enough jump scares in the form of demonic witches, quick character introductions, and angry birds to keep things interesting. While the first two-thirds of the film get high marks for directing, storytelling, and acting the final third of the film, especially the climax and denouement, are like a literal kick in the teeth.

At the sixty minute mark "The Haunting of Molly Hartley," seems to force an ending; possibly, from studio pressure or financial constraints, this feature takes a nose dive into the bizarre and unforeseen. The character Molly, who is a religious doubter throughout most of the film begs for forgiveness and salvation after another scissor confrontation with her mother. Totally out of character Molly begins to act irrationally and inconsistently as she turns on her father, kills her mother, and seeks solace in a man she hardly knows. After a final confrontation, or character reveal Dr. Emerson (Nina Siemaszko), a minor character during most of the film takes center stage and reveals some very obtuse plans for Molly's characters. In what is the poorest closure for any film across genres the final scene changes tone, music, and story to insult anyone who was enjoying the film with a quick tack on ending. "The Haunting of Molly Hartley," seems to have changed directors or writers near the end of the film since nothing story-wise is explained.

Subtle plot lines including a jealous girlfriend, love interest for Molly and a religious nut, of a friend add enough complexity and realism to keep things interesting during most of the movie. Alexis (Shanna Collins) attempts to befriend Molly with a bible-thumping technique that would leave most people with a sour taste in their mouths. However, Alexis shows what a true friend is by attempting to drown Molly after a baptism. Also, Suzie (AnnaLynne McCord) makes life miserable for Molly by verbally harassing and then assaulting this mostly congenial, young girl. In a bitter test of wills, and during one of the few conflicting character interactions Molly breaks Suzie's arm in what could have been a longer, more intense fighting sequence. Joseph Young's character, Chace comes on pretty strong and presses Molly for a date, or hook-up while this seemingly innocent girl falls for his bravado and charm. Crawford seems comfortable in his position as the lady-killer; yet, the lack of lines and character development do not allow this actor room to show an evilness of personality, which could have given the ending some more breadth.

Finally, the music with this feature is often difficult to enjoy as some of the musical selections sound like claws on a chalkboard. Purposely, creating for an uncomfortable aural experience composer James T. Sale creates a musical soundtrack that is proper for a horror film. Often using up-beat rock ballads, that suit the atmosphere of a high school gathering or after hours party the music in the film fits in even as "The Haunting of Molly Hartley," falls flat on its face in the final act.

What can be said of "The Haunting of Molly Hartley?" Appearing to be a simple question this is in fact difficult to answer. If the film was cut at the sixty minute mark then this viewer/reviewer would feel less angry despite an inconclusive ending. Nonetheless, Mickey Liddell or some studio big-wig thought that ending the film with a scene, literally cut from another movie would pay off in a sequel while insulting viewers. The majority of this film gets high marks, possibly a six out of ten, but the final act of the film barely deserves a two out of ten. Using a little math this film averages out to roughly four and three quarters out of ten; yet the final ten minutes of the film is so bad that a four out of ten is the best this film will get from this reviewer. Watch this one on a quiet day and keep a pillow nearby, to punch as film studious laugh in your face for watching "The Haunting of Molly Hartley," from beginning to end.

4 Glaring Skulls out of 10.

For a full theatrical trailer visit here:

"The Haunting of Molly Hartley," trailer.

Sources:

Molly at IMDB

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...Of the Dead (Island of the Dead): News and Synopsis

Author/Michael Allen

"...Of the Dead," Romero's latest zombie, apocalypse, horror flick is possibly getting a name change. Rumours are stating that "Island of the Dead," might be the final title for the picture and this name seems more in line with the setting and plot of the feature. Have a first look at two of five movie stills from the film and an in-depth synopsis from "...Of the Dead," here...

The synopsis...

On a small island off North America's coast, the dead rise to menace the living. Yet, the islanders can't bring themselves to exterminate their loved ones despite the growing danger from those they once held dear. A rebel among them hunts down all the zombies he can find only to be banished from the island for assassinating his neighbors and friends (Upcoming).

