The Objective Reaches its Goal

Author/Michael Allen

Afghanistan, November 2001. Two months after the attacks on the World Trade Center. A highly trained Special Forces team is sent into the Afghanistan desert to make contact with a man known as "Mohammed Aban". Instead they find something else...something that even their elite training hasn't prepared them for.

From the acclaimed director of The Blair Witch Project, The Objective, follows Ben Keynes (Jonas Ball), a CIA operative allegedly sent to pave the way for success in the war in Afghanistan. Part covert military operation, part personal journey, Ben leads his assigned team into one of the most uninhabitable and isolated regions on the planet.

As the situation rapidly begins to disintegrate, each member of the team finds themselves asking the same question: Who is the real enemy (Traileraddict)?

Rating: Restricted for violence, some gore, and language.

Release Date: April 24, 2008.

Starring: Jonas Ball, Matthew R. Anderson, Jon Huertas, Michael C. Williams, Sam Hunter, Jeff Prewett, Kenny Taylor, and Chems-Eddine Zinoune.

Director: Daniel Myrick.

Writer(s): Daniel Myrick, and Mark A. Patton.

"The Objective," is a film from director Daniel Myrick, the creator of "The Blair Witch Project," and the story of supernatural goings on in the Afghanistan desert is original while the characterizations and setting add believability. The mostly amateur cast of actors portray an elite special-operation unit sent to reconnoitre a radiation signal in the middle of Taliban occupied Afghanistan. Jonas Ball as Benjamin Keynes and Matthew R. Anderson as Warrant Officer Wally Hamer particularly stand out in their acting ability and their conflicting personalities create believability in the story. As well, the appearance of locals, wearing authentic Afghanistan, tribal clothing delivers contrast to a mostly western cast. The long shots of deserts, mountain ranges and local villages create a visually spectacular environment that heightens the realism of the story. Medium shots of the caravan moving into valleys with heat waves hovering above the ground stand out as especially brilliant to watch.


The plot develops linearly and although the source of the mystical desert disturbance seems strange and unlikely the story develops at a moderate pace without any major plot holes. "The Objective," feels similar to other films like "Heart of Darkness," or Coppola's version "Apocalypse Now," with several European explorers delving into the heart of an ancient, mostly unknown culture. However, within "The Objective," the bloodshed is kept to a minimal in order to focus primarily on the mysteries residing in the Afghanistan desert. The only minor drawback to the storytelling of the picture is in the ending that while spiritual in nature is left with an open conclusion for to viewers to interpret; although, hinting at the outcome of Jonas Ball's character, the supernatural theme, that acts as an undercurrent to the entire film does open up more questions than answers in the final act. While the ending might disappoint some viewers the story is constantly pushing towards a climactic revelation, which delivers director Daniel Myrick somewhat subtle message effectively. Sometimes other cultures require appreciation, investigation rather than simply death, destruction and annhiliation.

The lighting in the film changes from very bright daylight shots to almost complete darkness during many of the encounters with the strange glowing force in the desert. Director Myrick adds blue lighting, and sometimes orange to some early village scenes that alludes to the western character's transition from reality to a more supernatural environment. The use of early morning lighting hints at the approach of dawn and demonstrates the director's ability for fluid time changes. Several dark action sequences add contrast to a mostly bright film. As well, the bright orbs that make their appearance randomly throughout the movie intensify the visual experience of the film and heighten the suspense. The final encounter between the main character and the "Vermonas," is shot in almost complete bright light and while overwhelming at first the lighting ends the film with a flourish.

Director Myrick uses a lot of close-up shots to show the character's expressions while adding long and medium shots to highlight the beauty of the Moroccan deserts. Morocco, from a viewer's perspective effectively portrays the landscape of Afghanistan while Myrick's quick scene changes slightly distracts from the appreciation of the film. Myrick does not hint at scene changes, instead the camera quickly moves from character to character and scene to scene with little transition. Fading in and out with blackness or unfocusing the camera to indicate a scene change would have made the film more watchable. However, Myrick uses night vision cameras and steady revolving shots to create an interesting cinemascape that grounds the viewer in the very dry desert world of Afghanistan. Finally, the use of a shaky camera to tell the story, similar to the style in "The Blair Witch Project," puts the viewer in the middle of the action, but at times the technique comes across as amateurish. Apparently shooting in the desert with a low budget does not allow for steadi-cams or tracking shots; yet, none of these directing techniques detract overly from the viewing of the film.

"The Objective," is one of the best supernatural stories to come out of 2008 and the moderate pacing of the film along with a climactic ending make "The Objective," a very enjoyable film watch. Mostly staying in line with the thriller genre with some gory bits thrown in this film will likely entertain even the most die-hard horror film fans. Check this one out on DVD as "The Objective," is unlikely to receive a North American film release date.

7 Laughing Skulls out of 10

A trailer for "The Objective," here:



Sources:

The Objective at Traileraddict

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Carriers Looks to Infect Horror Film Fans

Author/Michael Allen

The first trailer for "Carriers," with a mid-2009 release date...

A deadly virus has spread across the globe. Contagion is everywhere, no one is safe and no one can be trusted. Four young attractive people race through the back roads of the American West to the pounding beat of a vacation soundtrack. Their aim is to retreat to secluded utopian beach in the Gulf of Mexico, where they could peacefully wait out the pandemic and survive the apocalyptic disease. "Carriers," follow their getaway through a surreal and dangerous world where laws and rules no longer apply. Their plans take a grim turn when their car breaks down on an isolated road starting a chain of events that will seal the fate of each of them in an inexorable and horrifying voyage of hell through a western landscape populated by only the hideous dead or the twisted living. Their desperate retreat south turns into a deadly battle against infected children, homicidal doctors, crazed survivalists, rabid dogs, and, finally each other. The virus is the least of their problems as horrible choices must be made in the face of lost humanity (Teaser-trailer).


Rating: PG-13 for violence, disturbing content and language.

Cast: Josh Berry, Jeremy Burnell, Brighid Fleming, Lou Taylor Pucci, Kiernan Shipka, Emily Van Camp, and Stacy Marie Warden.

Director: Alex Pastor and David Pastor.

Writers: Alex Pastor, and David Pastor.

A trailer for "Carriers," here:

'Carriers' Movie Trailer @ Yahoo! Video

Sources:

Carriers at IMDB

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Ghost Town Goes the Short Distance

Author/Michael Allen

After a botched train robbery, Clyde, the leader of the group decides that his men should hide out in an abandoned town they come across. While hiding out in the town, strange events start to happen that puts a chill up their spines. After Donnie, the youngest of the group, dies from a gun shot wound, his body disappears, making the travelers feel that they are no longer alone in this town. When Noah, Donnie's brother, goes searching for him, other forces and 'people' start to appear throughout the town (Internet).

Release Date: Spring 2006.

Rating: Restricted for violence, gore, and sexual suggestiveness.

Cast: Bill Elverman, Shan Applegate, David Blume, Danielle Dearing, and Will Ferguson.

