Top Five Best and Worst Horror Films from 2008

2008 was a great year for horror films and for horror film watching. Below are my top picks for 2008 along with some films that might look best in your trash bin!

Top 5 horror films for 2008:

1) "Eden Lake"

"Eden Lake," was on this reviewers worst horror films of 2008 for about a week until the complexity and absolute stark terror of the film made its way into my consciousness. Utterly tragic and believable "Eden Lake," shows the absolute depravity that can encompass a man's/juveniles spirit. There is no good versus evil in this picture only varying shades of grey that make this film literally horrifying and an overall difficult watch. "Eden Lake," holds nothing back from the viewer in an attempt to slap you across the face with the message that if youth violence, in England is not kept in check it will rage out of control. See this one with a friend, but definitely watch this film at least once.

2) "Frontier(s)"

"Frontier(s)," is partially an homage to the "Texas Chainsaw Massacre," movies and this film makes the top five list on sheer gore and its ability to entertain. "Frontier(s)," takes bizarre to the limit and the evilness of the protagonists is only outdone by the brutality of the villains. When evil meets eviler then what remains can only be one of the best horror pictures of 2008. "Frontier(s)," is another French horror film and the addition of several modern day over-the top gory pictures from France and Europe means that this reviewer will be looking outside of Los Angeles and the surrounding area for future quality horror films.

3) "Splinter"

A small independent film "Splinter," achieves what many Hollywood blockbusters cannot, a truly horrifying, original tale of isolation and empathy. A small cast of believable, likable characters sells the film alone; the addition of a mysterious virus-like entity that preys on the living while animating the dead makes "Splinter," enjoyable on several different levels. A difficult find "Splinter," goes above and beyond most other indie films of 2008.

4) "L'Interieur"

Full of blood, gore and non-stop action this French film does everything in its power to push the boundaries of horror filmmaking while making viewers squirm. Slightly disturbing and taking place primarily within one set the shock factor of this film scores an 11 out of 10 and easily makes this top five list of 2008. "L'Interieur," deserves a greater audience than this film is currently receiving.

5) "Let the Right One In"

From Sweden and full of picturesque shots of the surrounding countryside "Let the Right One," delivers a horror tale full of gore and shocking surprises. The original story involving a youthful, lonely vampire and the unfortunate victims who cross her path make this film stand out from many other horror films from 2008. As well, the character of Oskar, who befriends this nocturnal hunter, is vulnerable and enchanting. A must see for true horror fans.

Honourable mentions; "Midnight Meat Train (excellent, low-budget dark horror ride)," "Martyrs (another French delight)," "The Strangers (A formulaic Hollywood suspensefest)," "The Signal (cannot say enough about this picture, bravo),"!

5 worst horror films for 2008:

I did my best to avoid this category of films, but some of these films got under my horror viewing radar. Here is a list of the worst films of 2008:

1) "Dead Noon"

A terribly low budget, cowboy, zombie film "Dead Noon's," feeble attempt at the horror genre does nothing but disappoint and bore.

2) "While She Was Out"

Susan Muntford's first attempt in the director's chair produces one hour and twenty minutes of absolute boredom. The horror genre seems tough to get wrong but this film displays zero originality, no realism, almost not dialogue, and a pointless story. Giving housewifes a bad name "While She Was Out," is a low point in Kim Basinger's less than stellar career. If you see this one you will literally want to tear your eyes out!


3) "Prom Night"

Following a typical boring Hollywood formula of stupid teenagers being taken out one by one at the hands of a horny serial killer "Prom Night," disappoints, disgusts, and angers this horror reviewer. A waste of talent and a waste of people's time this film is not worth sitting through for any reason.

4) "Scarce"

A Canadian film full of swear words and "Hey dudes," "Scarce," is an embarrassment to other Canadians horror film fans and a terrible picture overall. While managing to complete a full viewing of this film I could not get over the absolute low production value of the film and the pointless, meandering plot. Plus, the cannibalizing theme of "Scarce," has been done so many times before and much better than this unbelievable snoozefest.

5) "Teeth"

Unless you like seeing severed penises and raping, misogynistic step-brothers then this film is a definite miss. Although, some good acting and full of complex characters with burgeoning female sexuality as the focus "Teeth's," premise of a cock-eating vagina is too disgusting or ridiculous for this reviewer to enjoy, but thankfully not a complete horror write-off.

Honourable mentions; "April Fool's Day (utter garbage, unable to finish)," "13 Hours in Warehouse (what a mess)," "Pulse 2 & 3 (two sequels in one year equals desperation and a craptastic attempt to capitalize on the fun of the original)."

Please enter your own comments as to the best and worst of 2008 as I would enjoy hearing feedback from other horror film fans.

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Grab the Hand Rails as Dark Floors Descends into Darker Shadows

Both father and daughter leave a local hospital when the treatments no longer benefit little Sarah and her autism. On the way out, events take a deranged turn when bodies turn up in rooms and the long hallways take on a rotten look. As one darkened area leads into another there seems to be no escape from this hellish hospital where the demons of the mind rule.

Rated: Restricted for horror violence and disturbing images.

Release Date: February 8, 2008.

Starring: Skye Bennett, Noah Huntley, Dominique Mcelligott, Ronald Pickup, William Hope, Leon Herbert, and Philip Bretherton.

Director: Pete Riski.

Writers: Pekka Lehtosaari, and Lordi.

From a couple watches the storyline of "Dark Floors," is pretty ambiguous, but probably revolves around the theme of purgatory or a religious limbo where souls remain forever. The writing is definitely circular in nature as the first initial scenes repeat near the end with only a minor change. It is possible that the main characters, in "Dark Floors," have been chosen to serve in purgatory for some type of crime(s) during their life, but this does not explain the addition of a young autistic girl in the film. As well, with so many plotholes, and an overly mysterious approach to writing there might not be any explanation for why the characters forever wander the "Dark Floors."

One of several interesting additions to the film is the use of shadowy lighting and especially the lack of any lighting to immerse the viewer into an increasingly darker cinemascape. The feel of "Dark Floors," is similar to a dreamer slowly fading into the dark subconscious before a nightmare finally takes hold. The film feels very surreal and dismal during several scenes. However, the lighting is so dark at times that it is difficult to make out any character expressions or even what is happening within the dark hallways of the film. The eerie environments and demonic souls take on a life of their own.

Much of the acting of the small cast is done with an expert, yet confident approach to characterizations and the subtle mastery of fear with horror heighten the enjoyability of the film. Some of the main actors have previous acting experience including; Skye Bennett as Sarah and Noah Huntley as Ben, and it shows. As well, the supporting cast create a believability and realism in the film that puts the focus of the viewer on the film rather than the actors. When actors do not distract from the flow of the film then they have done their job and this is exactly what happens in "Dark Floors." The appearance of Finnish rock band Lordi as a group of spectres and hellish demons adds some laughs while staying with the horrific tone of the film.