On the mainland, bent on revenge, he encounters a small band of survivors in in search of an oasis on which to build a new life. Barely surviving an attack from a mass of ravenous flesh-eaters they commandeer a zombie-infested ferry and sail to the island. There, to their horror, they discover the locals have chained the dead inside their homes, pretending to live "normal" lives...with bloody consequences (Upcoming).

What ensues is a desperate struggle for survival and the answer to a question never posed in Romero's Dead films: Can the living ever live in peace with the dead?

Release Date: 2009

Rating: Unknown, likely a restricted.

Director: George A. Romero.

Writer: George A. Romero.

Cast: Alan Van Sprang, Kenneth Welsh, Kathleen Munroe, Devon Bostick, Richard Fitzpatrick, Stefano Colacitti, and Athena Karkanis.

An additional movie still below. For three more movie stills check out Upcoming Horror movies in the sources section:














Sources:

...Of the Dead at Upcominghorrormovies.com

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Shuttle: Movie Poster and Trailer

Author/Michael Allen

Early reviews of the film "Shuttle," seem to be promising and talk of the intense action. The plot, which revolves around a foursome returning from vacation and then encountering a serial killer might do the trick for horror fans with a limited theatrical release March 6, 2009 and a DVD release this April 7, 2009. See one of two posters for "Shuttle," here and view the full theatrical trailer inside.

First a brief synopsis for the film...

When Jules (Cameron Goodman) and Mel (Peyton List) return late at night from a ladies-only vacation, they find themselves at the airport on a rainy night that seems darker than usual. Wanting to get home but with limited options, they board an airport shuttle with a driver (Tony Curran), hoping for a safe and short ride (Bloody...).

Release Date: April 7, 2009.

Rating: Restricted for blood, gore, and sexual suggestiveness

Director: Edward Anderson.

Writer: Edward Anderson.

Cast: Peyton List, Cameron Goodman, Cullen Douglas, and Dave Power.

A trailer for this horror flick here:



Sources:

Shuttle at IMDB

Shuttle at Bloody Disgusting

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Walled In Traps Viewers in Their Seats: Movie Review

Author/Michael Allen

Director: Gilles Paquet-Brenner.

Writer(s): Serge Brussolo, Gilles Paquet-Brenner, Rodolphe Tissot, Olivier Volpi, and Sylvain White.

"Walled In," is a thriller about boyhood love and the potential madness of genius. Taking place primarily on one large set the obsessive love story takes a long time to generate any momentum. Cameron Bright plays Jimmy, a somewhat brilliant young adult who is maturing into manhood and beginning to come to terms with his desire for Mischa Barton as Sam. An overbearing mother complicates the story by subtly introducing an incestuous undertone that dements the boy's understanding of true love. And not wanting this pretty, youthful girl to leave him, this young man traps Sam in the center of the building that is more like a well than any type of housing infrastructure. The architect of this maze-like building, Malastraza is another unwilling prisoner of Jimmys who seems completely out of touch with reality as he rambles on through most of his scenes. A subtle misdirect from the writers makes the killer, in the film appear to be Malastraza when in fact the main antagonist is the child-like Jimmy.

A few plot devices that involve; ancient Egyptian structures, sacrifices and a small group of disgruntled tenants attempts to create some interest in the film. Opening "Walled In," with an action sequence and murder that transitions into the credits is the action highlight of the film and director Gilles Paquet-Brenner seems to forget about pacing or intensity through the rest of the film. The final climax, which surprises slightly and revolves around a very psychologically sick man begging for death, in order for him to re-enact some type of Pharaoh like entombing. But this additional sacrifice and death adds nothing to an already bizarre film. Malastraza's death does not create interest primarily because this character only gets an introduction in the last thirty minutes of "Walled In." Several other previous characters, who are not shown in "Walled In," become part of this architectural structure that looks to be more suitable for the moon than a barren prairie field.