Director: Tai Logsdon.

Writer: Tai Logsdon.

Composer: Trevor Mckay Smith.


Short, independent film "Ghost Town," delivers a believable ghost story set in the Wild West through the use of subtle lighting and realistic sets. Taking place within one town and primarily within one set this film utilizes the environment effectively through the use of distant lighting. "Ghost Town," appropriately takes place entirely at night, and a full moon acts as the only source of light. Casting long shots, and heightening the tension within "Ghost Town," the light source adds a somewhat bluish tinge to a mostly shadowy movie piece. As well, the shots of barns, saloons, and hotels each come across as being truly Western and set the cowboy mood.

Much of the acting, and dialogue serve to propel the story along and thankfully all of the actors get their characterizations just right. Shan Applegate as Donny especially stands out as he utilizes a Southern twang to heighten the rural feel of the picture. Each character interaction serves a purpose and the bond that the characters share, within the film comes across while watching the film. Possibly, friends outside of filmmaking each character shows empathy while delivering their lines on cue. Only one instance where a character interacts with a ghostly whore does the believability of the film slightly diminish as the character would rather interact with the spectre rather than looking for the exit. Overall, the acting of the film is well done especially for a mostly amateur cast.

Director and writer Tai Logsdon uses several different camera techniques to keep the visual scenery interesting while keeping the shots on the short end of the scale. Logsdon uses a back up technique, with his camera to cue viewers in to an upcoming scene change, and alters the height of his shots frequently to keep the pacing enjoyably quick. Sometimes the camera is set low to accentuate the profiles of the bank robbers, within the film, and sometimes overhead to allow for the introductions of ghostly apparitions. Logsdon also uses a revolving camera technique, near the end of the film that seems slightly out of place, but the story resolves itself effectively with a final shot of all three characters together. The length of scene times in many of the acts seems on the short end of the spectrum as the director pushes the action ever onward. A little more character interaction and a focus on individual scenes could have given the characters more dimension while increasing the depth of the story.

Overall, "Ghost Town," is an enjoyable, sometimes thrilling ride through a dark Mid-West cow town. Although, short on run time Logsdon does a great job of telling an original ghost story that will entertain most viewers.

"Ghost Town," can be seen at two locations:

http://www.eyesoda.com/film/93

and,

http://www.imdb.com/title/tt0863077/

A trailer of "Ghost Town," here:



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Fritt Vilt 2 (Cold Prey 2) Teaser Trailer

Author/Michael Allen

The first teaser trailer for "Fritt Vilt, (Cold Prey)" has hit the web and the trailer realistically sells the film...

The story will pick up where the first one left off: The winter of 2006 five young friends met a brutal death in the Jotunheimen mountain range of Norway. Only a young woman survived. Cold and weak Jannicke struggles her way back to civilization. In the small local hospital the personnel are going through their daily routines. But then the bloody and beaten young woman is brought in. Later Jannicke wakes up in her hospital bed. But the hospital is darkened and not a living soul is in sight. Alone she carefully steps out into the corridors. Is her nightmare just beginning (bloody-disgusting)?

Rating: Unknown.

Release Date: October 10, 2008.

Cast: Ingrid Bolso Berdal, Marthe Snorresdotter Rovik, Mats Eldoen, Kim Wifladt, and Robert Follin.

Director: Mats Stenberg.

Writers: Roar Uthaug, and Martin Sundland.



Sources:

Fritt Vilt at Bloody-Disgusting

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Black Waters Change to Red

Author/Michael Allen

While on vacation in Northern Australia, Gracie, her husband Adam, and her younger sister Lee decide to take the Blackwater Barry tour in the swamp for fishing. Their guide Jim uses a small motor boat and takes the tourists along the river to a remote fishing spot. When they stop, the foursome come under attack from a huge crocodile that capsizes their boat and immediately kills Jim. The three survivors climb a tree and when they realize that no help will be coming, they decide to try to find a way out of their location. However, this man-eater wants more than a snack and will not give up until he dines on all four travellers (Internet).

Release Date: February 19, 2008.

Rating: Rated R for terror/violence and language.

Starring: Diana Glenn, Maeve Dermody, Andy Rodoreda, Ben Oxenbould, and Fiona Press.

Directors: David Nerlich and Andrew Traucki

Writers: David Nerlich, and Andrew Traucki.

Composer: Rafael May.

"Black Water," is a film from Australia that puts the fear into an already horrifying film with the correct use of music, and natural locations. The swampy backwoods of the Australian outback are the backdrop to the film and act as an isolator of the four characters within the environment. The natural setting is given emphasis through shots of the wilderness at medium distance and longer shots of characters living uncomfortably in the brush. Also, the use of music in "Black Water," matches the mood of the characters, subtly and the soundtrack keeps in sync with the picture throughout. Starting off with light tones initially the soundtrack shifts to more sombre melodies as the plot moves into more tense territory. The sometimes mysterious, eerie musical choices hint at the direction the story intends to take and creates an overall intensity in the film.

"Black Water," primarily focuses on three actors, each of whom are relatively unknown to North American viewers, and the characterizations are done with the believable use of emotional expression. Early in "Dark Water," the primary emotion of the characters seems to be happiness; however, later in the story the characters display mostly fear as a hungry crocodile diminishes the cast through brutal water attacks. The director has chosen unknown actors probably to focus on the story and writing of the film while making it seem like the situation, within the picture could happen to anyone. Only some slightly bizarre behaviours from a couple of the actors creates for a laughable watch as the actors scream for help at inopportune times, and seem to be laughing during intense arguments. Overall, the acting within "Black Water," comes across as believable and helps keep the story flowing at a moderate pace.

Some of the best scenes within the film occur at night as the lighting slowly diminishes from a somewhat overly bright film. Several shots involving lightning and light reflecting off of an enormous crocodile really amp up the tension in the film, but director Nerlich under uses the darkness, and instead keeps the picture primarily in very bright sunlight. Using a few shots of a natural sunset to cue the viewer in to the oncoming presence of night, the director uses long and medium shots to allow for scene changes. If the crocodile could have been put in a few more shadows to disguise the predator the suspense within "Black Water," would have been much higher.

Director David Nerlich uses several different shooting styles to display "Black Water," in a creative way that manages to entertain. Mostly using close-ups of the characters, in order to show facial expressions Nerlich switches up the pacing of the film by using medium shots to fully bring to life the natural environment. As well, the director shifts to underwater photography in order to emphasize the threat of this water predator. Nerlich also skims across the water with a High Definition camera to place the viewership in the role of an angry crocodile. The varying types of shots heighten the visual aspects of the picture and enhance the central setting of the Australian swampland.

The sound effects are on cue while the plot, which is unlikely to occur comes across as somewhat enjoyable. The likelihood of a man eating crocodile that does not get his fill from a 170 pound corpse slightly takes away from the picture; yet, the plot does unfold in a logical, linear fashion with the primary focus of the story on the surviving characters. Some early introductory scenes showing the reason for a crocodile acquiring a taste for human flesh could have given "Black Water," more believability. The snapping of jaws, rustling of the boat, and splashing of water each come across at the right time and with the right amount of volume. No dubbing is apparent in the film and the sound effects add to the realism of the film.