Slightly confusing horror film "Dark Floors," is mostly an enjoyable thrill ride through the evil imaginations of Finnish rock band Lordi. "Dark Floors," rarely disappoints and often surprises; although, the film leaves viewers with more questions than answers near the end, the creepiness throughout is worth watching additional times.

A trailer for "Dark Floors," here:



Sources:

Dark Floors at IMDB

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Dead Silence Creates More Than Awkwardness

""Beware the stare of Mary Shaw. She had no children only dolls. And if you see her in your dreams, do not ever, ever scream."

A small town's ghost story haunts the lives and dreams of Jamie Ashen (Ryan Kwanten) and his new wife Ella Ashen (Amber Valletta). When a small ventriloquist's doll comes to this couple's house the normalcy of their lives quickly unravels and for one ends entirely. The doll leads back to the birthplace of one of the survivors and instead of finding answers more questions arise from an incident that took place in the 1940's.

Mary Shaw (Judith Roberts) was once a performing ventriloquist at the Ravens Country Fair in the 1940's, and after receiving a heckling, during a show, a curse fell over the surrounding township. Many of the children and local inhabitants became the victim of Mary Shaw's hatred. Afterwards, the local townsfolk came for revenge; Shaw had her tongue cut out and her curse expanded in power. Now, over sixty years later more people are dying.


Rating: Restricted for violence and images.

Release Date: March 16, 2007.

Director: James Wan.

Writers: Leigh Whannell, and James Wan.

Starring: Ryan Kwanten, Amber Valletta, Donnie Wahlberg, Michael Fairman, Joan Heney, Bob Gunton, Laura Regan, and Judith Roberts.

The haunting musical score in "Dead Silence," starts early and is consistently freaky and tense during the showing. Whispering voices in a type of echo chamber hover over the feature and create an uncomfortable feeling. Accentuating scenes with a raw intensity at times, much of the suspense of the film comes from the frightening music of Charlie Clouser. As well, the sound effects seem to blend into the soundtrack of the film and dismiss any feelings of safety or contentment.

Much of the acting from central character Jamie Ashen (Ryan Kwanten) is physical in nature until the entry of Detective Lipton (Wahlberg) into the story; Lipton helps develop some of the thoughts of Ashen into dialogue. As well, many of the conversations between suspicious detective Lipton and unassuming Jamie Ashen are often confrontational in tone, and hilarious to watch. Overall, no one drops the ball in the acting department within "Dead Silence," but, Wahlberg could have read a couple more detective novels as his acting lacks any fizz.

The writings of screenwriter Leigh Whannell, and author James Wan allows for few breaks in the frantic pace of "Dead Silence," and the story stumbles along until the final climactic finish. Most of the film is building towards an excepionally bleak and surprising ending that involves so many quick twists and turns that few if any viewers will be able to anticipate the conclusion. Despite, few scares in the middle third of "Dead Silence," the story is constantly building for the final climax and the complexity of writing gets a reveal in the last few frames. Yes, a talking and stalking doll has been written before in the "Child's Play," series; so, some of the originality is gone from the story, but "Dead Silence," adds a whole mystique to the theme of a demonic doll that rarely disappoints.

"Dead Silence," made for a relatively large horror budget of $20 million has as of yet to recoup the initial investment. Many of the reviews for this film have ranged the gamut and are mixed, which is probably one of the reasons why this film has only developed a cult following. In addition, for those "Saw," trivia buffs out there watch for the appearance of the "Jigsaw," doll late in the picture. The creators of the "Saw," franchise are also responsible for this unfortunate box office bomb.

Taking place in a quiet, remote town "Dead Silence," has enough scares within to entertain most horror fans. Watch this one with the lights off and if you are brave enough, alone to experience the full scary effects of the film.

A theatrical trailer for "Dead Silence:"



Sources:

Dead Silence at IMDB

Dead Silence at Wiki

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Boogeyman 3 Now More Than a Child's Tale

A child's story comes to the big screen, and this time when the Boogeyman appears he does more than scare his audience...he leaves them in pieces. Sarah sees first hand what this dark demon can do, but she is not able to convince her friends of the impending danger. One girl committs suicide to escape the clutches of this crazy, supernatural killer, and several other roommates will fall victim to his bloodlust before this mystical force can be put back in the closet for good (Internet).

Rating: Restricted for brief nudity, gore, sexuality and violence.

Release Date: January 20, 2009.

Starring: W.B. Alexander, Elyes Gabel, John Laskowski, Chuck Hittinger, Kate Maberly, George Maguire, Mimi Michaels, Matt Rippy and Nikki Sanderson.

Director: Gary Jones

Writer: Brian Sieve.

Surprisingly, the "Boogeyman," franchise seems to be getting only bigger and stronger from the poorly made original; although, light on any back story "Boogeyman 3," delivers a high intensity thriller. There is a connection with "Boogeyman 3," to the previous films with some of the surviving characters, from the first film making a brief appearance before dying bloodily in this second sequel. While the second sequel took place in a mental health hospital this feature takes place in a college dormitory that is stock full of victims for this long-fingered foe. Briefly introducing some new characters in the form of several disbelieving psychology students "Boogeyman 3," provides several scares and laughs before dispatching most of the main characters.

This low budget straight to DVD follows a classic ghost story plot line with a central female character questioning her own sanity while trying to convince her friends about the existence of a supernatural killer. In fact, most of the other characters suspect Sarah (Erin Cahill) is partially insane and laughable as she talks about a demon lurking in her closet and under her bed. Many of the laughs of the film come from Sarah failing miserably to convince her fellow students that the "Boogeyman," does exist. There are some special effects and CGI in the film, but most of the suspense comes from the story and use of dark costumes. As well, "Boogeyman 3," uses the cheapest and oldest special effect of all time tits and ass.

The demonic killer who seems to be unstoppable as he lurks from sequel to sequel utilizes a dark mist and poorly lighted hallways to cloak his presence before pouncing on unassuming studiers. Many of dead do not get a chance to fight back before this hideously laughing creature; hangs, impales, terrorizes, and or drowns his victims. Several gruesome deaths involving; industrial dryers, bloody heating ducts, and a broken marijuana bong create for a hilarious, yet gorrifying watch. "Boogeyman 3," is likely only the beginning of this horror movie franchise.

"Boogeyman 3," is full of scares, funny deaths, and somewhat believable acting, which makes "Boogeyman 3," an entertaining watch for those who like some comedy with their horror. On the other hand, the overuse of flashing lights (probably someone turning a light switch off and on) and the appearance of several horror cliches like; the crazy woman and a killer who picks off his prey one by one might deter some viewers (kill a whole group for once). Overall, "Boogeyman 3," is worthy of a rental or a one time watch, which is really all this film strives to be.