Low in budget and sparse on creativity "Walled In," provides a very minimalist film that fails to entertain. Few viewers are likely to get through the first thirty minutes as characters develop agonizingly slowly and the origins of the building are given a short story for no apparent reason. Even at the halfway point, with the introduction of Peter (Noam Jenkins), Sam's boyfriend and a possible source of the previous murders, an elderly Afro-American the film just does not generate any excitement or rising tension. Only in the final act, within "Walled In," does any type of conflict begin between Jimmy and the object of his desire, Sam. Yet, by the time this tragic love story finally unfolds most viewers will be looking for the stop button or screaming at the screen.

Not suitable for the horror genre "Walled In," is a straight-to-DVD production that does not offer enough complexity of story or characters to make for an interesting watch. Possibly due to the difficulty of translating Serge Brussolo's novel to the cinematic sphere "Walled In," fails to capture the imagination or deliver interesting action sequences. If as a movie watcher you have an interest in architectural thrillers then check out Brussolo's novel "Les Emmures," and leave this film on video store shelves.

4 Eye Gouging Skulls out of 10.

A theatrical trailer for "Walled In," here:


Sources:

Walled In at IMDB

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[Rec] 2: News, Poster, and Trailer

Author/Michael Allen

Directors Juame Balaguero and Paco Plaza take the helm in this first sequel to Spain's successful "[Rec]." Staying in theme with the shaky handheld camera "[Rec] 2," will give a first person feel to a horrifying franchise. Also, filming in Barcelona, Spain the sequel hopes to capitalize on the box office grosses of the first film and while a release date is still in the works expect the United States to snatch up reproduction rights shortly after the film shows. For a teaser trailer look inside...

Release Date: Unknown.

Rating: Unknown.

Director(s): Jaume Balaguero, and Paco Plaza.

Writer(s): Jaume Balaguero, and Manu Diez.

Cast: Manuela Velasco, Leticia Dolera, and Juli Fabregas.

A trailer for the film:



Sources:

[Rec] 2 at Horrornews

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Hellraiser Remake 2011: News

Author/Michael Allen

Dimension Films is announcing a re-boot of the original "Hellraiser." From writer Clive Barker, one of the most devout horror writers a further announcement as Barker will pen the screenplay and act as producer on the project. Initially, hitting the big screens in 1987 the "Hellraiser," films are gathering cult status with a growing fan base. Whether this latest film will follow the previous story is unknown, but rumours are stating that the infamous Pinhead will return in this possible remake.

The first "Hellraiser," is an adaptation of Clive Barker's "Hellbound Heart," which is a short novella. Barker is also known for his contribution to the films "Candyman," "Lord of Illusions, and "Gods and Monsters." Still in the pre-production phase the details on this latest film are sparse, but a 2011 release date is the production goal. For more details visit movieweb.com below...

Release Date: 2011.

Rating: Unknown.

Director: Pascal Laugier.

Writer(s): Clive Barker, and Pascal Laugier.

Sources:

Hellraiser Article at Movieweb

Hellraiser Movie Poster at IMP

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Drive Thru AKA Hellaburger Sends Chills up the Spine: Movie Review

Author/Michael Allen

Director(s): Brendan Cowles, and Shane Kuhn.

Writer(s): Brendan Cowles, and Shane Kuhn.

"Drive Thru," also known as "Hellaburger," is a film from directors Brendan Cowles and Shane Kuhn that focuses on themes of revenge and family while balancing the use of comedy and horror. Few films manage to use the correct dose of both humour and blood to tell an entertaining story and "Drive Thru," makes a valiant attempt. But the lack of scares within the film and the tongue-in-cheek approach to horror filmmaking creates for a mostly comedic feature. Lots of small gags take place in "Drive Thru," and include; a fast food clown with the name Horny, several stereotypical characters who act as wiggers (caucasians acting as afro-americans), and one murder involving chains with a microwave are over-the-top funny. Also, the use of town names i.e. "Blanco Carne," and "San Guano," which loosely translate to White Meat and In Bat Shit make for a humourous ride through the imagination of both directors Brendan Cowles and Shane Kuhn. However, the overuse of sight gags and double-entendres takes away from the quality of horror, that might leave some wanting more scares.