"Black Water," is a small, Australian, horror film that could have been given a few more early surprises initially, but the film is very watchable and oftentimes intensely suspenseful. Focusing on a small cast of characters in a natural outdoor environment, the film is a fun watch for thriller movie fans. Gore is almost entirely absent, but writer Andrew Traucki tells the tale of "Black Water," through a terrifying, claustrophobic lens that will entertain most horror fans.

5.5 Teethy Skulls out of 10.

A trailer for "Black Water," here:



Sources:

Black Water at IMDB

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Hybrids Rule the Parking Garage (100th post!)

Author/Michael Allen

The latest trailer and movie poster for the upcoming killer car movie "Hybrid,"...

The trailer for Hybrid. Late one night, a mysterious car is brought into the Chicago police impound garage after a deadly traffic accident. The garage's female mechanic, Tilda, and her young, hip fellow mechanics soon discover the car has a mind of its own, it morphs into different cars to confuse them and instead of needing an engine to run, it breathes. It's a killing machine that is capable of outrunning and outwitting humans. In a high-octane fight to the death, it's our group of determined humans versus the car in this supernatural action-adventure in the vein of Stephen King's Christine and Transformers (traileraddict).

For fun check out the microphone boom in the upper left hand corner at the twenty-two second mark:



Sources:

Hybrid at TrailerAddict.com

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Brittany Murphy Returns to Horror in Deadline

Author/Michael Allen

A release of the first trailer for "Deadline,"...

Alice, 32, a writer recovering from a psychological breakdown retreats to a remote Victorian house to convalesce and focus on completing her screenplay in time for a fast approaching deadline. Shortly after her arrival, mysterious noises and strange happenings cause her imagination to run wild, sending her on a twisting and terrifying pursuit to find out what is behind the endless mind games. Frightened, but intrigued Alice gathers the courage to go down into the cold, dingy basement where she finds a shoe box filled with mini-dv tapes (Traileraddict).

Release Date: Spring, 2009.



Sources:

Deadline at TrailerAddict.com

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Donkey Punch Under Delivers

Author/Michael Allen

After meeting at a nightclub in a Mediterranean resort, seven young adults decide to continue partying aboard a luxury yacht in the middle of the ocean. But when one of them dies in a freak accident, the others argue about what to do, which leads to a ruthless fight for survival (Internet).

Rating: Rated R for a scene of strong sexual content involving an aberrant violent act, graphic nudity, violence, language and drug use.

Release Date: January 23, 2009.

Starring: Robert Boulter, Sian Breckin, Tom Burke, Nichola Burley, Julian Morris, Jay Taylor, and Jaime Winstone.

Director: Oliver Blackburn.

Writers: Oliver Blackburn, and David Bloom.

Composer: François-Eudes Chanfrault.

"Donkey Punch," is a film from the United Kingdom that follows seven travellers who are out for a good time, but instead find themselves in the middle of a murder. The plot line within "Donkey Punch," is overly linear with the group of twenty-somethings moving from club, to beach, to boat, to sex and then murder with little character or story development. Most of the conversations revolve around drugs and sexual positions, early in the film and turn to survival and maintaining reputation later. There is very little substance to the picture as the characters act in a bizarre fashion the whole time, and it is difficult to empathize with any of the characters in the film. Each character is simply out for themselves once the murder takes place and the film's story seems to go downhill from there.

The whole picture takes place within a twenty-four hour period while the bright lighting, early in the film highlights the party, happy atmosphere and later the dark emphasizes the horror. The simplistic use of a shaky camera is an attempt to make the viewer feel as if they are part of the party and the technique works slightly, but few people would want to associate with these mostly stupid characters or actors. The darkness later in the film does keep the horror tone going while the characters fight over the outcome of their dead friend. However, the shallowness of the two-dimensional characters cannot be given any help from the lighting or poor directing effects.

The music within "Donkey Punch," is light and stays with the party atmosphere of the travellers initially and then completely disappears halfway through. The picture uses several different dance songs to keep the energy up until the middle of the film; after some plot developments involving death and sex the music is completely absent. The songs in the beginning of the film actually stay in tone with the development of the story and while varying in intensity the use of music continually through the picture could have given this film a boost. Unfortunately, this does not happen.

The directing style of Oliver Blackburn is average as most of the shots do not stray very far from extreme close ups or straight scene cuts, only a few long distance shots of the yacht add any contrast. There are no breaks in the scene changes as the director moves from shot to shot and character to character with blinding speed. Overtime the dizzying scene changes blur the vision and break up the story of the film. More fade in and outs to black could have made the picture more watchable or focusing in and out, instead the constant edits seem to attack the senses.

"Donkey Punch," does not give the actors much substance to work with and the lack of a well written script means the believability of the characters and any motivations are missing. Would girls really get on a boat with some guys they have met for an hour? Would a man really punch a girl during sex? And would people actually try to cover up a murder rather than contacting authorities? No, no, and no and the incomprehensible behaviour of the characters within "Donkey Punch," is very distracting. Only the relationship between two brothers comes off as believable in a few scenes. Thankfully, the ending comes in early at a reasonably short ninety minutes.

Overall, "Donkey Punch," is a very disappointing film and a difficult watch. Despite a couple of creative death sequences midway in this film is not rewatchable and only slightly deserving of a first time watch, if free. Save yourself time, money, and a boring experience and rent or download other more original horror flicks as this piece is completely forgettable.

4 Laughing Skulls out of 10.

A trailer for this underachieving horror film:




Sources:

Donkey Punch at IMDB

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Bone Dry a Horrifying Adventure Through Death Valley

Author/Michael Allen

Eddie, a family man and traveller finds himself on the wrong side of a gun in the desolate Mojave Desert. An anonymous killer who stalks, then terrorizes his prey puts this seemingly innocent man through a gruelling series of tests that few could survive. Yet, sometimes people's cruel intentions serve a purpose (Internet).

Rating: Restricted for violence and language.

Release Date: Winter 2007.

Starring: Luke Goss, Lance Henriksen, Tommy Lister, Dee Wallace, and Jennifer Siebel.

Director: Brett A. Hart.

Writers: Brett A. Hart, and Jeff O'Brien.

Musical Composition: Scott Glasgow.

"Bone Dry," is a low production picture, that while more thriller than horror manages to weave an interesting story of survival, torture and revenge. Two men pit themselves against each other in a test of wills where the desert will determine the winner. The story of "Bone Dry," is mostly linear with the imaginative scenes of a beautiful women swimming in a pool contrasting the otherwise dry, hostile environment of the Mojave desert. The mysterious, principal antagonist, the hunter (Lance Henriksen) is a truly cold-blooded outdoorsman who appears to be both a wilderness survivalist and serial killer. Devoid of any back story the anonymity of both killer and hunted add two interesting characterizations to a mostly brutal torture story.