A trailer for "Boogeyman 3," with Don Lafontaine using his bassy voice for another preview:



Sources:

Boogeyman 3 at IMDB

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The Mist: An Analysis

"The Mist," touches on themes of primeval human emotions, the struggles of man in the dark, and of primordial Gods. There are several scenes involving David Drayton (Thomas Jane) and his group of light/sun worshippers versus Mrs. Carmody (Marcia Gay Harden) the leader of a blood/death cult. All the while feelings of self-preservation, blood-lust, and the gift of new life through children are shown on screen. As well, several subliminal messages including the ability of science to open a portal to the underworld are part of the film.


Ancient cultures would often worship the Sun as a God and the absence of the sun would often create themes of imprisonment, exile, and death. In fact the grocery store that is central to the film acts as a type of prison as the survivors hold out in hopes that the mist will dissipate. Throughout "The Mist," there are several characters who become sacrifices to the Gods of the underworld whether willingly or unwillingly. Two military officers hang themselves in the storeroom and the implication is that they hung themselves; however after the creation of Mrs. Camody's death cult it is likely that these two officers were sacrifices, by the death cult to the monsters outside of the store. The killing of the third officer in cold-blood is another sacrifice to the underworld. In ancient times it was common for Mayan and Aztec kingdoms to offer sacrifices to the Gods during drought, eclipses, and natural disasters. Many of the characters in this story seem to revert to an earlier, more primitive self in hopes of saving themselves from the creatures outside.



As the fog lingers several factions develop inside the store with David Draydon leading a half dozen survivors who seek to reunite with the sun while Mrs. Carmody creates a larger group, over time of religious zealouts who give into the forces of the underworld and a smaller group of non-believers or deniers led by Brent Norton (Andre Braugher). Mrs. Carmody, as the religious leader demoralizes any possible unity of the groups by preaching religious jargon. In effect, Mrs. Carmody is surrendering to the forces from the underworld and the present situation and by preventing others, especially David Drayton's group who seek a reunion with the Sun/light; she basically allows the forces of the underworld and death to take over. One scene where Mrs. Carmody allows one of the beasts from the other world to crawl over her body shows that this character would rather allow the forces of death, or the underworld take over than fight or escape.

Often during "The Mist," the military is shown to be responsible for opening a door into another dimension, which is actually a portal to the other side or the underworld of mythology. Writer Stephen King incorporates an ancient belief in a dystopic other world where new souls go after parting from their earthly form throughout "The Mist." In almost every culture from Babylonia to the Celts the underworld is often seen as hellish in nature, and the beasts in the film come from this hellish reality. Once a dimension to hell comes to completion the demons are free to roam and terrorize the characters in the film. It is only near the end of the film where several more sacrifices are made to the Sun God that the military is able to close the portal to the other side and allow for denouement in the end of the film.



As with most horror films "The Mist," taps into human fears and creates impossible situations to provoke an emotional reaction. The primitive and primary emotions of; fear, survival, and hatred are shown in the characters in order to arouse similar feelings in the viewer. In addition, the use of ancient myths like the appearance and then disappearance of the Sun God along with the archetypes of the hero (David Drayton) and the witch (Mrs. Camody) making their appearance in "The Mist," this film is more like an ancient fable told from generation to generation rather than an ordinary horror picture. Finally, the creation of one the most vile villains in recent movie making history, in the form of Mrs. Carmody means that "The Mist," will create a strong division between those who love this film and others who detest the picture. Enjoyable on several levels "The Mist," provides enough material to delve more deeply into the primal motivations of human survival and fear of the unknown in what at first appears a regular horror picture.


Sources

A List of Underworld Gods at Wiki

Solar Gods at Wiki

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Rihanna's Disturbia Video

This site is currently experiencing an intermission while I write an in-depth review of "The Mist." In the meantime, enjoy one of the best videos from 2008:



Disturbia Video

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Gabriel Fights for the Souls of the Damned

Gabriel descends to purgatory to fight for those human souls longing for heaven or if found unworthy...the bowels of hell. Seven Arc Angels fight seven Fallen Angels for rule over purgatory; in human form and with emotions each angel must face a world where fear rules while fighting back the darkness. As the tides of war favour evil only Gabriel has a chance to reclaim the city of purgatory and for all the souls within.

Rating: Restricted for violence, gore, and sexual suggestiveness.

Release Date: November 15, 2007

Starring: Andy Whitfield, Dwaine Stevenson, Samantha Noble, Erika Heynatz, Michael Piccrilli, Harry Pavlidis, Jack Campbell, Kevin Copeland, Brendan Clearkin, Matt Hylton Todd, Valentineo del Toro, Goran D. Kleut, and Amy Mathews.

Director: Shane Abbess.

Writers: Shane Abbess, and Matt Hylton Todd.

The use of dark lighting and drab costumes are two ways director Shane Abbess highlights the strength of evil in this low budget horror film. Most of the costumes consist of bleak, dark colours and promote a feeling of desperation or hopelessness while Gabriel fights overwhelming odds to deliver purgatory from the grips of the Fallen Angels. Although, mostly dark in tone there are several surreal shots of the city that add lighter tones to the film.

Director and writer Shane Abbess financed most of the film on his own and with a budget of approximately $150, 000 "Gabriel," has delivered a somewhat rough feature film. The acting is above average for a low budget film and the story is complex enough to be rewatchable over time. Most of the sets from the film are of derelict buildings, in order to save money and the set design suits the overall dark tones of the story. Although, slightly heavy on the smoke machine "Gabriel," is a fun watch despite an unbelieavably small budget.

It is difficult not to make comparisons between "Gabriel," and another bleak feature film "The Crow." Both feature films take place in dark environments with two returning angels fighting to rid the scourge of evil from a soulless city. While "The Crow," offers several more action scenes "Gabriel," still manages to create a slick, gritty atmosphere with slightly more central characters fighting for deliverance.

Australian film "Gabriel," does not disappoint and may inspire film makers to create their own low budget masterpieces. Full of romance, action, and some surprises "Gabriel," shows what passion and love for film can potentially deliver. Watch this film at least once for "Gabriel's," stylistic approach to an age old theme of good versus evil.

A teaser trailer for the film:



Sources:

Gabriel at IMDB

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Midnight Movies Are a Thing of the Past for a Reason

An insane and murderous patient on the loose from the local psychiatric ward goes to the screening of one of his films five years after slaughtering dozens of people in his home town. The black and white feature film becomes reality as the killer steps out of the movie and into the theatre to disembowel several of the audience members. Unable to use any common sense or escape the theatre movie goers die one by one at the hands of this supernatural killer (Internet).

Rating: for bloody horror violence/gore, language, some sexual content and brief nudity.

Release Date: October 17, 2008.

Starring: Rebekah Brandes, Daniel Bonjour, Mandell Maughan, Greg Cirulnick, Stan Ellsworth, Jon Briddell, Brea Grant, Michael Schwartz, Carole Sizemore, and Michael Swan.