Brendan Cowles and Shane Kuhn do not utilize their positions as directors to keep the visual aspects of the film interesting; yet the lighting, writing, and costumes make up for some of the lack in the directing department. The quick scene changes, within "Drive Thru," distract as the picture moves from central characters Mackenzie (Leighton Meester) and Fisher (Nicholas D'Agosto) to other cheesy characters Chase (Larry Campbell) and Crockers (Lola Glaudini) without warning. Do you see the joke in the second set of names? As well, there is no notice of transition from daytime to night sequences. Unsurprisingly, most of the action sequences take place in darkness and again, quick changes from daytime to nighttime and back and forth, occur without cueing the viewer to the upcoming switch. At some points Cowles and Kuhn do seem to shift between cameras as the visuals become grainier, especially during a high school chase scene that ends the life of the character Carrie (Buehler). Flashing lights in horror house rides and flaming protagonists add barely enough visual stimuli to make for an interesting viewing. And the excellent use of one-liners including the dialogue "you want my horn dog in your hot little buns!" from the killer slihjtly make up for the uninteresting visual display.

The plot and story revolve around Horny the Killer Clown and his attempt at vengeance on the sons and daughters of those who sent him to the other world. Of course, unbelievable this somewhat typical revenge story line does not give any closure to the film as the killer keeps on killing right into the credits. Yet, watching one of the more vicious impalers, dismember cast member after cast member while a rock soundtrack blares through the speakers is hard not to love. How can the character in the film defeat the supernatural? This is a question that often pops up in horror films and possibly why few horror plots ever really find any closure or come to a conclusive ending. But the story of a young man, Archie Benjamin (Van De La Plante) or Horny the Clown who was the victim of his own clumsiness and subsequent death will put most of the viewer's on the side of those on the run. Following some of the horror films of the past the only survivor of the film is a lone, young female while everyone else ends up being a shishkebob of some sort.

The musical soundtrack and sound effects from "Drive Thru," amplify the horrifying, energetic feel of the film. Mostly staying in a simple rock or heavy metal musical score, during action sequences then switching to an eerie, subtle composition while the characters interact. The music acts as a partner to the film rather than another villain. On the other hand, when the rock music begins the viewer might begin to clue in that an axe is about to come through a door or that a character might be exiting the film permanently. On the whole the music manages to stay in the horrific or comedic tones of the film.

From 2007 "Drive Thru," is one of the best horror, comedies to come out in that year and although the film skimps on the fear effect the one line quips make for a fun ride to hell and back. Keeping the directing techniques simple while the revenge story evolves "Drive Thru," is rarely boring and often a hilarious horror film watch. Go back a ways and find this one on DVD/Blu-ray and see one of the sickest, most blood-thirsty, killer clowns in horror film history.

5.5 Grinning Skulls out of 10.

A trailer for "Drive Thru (Hellaburger)," here:

Drive-Thru Trailer @ Yahoo! Video

Sources:

Drive Thru at IMDB

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Venom Goes Straight to the Heart: Movie Review

Author/Michael Allen

Director: Jim Gillespie

Writer(s): Flint Dillie, and John Zuur Platten.

"Venom," from 2005 is a smaller film that is rich in mystique and themes of voodoo. Taking place in the swamplands of the deep South "Venom," delves into the mystery of ancient curses that leave the dead with a lust for murder. Beginning with shots of murky water and a voodoo priestess "Venom," starts off with two separate stories, that converge into one when the Mambo priestess dies in a brutal car accident. After, the priestess succumbs to her wounds "Venom," transitions into the typical, formulaic group of twenty-somethings on the run from a serial killer. However, the consistent theme of witchcraft and voodoo, that runs through the film keeps the story interesting while the eerie sets and foggy environments create the horror atmosphere. Mostly, an unheard of film "Venom," adds enough murder and suspense to entertain.