Unfortunately, the music within the picture stands out a little too much and is overly loud. The musical composition from Scott Glasgow, although, adding several different cultural elements from Africa to South America, the soundtrack seems out of synch with the developing story. Very unsubtle and forefront within "Bone Dry," the music distracts from the enjoyment of the film.

The acting of Lance Henriksen who is a film veteran of several different genres seems very capable in his role of a mysterious killer. On the other hand, amateur actor, Luke Goss starts off as unbelievable and constantly seems to be off his mark throughout the picture. Henriksen balances hatred, and mystery in his character of a solitary hunter who preys on human travellers. With a quiet confidence Henriksen delivers dialogue and physical acting with an understatement that is in the tradition of quality acting. However, Goss repeatedly delivers the same lines over and over. Whether in the story or not Goss acts in an unbelievable fashion including one scene where his character wears a dark, black jacket in the middle of the desert. Also, this character rarely sweats in one of the harshest environments on the planet the Mojave Desert. Fortunately, On the whole the acting does not overly distract from the quality of the picture.

Brett A. Hart has a very discernable directing style with many open shots of the natural environment which utilizes black fade in and out cuts with a linear storytelling structure. Early in the film many of the shots of the desert involve slow tracking shots and distant slow pans of moving vehicles. As the film progresses more static shots take place along with frequent close-ups as the character's personalities come in to focus. Dusk, dawn, and nighttime sequences help to keep the story continuous while hinting at the time frame. The cinematography of the film is beautiful and almost speaks for itself, but director Hart knows how to draw even more life out of the cinemascape with the use of digital photography. The landscape shots within "Bone Dry," are some of the most stunning within film.

Finally, the believability of the script and plotlines within "Bone Dry," while on the unlikely side of the spectrum create for a very watchable film that keeps its focus on the two interesting, principal characters. An early sequence involving Eddie and a water bottle seems unbelievably stupid as the character seems to fully trust a serial killer which breaks the bubble of realism; however, most of the scenes including potential death traps and chase sequences keep the focus on the outcome of the scenes rather than the unbelievability of the situation. Even Henriksen with his human flaws and pointless hatred for another man seems real and the man versus man plot really keeps the pace of the film flowing ever onward. Few plot holes develop within the picture. "Bone Dry," and the story manages to stay logical while only hitting a few road bumps in the form of mysterious motivations within the characters.

"Bone Dry," is a high recommend as the picture basically sells itself with the use of beautiful cinemascapes, some experienced acting, and an enjoyable, frenetic storytelling pace. Although, on the low production side of movie making, this mostly unheard of thriller really delivers the goods and will satisfy most horror/thriller fans out for something original and cinematical.

6.5 Dusty Skulls out of 10.

A preview of "Bone Dry:"



Sources:

Bone Dry at IMDB

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B-Movie Against the Dark Slightly Surprises

Author/Michael Allen

A disease breaks out in cities across the world and quickly civilization crumbles as those with the infection look to make meals out of others who are immune. In small clusters groups of hunters band together to increase their chances of survival while the growing number of infected terrorize those without any form of protection. And when terror is around every corner only the strong survive.

Release Date: February 10, 2009.

Rating: Restricted for gore, horror violence, and some drug use.

Starring: Steven Seagal, Tanoai Reed, Jenna Harrison, Danny Midwinter, Emma Catherwood, Stephen Hagan, Daniel Percival, Skye Bennett, Linden Ashby, and Keith David.

Director: Richard Crudo.

Writer: Mathew Klickstein.

Steven Seagal makes his way back to film in "Against the Dark," and this time the story revolves around an infection that turns people into blood-thirsty killers. Known for his martial arts skills Seagal switches to katanas and other blades to slice-and-dice anything in his way. Very little back story is given as to why the infection came into existence, instead the film focuses on a small group of survivors on the run from disease ridden ghouls. Seagal seems in his element within "After the Dark," as in typical Seagal style he keeps the dialogue to a minimum and the action forefront.

Starting off with a brief narrative involving the end of known civilization "Against the Dark," seems to qualify for the zombie movie genre as it is similar in theme to the "Dawn of the Dead," "Automaton Transfusion," films. Maintaining a level of suspense with a great deal of blood and gore initially, this film amps up the action in the second act as Segal and his group of hunters makes contact with a group of survivors. Definitely not shying away from a restricted rating the action scenes include; dead bodies being strung up, intestines littering floors, and several people being eaten alive. "Against the Dark," could have kept the use of the narrative throughout the film to deepen the plot, but instead director Richard Crudo chose to tell the story through the eyes of several different characters. While watering down the film with so many central characters "Against the Dark," manages to keep the intensity up by adding several brutal action sequences.

The costumes in the film, while not standing out highlight Seagal as the principal actor within "Against the Dark." Most of the characters scuttle around the halls in drab outfits, and others in rags while Segal pops out slightly in his shiny leather jacket with blades coming out of many different sheaths. Several of the other hunters in Segal's group are similarly dressed, but not as brilliantly as Seagal. However, the costumes within the picture mostly suit the characters in the roles that they are portraying.

"Against the Dark," is on the lower end of budgets production-wise, and the relatively small $9,000,000 allowance shows in the low production of the picture. Three quarters of the film takes place within one set involving a hospital and the lighting within a few of the scenes is quite dim. At certain points the darkness really fits in with the tone of the film and during others it is very hard to see what is actually happening. Two scenes really stand out as being poorly lit; one involves a helicopter landing in a field that occurs in almost total darkness, and another early, scene where Segal dispatches several infectious ghasts in a darkly lit alleyway where viewer's will have to rely on sound more than the visuals. Also, one continuity error really stands out twenty minutes into the picture where several characters take a break, to eat, and one female cast member magically appears then disappears and even switches position during this short scene. Still "Against the Dark," is cleverly made with the small budget that was provided, but it can be seen why this film was sent straight-to-DVD rather than theatres in the production value.

The music is slightly average, the acting from some characters is stiff, and the sound effects are slightly overdone, but the film still remains watchable. The musical score within "Against the Dark," seems to be original and might be more appropriate for an action picture; yet, thankfully the soundtrack does not distract from viewing the film and slightly amplifies the intensity of certain scenes. In some early sequences the delivery of some of the dialogue, within the film comes across as a little awkward as the actors seem uncomfortable with their parts. Many of the actors in the film are amateurs with the exception of Steven Seagal and Keith David. The acting will not blow viewers away and might even make some laugh; however the acting overall comes across as believable. The sounds of flashing lights, equipment clattering, and even footsteps appears to be on the loud side of the, but nothing seems to be completely out of sync. Thankfully, all of the flaws within "Against the Dark," are only minor and the film, if taken lightly can be enjoyable.

"Against the Dark," is not ground breaking nor does it reinvent the horror genre; this film simply sets out to be a gory, slightly imaginative adrenalin pump for horror film fans. Offering a few thrills "Against the Dark," is entertaining enough for a rental, but go in with low expectations to avoid disappointment.