Director: Jack Messitt.

Writers: Mark Garbett, and Jack Messitt.

"Midnight Movie," is a low budget B-movie made for under a million three and due to the low budget of the film the acting is average, and although somewhat well-written with an interesting premise the "Midnight Movie," feels overly cheesy. There are no big name actors in the film and the inexperience of the actors distracts from the flow of the picture. A lot of the acting looks over done or awkward and the uncomfortable feeling from "Midnight Movie," comes from watching the delivery of lines rather than from any horrifying scares. While anticipating the release of this film and now finally seeing "Midnight Movie," the main feeling that is felt throughout this film is disappointment.

To be generous this is Jack Messitt's first feature length film from the directing chair; however, going from lighting/equipment manager to the director's chair equates to an amateurish first outing. Yes, if a director throws in a killer, some young kids, and some gruesome deaths this technically equals a horror film, but not at any point did this viewer feel afraid or even empathize with any of the characters in the film because of the lack of character writing. One plus two unfortunately sums up to four in this bleak feature film.

What could have made "Midnight Movie," more enthralling would have been the addition of a stronger back story of the killer, a focus on fewer characters and some character interaction before people start dying. No back story or build-up means that most viewers will not care what happens to the characters in the movie or in the movie itself.

Low budget, indie film "Midnight Movie," could have been more scary and entertaining, but instead the film comes across as a sad attempt to rush a poor horror film onto the screen. If as a viewer you go into this film with very low expectations you might find this film entertaining. On the other hand, if you are looking for a quality, unique, horror experience, then likely you will only feel disappointment or foolish for watching this film from beginning to end.

One of the better stills from the film:



Sources:

Mum & Dad at IMDB

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Mum & Dad Provide Food, Warmth and Torture During Christmas Time

Birdie and Elbie work as a team to bring Lena, a young polish immigrant into their dark underworld of sadism and manipulation. All three young adults work at the local airport, but when Lena needs a place to stay Birdie and Elbie invites her over to their home. Once there Lena learns what family dysfunction truly is when "Mum & Dad," drug, beat, and torture Lena into submission. As this nightmarish house of horrors goes from slightly crazy to completely insane Lena must find an escape route or become another victim to this family of serial killers.

Rating: Restricted for violence, gore and sexuality.

Release Date: December 26, 2008

Starring: Perry Benson, Dido Miles, Olga Fedori, Ainsley Howard, and Toby Alexander.

Director: Steven Sheil.

Writer: Steven Sheil.

A simple story about human cruelty and survival "Mum & Dad," surprisingly entertains. The plot revolves around one girl's experience at the hands of a sadistic family of killers, and this small United Kingdom film is light on scares, but heavy on fun. The direction of Steven Sheil subtly hints at the gore through open doors and peepholes while adding overtones of torture throughout. "Mum & Dad," is a film that takes itself a little too seriously; however, one scene involving a Christmas celebration and a dressing down of Lena by Dad creates for a hilarious set of shots and lightens the tone of the film.

Several of the sets take place in one location with several tortures devices and restraints adorning the wall; a horrific theme is set early. It is not until later when Lena manages to escape her restraints that the complexity of the film starts to appear and the various other torture rooms can be seen. With Lena moving from room to room the large amount of victims undergoing torture in the house becomes apparent. Cellars, attics, bedrooms, and workshops are all part of mass murder and even cannibalism.

The two central characters of "Mum & Dad," have a great deal of acting experience and "Mum & Dad's," ability to portray sadistic, blood-thirsty killers while putting on the whole everything is normal routine for others creates for an enjoyable watch. The acting of Birdie, a minor character is also well done as she competes with Lena in the film for the love and attention of "Mum and Dad." Ainsley Howard portrays the mentally beaten down, yet constantly looking out for her own self-preservation role of Birdie with brutal ruthlessness.

Somewhat formulaic "Mum & Dad," manages to dodge most of the horror cliches while providing an interesting torture storyline. There is very little gore in the film until the final few climactic scenes, but "Mum & Dad," is rarely boring and the acting of Perry Benson and others makes the film. Providing a few laughs while maintaining a low level intensity "Mum & Dad," is worthy of a viewing.

A trailer for "Mum & Dad," here:



Sources:

Mum & Dad at IMDB

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Wind Chill: You Can Feel it in Your Bones

Two college kids share driving costs while travelling home to Delaware. Strangers to each other this guy and girl become friends despite a list of differences. Unfortunately, a bad decision takes this pair down an old country road that leads to an accident involving a mysterious car and a large snowbank. As dark images begin lurking in the woods this college pair must bond together to fight off things only found in nightmares (Internet).


With the temperature dropping outside and night terrors approaching the only thing that these two collegiates can do is wait out the night. But the haunting images of the dead will not let them be. Reality and fantasy blur as remembrances of the 1950's come out of the woods looking for sanctuary and redemption and when the male driver reveals his true intentions, for the trip things quickly spin out of control (Internet).

Rating: Restricted for some violence and disturbing images.

Release Date: April 27, 2007.

Starring: Emily Blunt, Ashton Holmes, Martin Donovan, Ned Bellamy, Ian A. Wallace, and Chelan Simmons.

Director: Gregory Jacobs.

Writers: Joe Gagemi, and Steven Katz.

First off, the cinematography of "Wind Chill," is gorgeous and the cinemscape of an outdoor freezing world of darkness makes this picture a must see. Various locations around British Columbia are part of the film's landscape and include; locations from the University of British Columbia, Vancouver, and Brenda's Mine. The picturesque mountains and deep forests of British Columbia act as a character in the film that isolates the main characters unforgivingly, in a remote valley. As well, the early daytime scenes are full of light, humourous interactions between characters and the film transforms into darkness where much of the haunting and deaths occur.

The characters of the "guy," and "girl," are thankfully not cardboard cutouts and instead deliver a complexity of various characteristics. The "guy," is a lonely, sympathetic, young man looking for some action and the acting of Ashton Holmes of a semi-heroic, romantic make his characterizations a fun watch. Not to be outdone Emily Blunt's the "girl," is an over-the-top bitch, and defensive while developing into a more vulnerable character later in the film.

A true ghost story "Wind Chill," goes with a minimalist approach to horror filmmaking. Light on characters and in an austere environment "Wind Chill," delivers a potent mix of strong writing and likable characters. This small, almost unheard of horror flick delivers enough spine tingling chills and suspense, especially early in the film to make most viewers appreciate the film for what it is; "Wind Chill," is a fun mix of hormones and horror.

A thrill ride through a fun ghost story makes "Wind Chill," very watchable. Although, slightly light on scares and gore the film makes up for this lack by providing a clever plot that delivers enough twists and turns to entertain horror film lovers. See "Wind Chill," one of the best from 2007 and for the beautiful outdoors of British Columbia, which is my home province.