A subtle love story between Eden (Agnes Bruckner) and Eric (Jonathan Jackson) adds an additional plot line, but the central story involves the escape of certain dark elements from the swamp. Not wasting any time "Venom," introduces the first action sequence, on a small bridge that leaves a tow truck driver with multiple snake bite wounds and a woman dead from head injuries. As well, a case of snakes, which house the souls of a vile group of murderers, is lost and thus the conflict arises in the story that does not see any resolution even in the final act. The love story between Eden and Eric is subtle while another, even smaller plot line involving an illegitimate son and his distant father make for a complex story. Only the unbelievability of the plot and story distract from the flow of the film, but a group of deadly vipers, who carry an ancient curse does create for an entertaining viewing.

The infamous Method Man from the now defunct Wu-Tang Clan makes an appearance as a local sheriff; however he does not stay around long while a core group of four to five young adults act as the primary characters within "Venom." The acting of a protective Eric for his ex-girlfriend Eden seems over-the-top heroic near the end of the film, but each of the characterizations in "Venom," seem appropriate. The use of cliches and stereotypes are kept to a minimum while Rick Cramer, as the tow truck driver is hell bent on killing for some mysterious dark Gods. Method Man appears in only a couple scenes and his very grisly death at the end of a tire iron is one of the best in the film. Few of the characters in "Venom," survive until the end of the film and some fans might be rooting for the villain as none of the acting or the characters are exceptional.

Director Jim Gillespie uses enough various types of shooting styles to keep things interesting while the lighting adds a dark, eerie tone to the film. The use of steadi-cams, tracking shots, and hand-held cameras tell the story of one girl fighting back against this possessed killer. The camera shots inside a Southern mansion stand out as the best while the main characters look to whip up some voodoo spells to counter the evil of the tow truck driver. Mostly candle-lit the scenes inside the mansion are darkly atmospheric as moonlight shines in through open windows. As Sawyer (Cramer) waits outside, unable to enter due to a voodoo spell, the lighting hides the character's face. Gillespie, thankfully keeps the extreme close-ups to a minimum and shows a flair for action sequences, especially those involving garot-style deaths.

The story, directing style, and pacing during a screening of "Venom," are each well done; only the characters within the film, who are given little to no dimension detract from the flow of the film. See this one on DVD/Blu-ray as the film has not been in theatres for several years now. Worth a watch and a fun time throughout "Venom," captures the viewer's imagination and does not let go much like the killer in the film.

6 Rotting Skulls out of 10.

A trailer for "Venom," here:



Sources:

Venom Poster at IMP

Venom at IMDB

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Zone of the Dead: Movie Poster and Trailer

Author/Michael Allen

Ken Foree, from George A. Romero's original "Dawn of the Dead," stars in this latest zombie genre horror flick and "Zone of the Dead," looks to delve into the campy side of the genre. Shot in Serbia, "Zone of the Dead," pays homage to the undead films of the past with references to Tom Savini in the trailer. See the first trailer and unofficial movie poster here.

A synopsis...

A police-escorted prisoner transport supervised by Interpol sets off to Belgrade. The route leads the transport through Pancevo, where they encounter an ecological disaster and infected people who are trying to kill them. Interpol agents Mortimer Reyes and Mina Milius soon realize that their only chance for escape from the zombie hordes lies in allying with the dangerous, mysterious prisoner.

Release Date: February 22, 2009.

Rating: Unknown.

Director: Milan Konjevic, and Milan Todorovic.

Writer(s): Vukota Brajovic, and Milan Konjevic.

Cast: Ken Foree, Kristina Klebe, Emilio Roso, Miodrag Krstovic, Vukota Brajovic, and Bojan Dimitrijevic.

A trailer for "Zone of the Dead," here:


Sources:

Inglourious Basterds at IMDB

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Inglourious Basterds: Three Movie Poster Set and Trailer

Author/Michael Allen

Quentin Tarantino's latest WW II flick "Inglourious Basterds," is releasing three movie posters and a movie trailer. A slight stretch to include the film in the horror category "Inglourious Basterds," from the promotional material looks to be a bloody, violent ride through German-occupied France. See the first trailer for the film along with the best of the three movie posters here (Horror).

During World War II a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers (Internet).


Release Date: August 21, 2009.