5.5 Biting Skulls out of 10.

A trailer for "Against the Dark:"



Sources:

Against the Dark at IMDB

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Amusement Scarier Than Your Average Carnival Ride

Author/Michael Allen

Three female friends are the target of a creepy stalker who looks to settle some past grievances. Centering around some peculiar events in childhood all of the characters reunite in an old derelict building, and some might not realize the danger they are in until it is too late to escape.

Rating Restricted for horror violence, terror and disturbing images.

Release Date: January 20, 2009.

Starring: Katheryn Winnick, Jessica Lucas, Laura Breckenridge, Preston Bailey, and Brennan Bailey.

Director: John Simpson.

Writer: Jake Wade Wall.

After a three month wait "Amusement," is finally here...

"Amusement," was given a release date of April 25, 2008, then September 12, 2008, and finally December 26, 2008, but now this straight-to-DVD feature is out in video stores. "Amusement," because it was meant for theatres the film has high production values, at least one solid actor (Kevin Gage), and a plot line revolving around revenge. Unsure of the quality of the film, now defunct Picturehouse distributors has chosen to send "Amusement," straight-to-DVD rather than take the chance of putting this picture in theatres. Horror genre pieces rarely showcase A-list actors and the uncertainty of box office returns often means that horror picture only see video stores rather than theatres. "Amusement," is another horror picture that while well-written, with interesting characters is seen as not good enough for the big screen.

A mostly amateur group of actors makes up the cast of "Amusement," with the exception of Kevin Gage, who is a semi truck driver slash hired thug. The film seems to break itself into four parts with Laura Breckenridge the central character in part one, Katheryn Winnick the third, and Jessica Lucas the third. All the three characters, with the addition of fourth unravel the last act. Although, the characters in "Amusement," are mostly televisions actors/actresses the quality of acting is above average for a straight-to-DVD horror flick. The portrayal of "Laugh," the serial killer in the picture is especially well done as the villain takes on various roles throughout the film to terrorize several other characters in the film.

The soundtrack for "Amusement," is lyricless, but definitely on the upbeat side of the musical scare scale as initially the film seems to be an action feature. As the film transitions into other quieter scenes the musical score keeps pace and synchronizes with the rest of the film. The picture really comes across as a high production piece and the music, along with sound effects are well done.

"Laugh," who seems to step out of a carnival and into the primary role of stalker or villain is given a nice slow build-up in "Amusement," as the sinisterness of the character comes through. An initial interesting action scene that develops into a tension building second act creates for a roller coaster ride type film. Starting off with a jolt, "Amusement," begins to climb the first hill, and then barrels full force through twists, turns in the middle and end portions of the track. All the while villain "Laugh," will have viewers screaming or laughing depending on your mood.

One element that really stands out in the film is the very creative set environments that appear late in the picture. "Laugh's," lair appears huge with multiple rooms, floors and torture chambers. However, for a character who has spent most of his life in a psychiatric asylum the reason for "Laugh," owning massive expanses of real estate is not really given an explanation. Yet, the use of underground mazes during the final act really amp up the suspense in the film and helps deliver one of the best showdowns in recent horror filmmaking history. The dark sets and building designs really do set a terrifying mood within "Amusement."

Full of chase scenes, raging thunder, and gory deaths "Amusement," is an excellent example of quality horror filmmaking. Creepy enough to keep things interesting while not overdoing the blood "Amusement," really must be seen by horror film fans. Very few flaws within the film, except for the slightly short duration means that "Amusement," gets a very high recommend and must be seen for yourself..."It is funny right?"

7.5 Laughing Skulls out of 10.

A trailer to whet your appetite:



Sources:

Amusement at IMDB

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My Bloody Valentine 3-D A Deadly Blind Date

Author/Michael Allen

Ten years ago the Valentine Night Massacre led to the death of twenty-two people in small town America. Now, Tom Henniger (Jensen Ackles) returns to the scene of devastation while coming to terms with the loss of his friends, but the town is not entirely happy to see Tom return. With a new series of murders coincidentally beginning upon his arrival Tom becomes the sole suspect and this time he will not be able to turn his back on those he cares for. As the body count rises and tensions mount, the time for redemption or revenge is in Tom's hands.


Rating: Restricted for graphic brutal horror violence and grisly images throughout, some strong sexuality, graphic nudity and language.

Release Date: January 16, 2009.

Starring: Jensen Ackles, Jaime King, Kerr Smith, Betsy Rue, Edi Gathegi, Tom Atkins, and Kevin Tighe.

Director: Patrick Lussier.

Writers: Todd Farmer, and Zane Smith.

The use of three dimensional effects have not been a part of cinema for over twenty years, with IMAX the exception, but now it is back and better than ever in 2009. During "My Bloody Valentine 3-D," the audience will experience large pickaxes, flying bullets and tree limbs coming out of the screen and into your lap. At times the effect seems gimmicky as the story forces the occurrence of projectiles moving through the air and other times the three dimensional effects hit it just right. When you see the film you will know when the effect works; the mesmerizing visuals are sometimes jaw-dropping, literally.

Writers Tom Farver and Zane Smith keep the pace up throughout "My Bloody Valentine 3-D," right until the end when it appears that a miner, with grievances will take on a whole town. Right from the beginning the story starts off with a woman on the run from a mysterious figure, behind a breathing mask who seems to delight in wrecking other people's good time. The start to the movie is explosive and the film does not back down from creating a suspenseful horror flick that is simply out to horrify and be fun. At times the dialogue or introduction of characters into scenes comes off as slightly campy, but the delivery of lines in each scene is generating intensity for the final climactic act.

The plot of this horror film is somewhat conventional with Tom Hanniger returning to his hometown in order to heal some past misgivings at the hands of a bloody serial killer. "My Bloody Valentine 3-D," mostly centres on the character of Tom Hanniger, with Sarah and Axel Palmer supporting. Adding enough smaller characters to keep the story complex and creating enough diverging plotlines to keep things tight "My Bloody Valentine 3-D," does a good job of keeping the killer's identity mysterious while piquing viewer's curiousity. Instead of going for a closed box Hollywood ending the film slightly steps it up by leaving the ending open for a sequel. Some of the most successful film franchises come from the horror genre and "My Bloody Valentine 3-D," might be trying to capitalize on future returns by delivering a plot twist that slightly disappoints.

Lighting, environments, and music are all spot on, only the overacting of certain characters distracts from an otherwise excellent horror film. Many of the scenes within "My Bloody Valentine 3-D," take place in darkly lit mine shafts or the interiors of houses, at night and the overall tone feels like a thriller while showing enough gore to entertain horror fans. The music in the film is subtle enough while picking up the pace slightly during action sequences. On the other hand, the musical score of "My Bloody Valentine 3-D," could have been much more eerie in order to build up further tension. The acting of Jaimie King comes off as pretentious and somewhat naive while Kerr Smith, appearing to take his role of a small time sheriff a little too seriously displays some awkwardness. The rest of the actors including veterans; Tom Atkins and Kevin Tighe play their smaller parts well; Jensen Ackles, could have taken a darker approach to his character, in order to truly deliver a role of someone who is struggling with the trauma of past brutal events but the portrayal is still good.