A trailer for "Wind Chill," here:



Sources:

Wind Chill at IMDB

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Beneath You or I

Christy Wescot and sister Vanessa Locke share a special bound, but when a car accident happens in Edgemont, Montana these sisters lose touch. Vanessa barely survives the accident and suffers horrible burns while sister Christy is sent to a psychiatric ward to deal with the trauma of the accident. Unable to recover from her wounds Vanessa dies and Christy, while experiencing bi-polar disorder believes there is more to Vanessa's death than people are telling (Internet).

Rating: Restricted for some violence and disturbing images.

Release Date: August 7, 2007

Starring: Nora Zehetner, Brenna O'Brien, Carly Pope, Don S. Davis, Matthew Settle, Gabrielle Rose, and Amy Locke.

Director: Dagen Merrill.

Writers: Kevin Buke, and Dagen Merrill.

This so-called horror, thriller film takes an awful long time to get going and once "Beneath," starts to develop some type of a story it is too late to keep anyone's attention. Little to no action develops in the first half of the film and the lead actress (Nora Zehetner) looks like she might curl up in a ball and die at any moment from lack of nourishment. Boredom is the main tone of the film and this theme is driven home with the poor acting of several of the characters. Few if any expressions of remorse, guilt, fear or anything are show on the character's faces and this film barely fits into the drama genre (family genre might be better).

Poor acting, a weak script and little to no excitement make this film a must-not-see unless under pain of torture, and even then hold out as long as possible! To any scriptwriters out there please use a solid hook initially, and create some scares throughout the film to make a movie enjoyable and interesting for viewers to watch. The only positive to this film is that "Beneath," does pick up the pace in the final third of the film, but this climactic ending is not enough to save this yawnfest.

Great editing here because this trailer makes "Beneath," look a whole lot better than the film actually is:



Sources:

Beneath at IMDB

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Forget the Valet and Park Your Own Vehicle in P2

Business executive Angela works late on Christmas Eve only to find a mugging in the parking lot as her reward. Unable to exit parking lot two Angela becomes the guest of a helpful security guard who attempts to start her broken down car. Although, being kind and polite Tom the security guard has a dark side that erupts into anger when Sarah rejects his advances (Internet).

Rating: Restricted for strong violence/gore terror and language.

Release Date: November 9, 2007.

Starring: Wes Bentley, Rachel Nichols, Simon Reynolds, Philip Akin, Stephanie Moore, and Miranda Edwards.

Director: Franck Khalfoun.

Writers: Alexandre Aja, and Gregory Levasseur.

Alexandre Aja, the director of "Mirrors," comes up with another brilliant thriller in the form of "P2," which takes the stalker plot line to new heights. Starting off with an old X-mas tune and transitioning to a great initial scare "P2," grabs your attention and holds on with a death grip. The writing of the film is clever and allows actors Wes Bentley and Rachel Nichols the room to deliver realistic portrayals of their characters while throwing in surprising twists into the story, especially in the early scenes. The acting of Wes Bentley is particularly strong as he delivers the loneliness of Thomas the night security guard in a brutally graphic way.

Set almost exclusively in an underground parking lot "P2," traps the main characters in the basement of an office building and likely will captivate horror enthusiasts. There are several jump scares early in the film with a screaming woman exiting the trunk of a vehicle and an instance where the main female character uses her cell phone to light her way only to be taken from behind by a crazy stalker. Very light on characters "P2," creates an intimate horror experience.

"P2," could have been taken into much darker territory; however, writer Alexandre Aja chose to go for an unoriginal gender role reversal where the antagonist briefly becomes the protagonist late in the picture. There have been several recent films where the prey, often a woman becomes the hunter i.e. "While She Was Out," and "Hostel II," come to mind. In order to create a complete ending the villain gets his just deserts in "P2," while the female victim or chasee goes on with her life with little to no character development. Very simple and unsatisfying this type of closed ending is disappointing here. An open ending where the resolution of the film is left up to the viewer would have made "P2," a more enjoyable film.

One other original creation within "P2," is the multi-dimensional aspects of the character of Thomas. Appearing genial, and nice initially the depravity of Wes Bentley's character comes through with aggression and a protectiveness for Rachel, the object of his desire. The different negative and positive traits of Thomas stir up ambivalent emotions ranging from pity, to hatred and even deep understanding. Well written with an excellent portrayal from Wes Bentley "P2," delivers one of the better villains in 2008.

Full of shocking scares, interesting chase sequences, and tense standoffs "P2," delivers an enjoyable tale that will stick with many viewers. Already, on DVD this feature must be seen by as many curious horror fans as possible. Probably one of the most underrated thrillers from 2007 "P2," deserves a wider audience than it is currently drawing.

A trailer for "P2," (Warning: most of the plot is being shown in this trailer):



Sources:

P2 at IMDB

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A Major Rat Infestation in Creep

Kate, a party girl hopes to meet George Clooney at a local bar, but instead she finds herself on the run from a demented creature who hopes to make her his next snack. Taking place in the underground subway system of downtown London Kate must use her wits to fend off the attacks of a mysterious rat-like beast. However, this monster lives and breathes in the back alleys of the subway tubes and does not want his new guest to leave...ever (Internet).

Rating: Restricted for strong bloody horror violence, language, some drug use and sexual content.

Release Date: December 20, 2005.

Starring: Franka Potente, Vas Blackwood, Ken Campbell, Jeremy Sheffield, Paul Rattray, Kelly Scott, and Sean Harris.

Director: Christopher Smith.

Writer: Christopher Smith.

From the United Kingdom "Creep," is a horror flick that centers on feelings of claustrophobia while the acting of Franka Potente adds to the overall frightening tone of the film. "Creep," also capitalizes on other fears like; musophobia (fear of rats), coprophobia (fear of sewers and what is in them), and autophobia (fear of being alone). Potente is seen mostly running frantically through tunnels and subway stations while screaming during climactic sequences. Not a difficult role, but Franka portrays the somewhat heroic vixen believably and other minor characters support her with fine performances, periodically throughout the film.

An original addition of a rat-like creature that feeds on human victims is a chilling watch while the subway tubes offer limitless potential for scares and chase sequences. Looking very similar to the creatures from "Descent," the rat-like thing talks little and looms over his potential snacks with inhuman loathing. "Creep," is not overly tense or suspenseful, but the number of bodies littering tracks, hallways, and sewer lines are enough to make the film a fun, gorific watch.

There are only a few subtle hints as to the origins of "rat-boy," and a back story really could have made the "Creep," a much better watch. From one hospital scene it seems like the creature is the end result of some type of genetic experiment gone really wrong. Almost human looking the villain enjoys tearing, maiming, and disfiguring those unfortunate enough to cross his mouse tracks. Why his hatred for people? This question is also not given an explanation, but with some guesswork someone this creepy looking would have been on the receiving end of some teasing growing up.