Rating: Unknown.

Director: Quentin Tarantino.

Writer(s): Quentin Tarantino.

Cast: Brad Pitt, Diane Kruger, Melanie Laurent, Eli Roth, Samm Levine, and B.J. Novak.

Trailer for "Inglourious Basterds," here:



Two movie poster alternates for "Inglourious Basterds," here:

"Inglourious Basterds," movie posters.

Sources:

Inglourious Basterds at IMDB

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Blood River: Movie Poster and Second Trailer

Author/Michael Allen

Adam Mason is helming his third movie feature and this time the horror takes place in the deserts of Los Angeles. "Blood River," stars Andrew Howard and the story that takes place in the 60's deals with themes of isolation and new life. Recently shown at the Toronto International Film Festival "Blood River," is receiving critical praise and the second trailer with synopsis can be seen here...

The synopsis...

It’s 1969 and Clark and Summer are happily married and she’s pregnant. We first meet Summer and Clark as they are driving across California on their way to Arizona to tell Summer’s parents the good news about the pregnancy. They drive across the seemingly never ending and desolate desert landscape - they have a blow out. It’s a nasty one that sends the car into a massive, near fatal crash. They crawl out of it, hurt but alive, Summer terrified for the well being of her unborn child. The nearest place on the map is the uninviting sounding town of Blood River where they meet a mysterious stranger, Joseph. The clash between Joseph and Clark reaches fever pitch and drives our characters ever closer to a violent, destructive and shocking conclusion that will chill you to the bone (Twitch).

Blood River is a twisted, manipulative trip into a world of extremes where people are rarely who they seem, where everyone has a secret and where few, if any, will survive (Twitch).

Release Date: 2009.

Rating: Restricted for gore, violence, and sexual suggestiveness.

Director: Adam Mason.

Writer(s): Simon Boyes, and Adam Mason.

Cast: Andrew Howard, Tess Panzer, Ian Duncan, and Sarah Essex.

A trailer for "Blood River," here:



Sources:

Blood River at Trailer

Blood River at TwitchFilm

Blood River at IMDB

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The Thaw: Movie Poster, and Theatrical Trailer

Author/Michael Allen

Filmed around and throughout magnificent British Columbia the "The Thaw," movie poster and trailer have arrived. Tackling subjects involving extinction, biology and family loyalty "The Thaw," looks to creep viewers out through the use of horrifying visual imagery. From the creators of "Fido," this film seems to be a re-imaging of another classic horror movie "The Thing," and with stellar cinematography "The Thaw," can be seen, possibly in 2009. A full theatrical trailer and plot summary are here and a warning, the summary contains some spoilers.

A plot summary here...

Evelyn has always had a volatile relationship with her father, Dr. David Kruipen, a world-renowned expert in climate change. When Dr. Kruipen discovers the carcass of a woolly mammoth in a melting polar ice cap, he arranges for Evelyn to travel with a group of ecology students to his remote Arctic research station and celebrate the discovery that will draw attention to his life-long cause – creating awareness and promoting real change amid the global warming crisis. Though skeptical that any kind of change is possible, Evelyn reluctantly agrees to go (Trailer).

When they arrive, the students discover the research station abandoned. As they confront the possibility that Kruipen and the other scientists are dead, they discover that a deadly prehistoric parasite, dormant inside the mammoth for thousands of years, has been released (Trailer).

Facing a potentially global epidemic, Evelyn and the three students must destroy the parasites before they reach the rest of civilization. One-by-one the students are infected and one-by-one they turn against each other. At the darkest moment, Dr. Kruipen returns wounded but alive, restoring order to the station. With growing horror, Evelyn discovers her father’s true activist intentions: to infect himself with the parasite and unleash it upon civilization. Evelyn is left with one final choice – allow her father to leave or end his act of tyranny by killing him (Trailer).

Rating: Restricted for violence, gore, language, and sexuality.

Director: Mark A. Lewis.

Writer(s): Mark A. Lewis, and Michael Lewis.