Overall "My Bloody Valentine 3-D," delivers an entertaining ride through dark alleys, mine shafts and the evil minds of writers Todd Farmer and Zane Smith. Slightly on the lighter side of the horror genre this film develops enough jump scares, with the help of three dimensional effects to deliver a fun and fast 101 minutes. See this one with a friend and laugh out loud when a 20' branch comes screaming at your head (and try not to duck)!

6 Mesmerizing Skulls out of 10.

A trailer for "My Bloody Valentine 3-D," here:



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My Bloody Valentine 3-D at IMDB

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Alive or Dead Shoot on Sight

Author/Michael Allen

On a desolate road, an abandoned school bus with the words 'HELP ME' written on a window, Maria stops to check it out. A killer has left his bloody crime scene in the back. The killer comes back and takes Maria for a ride to a desert location. But is the killer really her enemy or is it someone, or something else (Internet)?

Rating: Rated R for horror violence, language and some sexual content.

Release Date: Winter 2008.

Starring: Ann Henson, Angelica May, Gretchen Busenitz, Thomas Crnkovich, Diego De Vargas, L. Flint Esquera, and Masao Kitamura.

Director: Stephen Goetsch.

Writer: Stephen Goetsch.

"Alive or Dead," is a real test of patience as almost nothing interesting happens in the film until the forty minute mark. Starting off with some comedy and transitioning into a captivity story, this very low budget feature is drearily boring. There is very little conflict between characters until the midway point and with some of the characters entirely mute, the story really focuses on two female characters who might need to revisit acting school. Two red flags early in the film include; no hook to draw audiences in early, and the reliance on sexuality to entertain rather than the story means "Alive or Dead," is going to be a difficult watch with lots of plotholes.

The second act of the film involves two comely females and a silent hillbilly wandering through an interesting set as if giving the viewer a tour of the premises. The castle or fortress set is good to look at for about thirty seconds, but after ten minutes of pointless dialogue, zero character development, and long camera shots of the cinema environment the anger begins to set in as many viewers might find themselves feeling slightly foolish for giving this film a shot. Some forgiveness can be given to the writer and director of this flick as it seems they were given some pocket change to make "Alive or Dead," but please develop some type of story in the first or second acts or you will lose most of your audience.

After reaching the middle the film the premise turns into a chase sequence with a group of cannibals looking to make a soup out of human body parts. This type of a story has been done before and better in films like "The Texas Chainsaw Massacre," "The Texas Chainsaw Massacre: The Beginning," and "Frontier(s)." For the love of God if you are going to rehash some old material pay homage to the material that came before or make it better at least. There is very little that stands out positively in "Alive or Dead," except for the fact that the film is over in a brief ninety-two minutes.

Initially boring, then shifting to a slightly terrifying cannibal horror flick "Alive or Dead," is a disappointing venture into the independent, horror genre. Please do the world a favour and burn any copies of this film wherever found.

2 Festering Skulls ouf of 10.

Trailer: Thankfully, none available to burn your eyes.

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Alive or Dead at IMDB

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The Best of Slipknot's All Hope is Gone 2008 Album: Psychosocial

Author/Michael Allen

Psychosocial - Slipknot

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Shrooms Might Scare Audiences to Death

Author/Michael Allen

A group of lifetime friends hook-up with their Irish friend Jake for a hallucinogenic trip through the Emerald Isles. Not wasting any time these six friends begin trying some of the natural psychedelics including "Death Head," mushrooms, which soon foretell visions of drownings, and brutality at the hands of a sadistic killer for one sensitive user. Not ever truly sure of what is real and what is a construct of the imagination this group of twenty-somethings find themselves mistrusting each other and their own senses as more and more people become victims of a dark-robed killer.

Rating: Restricted for some gore, bloody violence, and sexual suggestiveness.

Release Date: February 1, 2008.

Starring: Lindsey Haun, Jack Huston, Max Kasch, Maya Hazen, Alice Greczyn, and Robert Hoffman.

Director: Paddy Breathnach

Writer: Pearse Elliott.

"Shrooms," melds hallucinogens with psychopathic killers, in a mostly foggy environment and the outcome is something original, but not without flaws. Set in the back woods of Ireland most of the characters spend their time looking hypnotically at talking cows, mysterious shapes, and natural jellies. The killer in the film is mostly in black and grotesquely disfigured, moving in and out of the darkness the killer seems to delight in the psychological torture of his victims until the time is right to snuff one out. The special effects in "Shrooms," are on the low budget side of the scale, but the use of significant amounts of fog creates enough creepiness in the film to keep things mysterious. As well, the distortion of audio and visuals allows for some ambiguity as to whether the story is a bad trip on mushrooms or an actual life and death situation.

The main plot of "Shrooms," revolves around a 19th century boy's reform school where torture, murder, and sadism where commonplace, but now the ancestors of the school seem to be taking out their mistreatment on some innocent campers. Using grainy flashbacks and hallucinations the story develops mainly through the character Holly, who after taking several "death-head," mushrooms is able to see into the future and the murders of several of her friends. Not really able to save her friends Holly mostly adds to the supernatural element of the film that is already strong throughout the film. The inclusion of some Gaelic hunters seems to distract from the story or create a pause in the action, yet when the chips are down "Shrooms," is really a story of survival.

Shifting in lighting from daylight to nighttime then back and forth "Shrooms," really could have kept the entire picture in darker environments to increase the overall creepiness of the film. The best ghost stories seem to take place in the darkness where the imagination of the mind can really flow. Yet, each scene is front and center without darkness or much mystery and the lightness of the film dispels the possibility of some scares. However, "Shrooms," keeps the intensity up by isolating each of the characters in forests, and old run down buildings; so, the suspense is there but it could have been greater with the inclusion of darker environments.

The acting of the film is done by a mostly amateur cast, no big names here, and the delivery of dialogue and physical acting are done with believability. There is little dialogue in the second half of "Shrooms," with most of the campers in the story crying out, trembling, or receiving the sharp end of a knife. The focus of the acting is on the physical and while the film does not require Shakespearean acting, more dialogue in the second half of the film could have made the characterizations a little more sharp. Only the portrayal of Jack Huston as an Irish adventurer and guide stands out as exemplary.

"Shrooms," delivers enough gore, suspense and scares to entertain and makes this film very watchable. However, "Shrooms," holds back on many of the death scenes with several of these pieces occurring off screen. And the premise of six twenty-somethings having a bad trip in the backwoods of Ireland seems somewhat simplistic, but the overall feel of the film gives this reviewer confidence in a recommend.