While the United Kingdom is not known for horror films the success of "The Descent," and "28 Days Later," means that English directors are likely to continue developing intelligent, original, and terrifying pieces like "Creep." See this slightly underground horror film, that gently tugs on the heart strings for the joy that is horror filmmaking.

One of several movie stills from "Creep," with character Guy (Jeremy Sheffield)begging for forgivness and help after attempting the rape of the main character:



Sources:

Creep at IMDB

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Don't Talk to The Strangers

Three strangers terrorize a young couple in the lonely backwoods of Hicktown, USA. Hidden behind masks these three creatures of he night would rather torment their prey rather than killing them outright, but maybe this game of cat-and-mouse will not turn out as the killers hope.

Rating: Restricted for violence/terror and language.

Release Date: May 30, 2008.

Starring: Scott Speedman, Liv Tyler, Gemma Ward, Kip Weeks, and Glenn Howerton.

Director: Bryan Bertino.

Writer: Bryan Bertino.

Throughout "The Strangers," there is almost no music or soundtrack; instead, the film relies on the use of eerie sound effects to create a visceral experience. The only music comes in the form of a country twangish song playing on an old turntable while booming drums beats, and the frenetic strumming of a wood instrument add an incoherent, terrifying feeling to the film. Changing in pitch, volume, and rhythm the sound effects dispel any feelings of comfort while heightening feelings of fear during the film.

The entire film takes place in the dark and the darkness adds to the mystery of film while making sets appear larger. The only environment that provides any stable source of light is the farmhouse, which acts as a haven for the couple initially, and as a place of torture near the ending. Although, the dark lighting makes the actor's expressions difficult to discern the lack of light sources make the stranger's masks and costumes appear more frightening.

The dialogue in "The Strangers," is fluid in the beginning, but as the picture progresses the chatter decreases while the volume and intensity of the sound effects goes up. The writers of this film know how to use the characters, sets, music, and sound effects to slowly build a rhythm that increases in pace until the final climactic, grisly final scene. The strangers or antagonists of the film use very little to no dialogue, within the film until the ending where a few snippets of conversation enhance the mystery of the film, yet do not reveal the purpose of the previous night's torture. "The Strangers," is truly a horrifying cinematic experience.

"The Strangers," is everything a horror film can be. "The Strangers," is a fun watch with enough scares and suspense to entertain many horror fans. With a moderate budget this film keeps things simple and mysterious while offering a shocking ending. Definitely see this one anywhere it can be found.

A somewhat comedic trailer for an otherwise horrifying feature:



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À l'Intérieur (Inside) the Mind of a Killer

The synopsis...

Sarah, a pregnant photographer is part of a vehicle collision that leaves her partner and the other occupants of a vehicle, apparently dead. Suffering from grief Sarah numbly staggers through life until four months later when an unexpected visitor knocks on the door (Internet).

A mysterious woman hovers around the outside of Sarah's house and despite a police presence a stalker manages to gain access to the house. With scissors and violence at hand this deadly black widow lashes out at Sarah for an apparent previous wrong-doing. Blood is spilt on the walls, floors, and ceilings and the house turns into a canvas of death as one lady looks for redemption at the end of a blade (Internet).


Rating: Restricted for strong bloody violence, gruesome and disturbing content, and language.

Release Date: October 17, 2007 (Screamfest Film Festival).

Starring: Beatrice Dalle, Alysson Paradis, Nathalie Roussel, Francois-Regis Marchasson, Jean-Baptiste Tabourin, and Dominique Frot.

Directors: Alexandre Bustillo, and Julien Maury.

Writer: Alexandre Bustillo.

Completely unforgettable, French film "A L'Interieur," uses visual effects to immerse the viewer into a world that is horrific and a joy/shock to the eyes. The action and intensity of this film kicks off quickly as a car accident takes place, and the gore of the film only increases in later scenes. The brutal tone of the film is set early. Throughout several later scenes liters and liters of blood literally cover almost every set piece in the film. Even several of the characters look like beasts risen from some sort of blood-soaked nightmare.

Several French horror films are coming out presently and include; "Martyrs," "Frontier(s)," with "A L'Interieur;" each of these movies do not hold back on showing gore or coddle the viewer from the horrors of violence. It is completely unfathomable how "A L'Interieur," did not receive an NC-17 rating as the violence is gratuitous and the sole purpose of the plot is to horrify the viewer. This film goes to any lengths in order to make the viewers feel shock.

The writing of "A L'Interieur," is full of surprises as writer Alexandre Bustillo looks to push the boundaries of cinema by adding several bloody hack and slash scenes. Much of the second half hour of the film is spent in one bathroom set as Sarah fends off attack after attack from a crazed female murderess. The writing of the film allows for a great deal of additional make-up and costume creations and the suspense of the film only decreases after the antagonist reveals her true identity. In addition, the ending might leave some viewers wanting another half hour of film as the outcome of the main character's life is hidden. The message of the film is left open to the viewer and interpretations might vary from the difficulties of child birth, to jealousy, and the misfortunes/fortunes of fate.

See "A L'Interieur," and decide what the message of the film is for yourself while enjoying this fun, graphic tale of motherhood and death. Often gory, sometimes laughable, and frequently fun "A L'Interieur," is one of the best horror films from 2007.

Trailer for "A L'Interieur," here:



Sources:

http://www.imdb.com/title/tt0856288/

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Unless otherwise indicated, all materials on these pages are copyrighted by 28DLA.com. All rights reserved. No part of these pages, either text or image may be used for any purpose other than personal use. Therefore, reproduction, modification, storage in a retrieval system or retransmission, in any form or by any means, electronic, mechanical or otherwise, for reasons other than personal use, is strictly prohibited without prior written permission.

General inquiries about 28DLA's rights and restrictions should be directed to the contact page accessible on the site's main page.

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13 Hours in a Warehouse Is One and A Half Hours Too Long

Five small time thieves hide out in a local warehouse until the heat dies down. Thirteen hours until their flight leaves means these thieves must spend a lot of time telling silly jokes while some funny looking ghosts meander around the halls killing folks(Internet).

Rating: Restricted for violence including some torture, language and brief sexuality.

Release Date: October 28, 2008.

Starring: Paul Cram, Chars Bonin, Carson Lee, Cody Lyman, Danny Salmen, and Meisha Johnson.

Director: Dav Kaufman.

Writer: Dav Kaufman.

And now for a very short review....

Brutal acting, zero budget, no initial hook, and a meandering story that is confusing at best. From the first forty-five minutes of the film nothing really happens and the characters sit around telling mundane Robin William stories. All of the filming is shot on one location with a digital camcorder and "13 Hours in a Warehouse," is not worth seeing or sitting through to find out how the film ends.