Cast: Martha MacIsaac, Val Kilmer, Aaron Ashmore, Kyle Schmid, Steph Song, Viv Leacock, Anne Marie DeLuise, Sebastian Gacki, and Alejandro Rae.

A full theatrical trailer for "The Thaw," here:



Sources:

The Thaw at Traileraddict

The Thaw at IMDB

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Infestation Infects with Laughter: Movie Poster, Synopsis, and Trailer

Author/Michael Allen

"Infestation," has been picked up by Mel Gibson's production company, Icon for distribution and while a specific release date has not been provided the first trailer for the film has been passed out. As well, whether the film will see theatres remains in debate, but the distributors are pushing for a theatrical release. See the first trailer and second movie poster here.

Our hero, Cooper, awakes to find himself nauseous, weak and covered in webbing, hanging from the ceiling of an office where, just minutes ago, he started his new job. As he struggles out of his slimy prison he comes face to face with his opponent - a grotesque, powerful and very angry bug. All 3 ft of it (Trailer).

And so begins a hideous, nail-biting, comedic, all-action adventure to find a safe haven while constantly outwitting an infestation of monstrous proportions. As Cooper embarks on his journey, he befriends a ragtag group of survivors including Sara, a feisty attractive female. Although the situation is dire, Cooper can’t help himself from trying to solve his dating problem while trying to save his life (Trailer).

Will they make it to safety before they are picked off one by one? And what other surprises are in store for our group of unlikely heroes?

Release Date: 2009.

Rating: for violence, language and brief nudity.

Director: Kyle Rankin.

Writer: Kyle Rankin.

Cast: Diane Gaeta, Deborah Geffner, VJ Kewl, Bru Muller, Brooke Nevin, Kinsey Packard, Linda Park and Efram Potelle.

A hilarious trailer for "Infestation," here:



Sources:

Infestation at Traileraddict

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Silent Night, Zombie Night: Exclusive Interview with Sean Cain

Author/Michael Allen

Arsoncuff Entertainment and Velvet Hammer Films brings us a new zombie, Christmas-themed, horror film known as "Silent Night, Zombie Night," possibly in 2009. Sean Cain has taken time out from his post-production schedule for an exclusive interview that can be found here...

Can you tell us a little about the plot of "Silent Night, Zombie Night," and how the story unfolds?

"The plot revolves around three survivors - L.A.P.D. Officer Frank Talbot his wife and partner of 15 years. They are all on the verge of fracturing and are forced back together because of the zombie epidemic. So, they not only have to figure out how to survive, but deal with the fact that both men are in love with the same woman."

Did you manage to get all of your shots in the twelve day shoot schedule or were there re-shoots?

"We had a couple of set backs. An actor got ran over while riding his scooter to set and had to have surgery and the crew started to get sick so we used our last day to wrap up everything we missed the previous 11 days. There had been a pick up day already built into the schedule so I knew the other sequence we missed could be picked up then."

Are there any similar themes between "Naked Beneath the Water," your previous film and your latest "Silent Night, Zombie Night?" Or are they two stand alone pictures?

"'Naked,' dealt with the effects of a violent reality TV show on a deranged mind. And how far someone might go to become famous.

'Silent Night, Zombie Night,' is a straight up action horror that uses zombies as a way to trap our heroes into coming to terms with their personal bullshit."

Wes Laurie, the producer from the film also tells me that Sean Cain is both the director and producer for the upcoming film "Breath of Hate," which is the next project for Velvet Hammer Films and ArsonCuff Entertainment.

Thank-you very much Sean, for the interview and best of luck on your next project "Breath of Hate," and special thanks to Wes Laurie for facilitating the interview. Here is the current film information from "Silent Night, Zombie Night," and an additional movie still from the production.

Director: Sean Cain.

Writer: Sean Cain.

Cast: Jack Forcinito, Andy Hopper, Nadine Stenovitch, Lew Temple, Vernon Wells, and Felissa Rose.

That is a lot of blood!














Sources:

Arsoncuffentertainment Homepage

Silent Night, Zombie Night Official Homepage

Velvethammerfilms Homepage

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