6 Fungi Looking Skulls out of 10.

A trailer for this very fine, horror flick:




Sources:

Shrooms at IMDB

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Farmhouse Sends Viewers Straight to Hell

Author/Michael Allen

A young couple on the run from extortionists wind up at a country farmhouse after their vehicle breaks down. After meeting a welcoming couple and enjoying some hospitality events takes a brutal turn as the owners of the farmhouse look to make Scarlet and Chad's stay permanent. Sometimes dying once is not enough for the souls of the damned.

Rating: Restricted for gore, violence and scenes of torture.

Release Date: December, 2008.

Starring: Jamie Anne Allman, Flynn Beck, Ryan Coughlin, Jack Donner, Nick Heyman, Henry Hudson, William Lee Scott and Kelly Hu.

Director: George Bessudo.

Writers: Daniel P. Coughlin.

Using a back story and flashbacks "Farmhouse," drifts back and forth between the past and present while delivering an interesting story of a couple on the run. William Lee Scott plays the father of a handicapped child and Jamie Anne Allman the mother; both actors deliver a performance rich in distress and anger at their situation. The story presents the struggles in dealing with a child who will never be normal or healthy and how a young couple chooses to cope with the situation. Slowly as the film progresses the actual environment in which the characters are attempting to get away from is given a reveal. In the "Farmhouse," the flashbacks actually work and breathe new energy into a sometimes brutally horrific cinema watching experience.

The original score from Mark Petrie delivers a tone seemingly from ancient times as a woman's voice wails in low tones while string instruments fade in and out with the sound effects of the film. It is continually amazing how an original score can really amplify the intensity of a film and offer a one two punch as long as the story holds its own. In the "Farmhouse," both the musical composition and sometimes haunting visuals act as a team to create a harmonizing visual and aural experience. Never taking center stage, but heightening near the end of the film the score really adds its own personality to the "Farmhouse."

Adding one of the most brutal torture scenes in recent movie history the "Farmhouse," does not shy from the gore or violence, yet the focus of the film is in delivering a tense, suspenseful story full of character insights. Steven Weber delivers a fine performance as Samael who seems to delight in the misfortunes of others while stalking, drowning, and basically tormenting other characters in the film. As well, Kelly Hu takes center stage and her characters brutal disfigurement of another female, with help from a cheese grater is almost completely unwatchable. However, each of the torture scenes is moving towards a frightening and shocking plot twist that few if any viewers might expect.

Supernatural elements of hell, the afterlife, and consequences of actions are the main themes of this slightly serious film. Leaving the interpretation of right and wrong, and really when are judgements this clear, up to the viewer the fate of the central couple seems unjust, but not without some merit. The sudden shift in the last fifth of the film from a country house to the gates of hell, full of demons really gives the "Farmhouse," bonus points for originality. Staying within a mostly man versus man plotline the surprise ending of a couple attempting to save themselves from a life of damnation adds an unlikely, yet devilish little twist at the end of the film.

Mostly unheard of supernatural, torture flick the "Farmhouse," will fully satiate horror fans with tales of extortion, and the (im)possibility of redemption. Starting off soft then immersing the viewer into the often times sick imagination of writer Daniel P. Coughlin, the "Farmhouse," is a cinema treat that must be seen. Enjoyable, surprising, and believable the "Farmhouse," can be found now at local movie stores as this film was given a late 2008 release date.

7 Burning Skulls out of 10.

A trailer for this non-standard horror, thriller:



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Farmhouse at IMDB

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Tread on Hallowed Ground and You Might be Next to Die

Author/Michael Allen

A small town of country hicks find themselves worshipping a strange God, the scareccrow. After following the prophecies of an ancient priest these towns' people need new blood to bring the scarecrow back to life. Sacrificing dozens on pikes and looking for a female to give birth to a new God, one woman must take on a whole town in a bid for survival (Internet).


Release Date: October 9, 2007.

Rating: Restricted for violence, gore and sexuality.

Starring: Jaimie Alexander, Brian Mcnamara, Ethan Phillips, Chloe Moretz, Ned Vaughn, Jim Cody Williams, Nick Chinlund, Hudson Leick, and Dan Warner.

Director: David Benullo.

Writer: David Benullo.

A straight-to-DVD release "Hallowed Ground," is a non-typical tale about legends and myths from ancient farmers. Taking place in acres of cornfields and resembling the horror classic "Children of the Corn," this film utilizes the scary vision of the scarecrow as a relentless, unstoppable, and sometmes horny killer to shock viewers. Followng a non-traditional religion, which requires the deaths of outsiders "Hallowed Grounds," uses archetypes of the female hero, priest, and cult followers to tell a horrifying tale of death and religion. Light on cliches and focusing on the terror of the central female lead Jamie Alexander, this film adds a twist to the usual slasher flicks.

Heavy on the gore, and maintaining an intensity throughout this somewhat predictable film uses unique antagonists i.e. scarecrows and crows to weave a tale from the heartlands of middle America. As the female protagonist, who is found too unpure to birth a new line of acolytes, unwinds the plans of the scarecrow and his loyal followers the end can already be foretold, but the addition of the supernatural and dozens of victims on stakes makes "Hallowed Ground," entertaining enough. Although, light on any over-the-top scares there are enough twists and turns to keep the film interesting. As well, the deaths of several cultists by pillow suffocation, pitchfork impalements, and crow attacks might make viewers laugh, but this film keeps the intensity up.

The writing of "Hallowed Ground," might leave some wanting a little more surprises, yet the absence of any major plot holes means that this film stands out from others in the horror genre. It seems that the female protagonist outdoing a whole town of cultists might seem unbelievable, but with some help from the supernatural the writing smooths things over. In "Haute Tension," and "Halloween," the female lead also takes on the male villain and wins; this is also the case in "Hallowed Ground." Maybe, slightly formulaic and cliched the less strong female character taking on multitudes of male villains seems overdone and unlikely, but sometimes an even bigger cliche of the male lead acting as the hero can be even more predictable.

So, with a good story, fear inducing villains and a story taken from ancient myths "Hallowed Grounds," surprisingly delivers a tight, mostly original horror film that must be see. Fun throughout with some suspense "Hallowed Ground," shows what a horror can be, despite a low budget. It seems realstic expectations from writers and directors often translates into a watchable horror film; therefore, viewers must do their part and find this one on DVD/Ble-Ray/Netflix to help continue production of low budget, independent, horror flicks.

6.5 Ghoulish Skulls out of 10.

A trailer for "Hallowed Ground," here:



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Hallowed Ground at IMDB

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The Poughkeepsie Tapes Might be Best Left on Video Store Shelves

Author/Michael Allen

The "Waterstreet Butcher," disguises himself as a police officer and preys on the local women in the neighbourhood, mostly hookers. While going about his grisly deeds this anonymous killer videotapes each and every victim before he tortures, murders, and then rapes his victims. A fan of necrophilia the "Waterstreet Butcher," becomes one of the most gruesome killers in history and the subject of a gruesome documentary.

Rating: Restricted for sadistic violence and torture, including terror and graphic descriptions.

Release Date: January 2, 2009.

Starring: Stacy Chbosky, Ben Messmer, Samantha Robson, Ivar Brogger, Lou George, Amy Lyndon, Ron Harper, and Kim Kenny.