A trailer for this low, low, low budget nonsense:

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The Reeker Relishes the Smell of Death

Five youthful explorers make their way to the Burning Man Festival only to find the stench of death and blood instead. This tongue-in-cheek horror film is a throwback to the 80's slashers of the past with five friends running for their lives from a sadistic masked villain. Finding that the highway is no longer open these five partiers stop off at a no-tell motel for gas, repairs, and food only to find someone waiting for them (Moviefone).


Another man joins these collegiates at the motel and tells his story of his missing wife and of a bizarre accident. Night falls and the prankster, surfer, easy lay, and blind man must work together to survive the night or die fighting off the attacks of a cloaked stranger that exudes an awful smell (Moviefone).

Rating: Restricted for gore, violence, sexuality, and some drug use.

Release Date: October 21, 2005 (Screamfest Film Festival).

Starring: Devon Gummersall, Derek Richardson, Tina Illman, Scott Whyte, Arielle Kebbel, Michael Ironside, and Eric Mabius.

Director: Dave Payne.

Writer: David Payne.

The comedic approach of Dave Payne to "The Reeker," is what makes this film a lot of fun to watch. Several of Trip's lines including; "I saw a trucker. Half a trucker...," and a scene where Trip screams like a girl after someone taps him on the shoulder are memorable and hilarious. While being a horror film "The Reeker," seeks to entertain and succeeds by allowing viewers to laugh at the movie. The gruesome deaths in the film are a bonus.

Possibly, following some of the slasher films of the 80's, with an unstoppable male protagonist attacking several young couples "The Reeker," is somewhat formulaic, but not without some creative plot twists and devilish dialogue. Dave Payne is no stranger to the small budget horror flick with several previous action/thriller films to his name and his natural writing ability for comedy/horror/thrillers shows in "The Reeker." The visuals of the villain use CGI enhancement and create a monstrous figure who is not easily put to rest.

Probably due to the low budget of "The Reeker," the film primarily takes place within one motel set and the acting, from a group of relative unknowns is balanced. The motel environment is put to good use with several action scenes taking place in an outhouse and throughout several bedrooms. As well, the dark lighting of most of the film creates shadows that accentuate the vicious features of the killer and create a true horror experience.

A unique ending provides one final twist that even with hints throughout the film is a shocker. Fun, full of suspense, and original "The Reeker," is a film that truly is underrated and worthy of at least one viewing if not several more. Find it on video/DVD/Blu-Ray as it worth the price of a rental or even a purchase.

Trailer for "The Reeker," with the movie phone guy and his deep, throaty voice:



Sources:

Reeker at Moviefone.com

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The Abandoned Will Not Leave Viewers Alone

Maria Jones, a film producer returns to her birthplace in order to bury her mother's remains in Russia. She visits her family farm where her mother gave her up to an American family, but now the farmhouse has other occupants. As the local Russian superstitions come to life Maria must confront her past to find out the truth about her family (Internet).

Once at her previous home Maria meets another man, Nikolai who claims to be her brother. Both people embark on a journey to discover their family origins only to find something much more dangerous and obscene. Nikolai and Maria fight the bizarre to reveal family secrets that might be best left alone (Internet).


Rating: Restricted for violence/gore, some disturbing images, nudity and language.

Release Date: February 23, 2007.

Starring: Anastasia Hille, Karel Roden, Valentin Ganev, Paraskeva Djukelova, and Carlos Reig-Plaza.

Director: Nacho Cerda

Writers: Karim Hussain, and Nacho Cerda.

In "The Abandoned," one of the first things to stand out about this picture is the haunting music that guides the viewer through the story. Changing often in tone the score adds an overall eeriness to the film that heightens the suspense even during low action points. The music, when absent oftens hints at a change of pace or of scenery. Overall, the sound and music add some early chills to the picture.

The acting of both Maria and Nicolai, the central characters in "The Abandoned," is believable not over done, and one of positive elements of the film. Anastasia Hille is an actress with some previous movie credits to her career, but most audience members are unlikely to recognize her. As well, Karel Roden is an actor of mostly Czechloslovakian origins with a confident, laid back approach to dialogue and physical acting.

Writers Karim Hussain, and Nacho Cerda of "The Abandoned," use a circular story line that can be frustrating to follow at times as the characters return to similar environments and interact with the same supernatural characters throughout the film. The film progresses slowly with periodic character reveals that create a mysterious, yet intoxicating feel to the film. "The Abandoned," is a film that is very hard to turn off or turn away from; only the ending slightly disappoints. The writers chose to go for the emotional impact rather than story resolution, which may or may not make or break this film for viewers.

A great story with beautiful Russian cinematography "The Abandoned," is a true gem, that despite being low in budget provides enough thrills to make this a worthwhile watch. Part of the 2006 "After Dark Films: 8 Films to Die for," film selections "The Abandoned," is a difficult find, but worth the effort and time to view. Watch it for the overall chilly tone and the climactic ending or for the fun of it all.

A trailer that sets the tone for "The Abandoned:"



Sources:

The Abandoned at IMDB

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After Dark Films: 8 Films to Die For Listening to Voices

"After Dark Films," CEO Courtney Solomon is announcing "Voices," as the final film showing at the 2009 "8 Films to Die For," film festival. Originally, with the title "Someone Behind You," and now "Voices," this film is an entertaining look at Korean comic book art. Kany Kyung-ok is the writer of the comic book series with Lee-Hyo Chul adapting the comic book structure into a full feature screenplay.

"Voices"

A young woman experiences paranoia and delusions after witnessing her fiance violently stab her aunt to death during her wedding day. When another family member is thrown over a balcony and transforms into a human pancake this young woman believes she is next in line. Even the young woman's family members and friends turn against her and slowly sanity slips away (Internet).

Rating: Restricted for violence and gore.

Release Date: January 9, 2009.

Starring: Jin-Seo Yun, Gi-woong Park, and Ki-woo Lee.

Director: Ki-hwan Oh.

Writers Lee Hyo-Chul, and Kang Kyung-ok.

"Voices," is from a Korean comic book that focuses on the theme of the true nature of relationships. "Reincarnations," from horror master and director Takashi Shimizu is the only other Asian film to participate in the "After Dark Film," festivals. As well, "Voices," is the final entry in the 2009 film festival with Dana Lambert from "After Dark Films," acquiring this film from "24-Frames."


Many of the stills for this feature show a great deal of blood with gore and this film is unlikely to be the typical ghost story as the plot revolves around several violent deaths. From the first trailer "Voices," AKA "Someone Behind You," looks like a real horror thrill ride with some supernatural elements thrown in for fun. See this one early in 2009 at the "After Dark Films," film festival.

A trailer for "Voices," with English subtitles:



Sources:

Voices at Bloody-disgusting.com

Voices on Moviesonline.ca

Voices on Shock.com

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Terminator Salvation Promises to Give Sci-Fi a Much Needed Jolt

A second trailer for "Terminator Salvation," hits the airwaves....

John Connor's life is on a course of fate as his resistance movement pushes back Skynet and the Terminator forces in a contest, that if lost will leave the human race extinct. Introducing a new character to the franchise Marcus Wright foretells a different future where machines rule the earth, but he might be a Skynet plant and full of lies (Internet).

Skynet encircles one of the last groups of human survivors with the goal of annhilating all of humanity. Marcus and Connor must uncover Skynet's future operations and dismantle them or become the last surviving humans on the planet (Internet).

Release Date: May 22, 2009

Rating: No one knows.

Starring: Christian Bale, Sam Worthington, Bryce Dallas Howard, Moon Bloodgood, Common, Helen Bonham Carter, Roland Kickinger, Chris Ashworth, Chris Browning, Jane Alexander, and Michael Ironside.

Director: MCG.

Writers: James Cameron, and Gale Anne Hurd.

Have a look at the latest trailer for "Terminator Salvation," that includes many new Skynet hunter killer machines. One machine towers six to seven blocks tall while several motorcycle robot hybrids patrol the streets...exciting!



Sources:

Terminator Salvation at Internet Movie Database

Terminator Salvation Movie Stills and Posters at RopeofSilicon.com

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After Dark Films: 8 Films to Die For Dissecting Fans

Over at Horrorfest Online the promoters of the the "After Dark Films: 8 Films to Die For," are releasing five new movie posters from participating films including; "The Broken," "Butterfly Effect: Revelation," "From Within," "Perkins 14," and "Autopsy." Movie posters for "Voices," are forthcoming. See the latest "Autopsy," film poster below and get ready for the "After Dark Films," film festival premiere starting January 9, 2009 (Fearnet).

Stills for the film "Autopsy," are all over the internet and one of the more horrifying pictures appears at the end of this preview. What looks like human remains on a steel cart, sets the tone for the film. For more picures from "Autopsy," visit the Dreadcentral.com website below.


"After Dark Films: 8 Films to Die For," film information:

Release Date: "After Dark Films: 8 Films to Die For," coming to Theatres January 9-15, 2009.

Theatres: Everywhere from Atlanta, GA to Washington, DC (check out the "After Dark Films," website below).


"Autopsy"

Four friends travel cross country to celebrate their graduation from college, but mayhem ensues when an accident leaves one friend in the hospital and the other three with light injuries. Help arrives in the form of an ambulance that whisks all four friends off to Mercy Hospital and here things take a strange turn (Internet).

The hospital has an eerie vibe with minimal staff, empty floors, and hints of bizarre inhuman experiments. Good for a visit, but not for a stay these four friends find themselves without a route of escape and on the run as one crazy doctor decides to practice some bad medicine. Mercy Hospital is one part of Dr. Benway's plan to relive some family atrocities from the early 19th century, but this time the patients are fighting back (Internet).

Rating: Rated R for strong bloody violence, grisly images, language and drug content.

Release Date: January 9, 2009.

Director: Adam Gierasch.

Starring: Jessica Lowndes, Robert Lasardo, Robert Patrick, and Ross McCall.

Writer: Adam Gierasch, and Jace Anderson.

"Mercy," is the original name for this film, yet after reading the synopsis "Autopsy," is a better name with more horrific overtones. Production for "Autopsy," took place in varying locations throughout Jackson, Louisiana, in early 2005. And with a first screening this film was so shocking to MPAA raters that it was initially given an NC-17 rating. Not bad for a small independent film with hopes to become "...the most disturbing (film) we've written...," from writer Adam Gierasch (Internet).

Despite some setbacks with the MPAA and differences in opinion over storylines "Autopsy," makes a North American debut at the "After Dark Films," film festival in 2009. Early reviews are rating this film very highly and with Robert Patrick as Dr. Benway the early trailers will not be enough to satisfy true horror fans. See this one in most major cities in 2009 as the "After Dark Films," horror celebration travels from town to town scaring fans.

One of the better stills from the film "Autopsy," here:




Sources:

Autopsy at Dreadcentral.com

>Autopsy at Fearnet.com

After Dark Films: 8 Films to Die For Homepage

Autopsy at Internet Movie Database

Autopsy at Upcominghorrormovies.com

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After Dark Films: 8 Films to Die For Finishes the Festival with a Bang in Dying Breed

"Dying Breed," is the sixth entry into the "After Dark Films: 8 Films to Die For," film festival in 2009. "Wolf Creek's," Nathan Phillips and "Saw's," Leigh Whannell are both appearing in the film and most of the production took place in the Tasmania outback. Already being shown throughout Australia this film is a tongue-in-cheek horror film that looks to capitalize on some of Australia's greatest rural myths (Shock).

Release Date: "After Dark Films: 8 Films to Die For," coming to Theatres January 9-15, 2009.

Theatres: Everywhere from Atlanta, GA to Washington, DC (check out the "After Dark Films," website below).


"Dying Breed"

Tasmania is a remote island off the coast of Australia and rumours of the Tasmanian Tiger surface after the discovery of a new paw print. Zoology student Nina delves deep into the forests of Tasmania to gather proof about the existence of this elusive creature and finds something much more sinister instead (Mania).

Alexander Pearce AKA "The Pieman," broke out of prison in the early 19th century and ate his fellow escapees. Pearce saw the end of the rope in 1824, but not before he left behind a bloodline of human eating cannibals. Now, Nina discovers that while one species is non-existent another is flourishing and hungry for her flesh (Mania).

Release Date: January 9, 2009.

Rating: Rated R for bloody violent content, language and some sexuality.

Starring: Nathan Phillips, Melanie Valejo, Mirah Foulks, and Leigh Whannell.

Director: Jody Dwyer.

Screem(haha)writers: Michael Boughen, Jody Dwyer, and Rod Morris.

Early reviews of "Dying Breed," run the gamut of "It's a textbook gorefest...," to "...it's basically the plot of Wolf Creek."

"Wolf Creek," is another Australian feature that focuses on a serial killer terrorizing young kids in the remote Australian outback...a truly horrifying piece. Without screening the film it is difficult to form an opinion of this film, but from trailers it appears frightening, slightly amateurish, and involves beautiful cinematography (ABC, Mania).

Australian reviewer David Stratton states "...this poor man’s TEXAS CHAINSAW MASSACRE...," and movie critic Scott Weinberg retorts "...Dying Breed succeeds through sheer force of mood, tone, atmosphere...(ABC, Cinematical)."

So, it appears from a selection of reviews that this film will cause both love and hate in many of its viewers, which is a lot better than apathy or ambivalence. "Dying Breed," is making its North American premiere at the "After Dark Films: 8 Films to Die For," film festival, but an early trailer can be found here at 28dayslateranalysis.com.

A trailer for "Dying Breed," from youtube.com:



Sources:

Dying Breed Review at ABC.net

Dying Breed Review at Cinematical.com

Dying Breed Homepage

Dying Breed Review at Mania.com

Dying Breed at Shocktillyoudrop.com

Dying Breed at After Dark Films

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