Director: John Erick Dowdle.

Writers: Drew Dowdle, and John Erick Dowdle.

*Forewarning here be spoilers*

The pseudo-documentary "Poughkeepsie Tapes," uses an unsteady camera and sometimes a handheld camera to tell the fictitious tale of the "Waterstreet Butcher." Much of the acting in this film comes across as laughable with characters standing in front of various shaky cameras in tears, shock, or anger and immediately most viewers will recognize the lack of genuineness. Low budget and independent, initially until receiving a pick up from MGM distributors the "Poughkeepsie Tales," is receiving a wide release, but the quality of the film is low grade horror. Slightly similar to other shaky camera films i.e. "The Blair Witch Project," and less so "Cloverfield," the only time this film really works is when the killer torments several of his victims in a remote basement, all while the camera rolls.

The "Poughkeepsie Tapes," attempts to come across as horror, yet the poor acting, low quality filming, and lack of any effects make the film seem amateurish and comical. Where the film attempts to seem scary or suspenseful many viewers might find themselve laughing at the seriousness of the film. Possibly, some rehearsal for the actors might have given the film a higher quality feel plus a focus more on the killer and his handheld camera, which generate the few scares in the film could have been beneficial. Also, reducing the comedic outtakes of actors talking as if in a documentary while adding darker lighting could really have given this film more of a boost. Finally, a more haunting musical score could have given the "Poughkeepsie Tapes," a more haunting tone or appeal; the whimsical, light notes of the soundtrack really do not suit a horror film.

A very middle of the road horror flick that attempts to make itself appear as a documentary comes across somewhat poorly. Made by a second time writer and director this film seems to be a testing of the waters for John Erick and Drew Dowdle. The idea for the "Poughkeepsie Tales," comes across as creative, it is the execution that seems to slightly fail. With no jump out of your seat scares and a very low level of suspense throughout, the film is difficult to recommend; on the other hand, the "Poughkeepsie Tapes," is not a complete write-off and might be a starting point for writers John Erick and Drew Dowdle to produce more quality horror pictures.

5 Screaming Skulls out of 10.

"Poughkeepsie Tapes," trailer:



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The Poughkeepsie Tapes at IMDB

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7eventy 5ive Remakes the Slasher Flick

Author/Michael Allen

Several collegiates take a break from studying after finishing finals at the prestigious University of Dreyskill. "The Crew," manages to get an invite to one of the most popular parties in town and at one of the largest mansions in Colorado things seem idyllic. Unfortunately after a practical joke goes wrong a crazy stalker shows up to crash the party (Internet).


Not knowing when a joke is a joke a black dressed man goes from room to room axing those in the midst of extracurricular activities. Screams fill the house the few remaining members of "The Crew," gather together to fend of this man's vicious attacks. But how does this maniacal killer manage to be in so many places at just the right time (Internet)?

Rating: Restricted for pervasive strong bloody violence, language, sexual content and some drug use.

Release Date: August 24, 2007.

Starring: Brian Hooks, Jud Tylor, Cherie Johnson, German Legarreta, Antwon Tanner, Wil Horneff, Aimee Garcia, Rutger Hauer, and Denyce Lawton.

Directors: Brian Hooks and Deon Taylor.

Writers: Brian Hooks, and Vashon Nutt.

*Contains Spoilers*

A fairly decent action horror flick, "7eventy 5ive," pays tribute to those horror films that have come before including several slasher flicks from the 1980's. Several similarities to the "Friday the 13th," series include an almost unstoppable killer, who is faceless, and uses various methods to kill his victims. While not entirely following these earlier films the suspense and mystique of "7eventy 5ive," delivers a very watchable film. Some might say that this film is formulaic or unoriginal, but really the addition of a multiple killer scenario with a revenge twist thrown in give "7eventy 5ive," its own identity while using the best of previous successful slasher films.

The acting within "7eventy 5ive," is above average for a low budget horror and a mostly amateur cast scream on cue and die with enough finesse to entertain. Most viewers will not have heard of many of the actors in this film, but often times big name actors distract from the film. The mostly early twenty-something cast seem to really enjoy themselves in the film and this gives viewers one more reason to like "7eventy 5ive."

It really feels from the film that "7eventy 5ive," really only sets out to create a fun, yet bloody urban horror flick, with a twist and this straight forward approach to the filmmaking makes for a clever movie. Suspenseful, light-hearted, and often bloody "7eventy 5ive," redefines the classic horror slasher film.

6 Slashing Skulls out of 10.

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7eventy 5ive at IMDB

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Final Destination 2 Ends with a Bang Rather than a Whimper

Author/Michael Allen

Young Kimberly Corman visualizes a future car accident and fifteen minutes later it becomes a reality. Managing to save the lives of several others Kimberly begins to believe in fate and the powers of death. As the survivors start dying despite avoiding the accident it becomes apparent that death will not let these people go (Internet).

Rating: Restricted for strong violent/gruesome accidents, language, drug content and some nudity.

Release Date: January 31, 2003.


Starring: Ali Larter, A.J. Cook, Michael Landes, Tony Todd, Terrence 'T.C.' Carson,
Jonathan Cherry, Keegan Connor Tracy, Lynda Boyd, and James Kirk.

Director: David R. Ellis.

Writers: Jeffrey Reddick, and J. Mackye Gruber.

"Final Destination 2," interesting premise of fate catching up to those who believe in premonitions is an excellent hook. One of the initial action sequences in "Final Destination 2," involves several exploding vehicles and these scenes deliver one of the best car crash sequences in movie history, but for those who survive death is only a footstep away. Many of the death scenes in the film are very complex and involve a lot of gore and this film is one of Hollywood's better productions. Using the larger film studio budget in clever ways it is no wonder that the "Final Destination," franchise is so successful.

This film involves some well know actors including; Tony Todd (Candyman), Ali Larter, and Michael Landes (Lakeview Terrace), and the acting slightly amplifies the film, yet none of the performances are excellent. The confines of a Hollywood system that values playing it safe seems to be rubbing off on the actors as none of central or supporting characters, with the exception of T.C. Carson's confident portrayal of a young, black man deliver anything other than the requirements of their parts. Thankfully, the story of "Final Destination 2," stays away from any stereotypes.

The creativity of the death scenes truly stands out in the film and will probably generate either laughter or horror in viewers, possibly both. Elaborate set-ups lead to surprising, yet comical deaths of many of the central characters. Unable to really fight the supernatural each character either holds off the inevitable or accepts death and fate. "Final Destination 2," begs the question is death inevitable? Similar to reality the characters in the film cannot really escape death either.

Go back a ways and rewatch or watch this instant horror/thriller classic that uses ingenuity and some blood to shockingly entertain viewers. Definitely worth a rental "Final Destination 2," is an enjoyable ride and shows that Hollywood can produce an occasional horrror, comedic hit.

7 Skulls out of 10.

A movie still from a violent car crash sequence:



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Final Destination 2 at IMDB

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